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A religious sect led by Gustav Weil hunts all women suspected of witchcraft, killing a number of innocent victims. Young Frieda, Gustav's niece, will involve herself in a devilish cult, and ... Read allA religious sect led by Gustav Weil hunts all women suspected of witchcraft, killing a number of innocent victims. Young Frieda, Gustav's niece, will involve herself in a devilish cult, and become an instrument of Justice in the region.A religious sect led by Gustav Weil hunts all women suspected of witchcraft, killing a number of innocent victims. Young Frieda, Gustav's niece, will involve herself in a devilish cult, and become an instrument of Justice in the region.
Madeleine Collinson
- Frieda Gellhorn
- (as Madelaine Collinson)
Shelagh Wilcocks
- Lady in Coach
- (as Sheelah Wilcox)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
TWINS OF EVIL
Aspect ratio: 1.85:1
Sound format: Mono
This exquisite, sexually charged shocker (the third and final entry in Hammer's unofficial Karnstein trilogy, following THE VAMPIRE LOVERS and LUST FOR A VAMPIRE, both produced in 1970) was directed by John Hough, a talented journeyman who began his career in British television (including notable episodes of "The Avengers") and later helmed the much-acclaimed ghost story THE LEGEND OF HELL HOUSE (1973) before relocating to America and getting lost on the Hollywood treadmill. Here, working with a clever script (by Tudor Gates) and elegant period art direction (by Roy Stannard), he maintains a graceful period style which belies the film's threadbare budget and modest ambitions: A decadent lord of the manor (Damien Thomas) summons the ghost of Mircalla Karnstein (Katya Wyeth) from her grave and is subsequently transformed into a vampire, whereupon he targets the beautiful twin nieces of a local witchfinder (Peter Cushing).
The plot is pure melodrama, but Hough plays it straight for the most part, except for a couple of humorous episodes early in the film (such as the notorious 'candle' incident during an unlikely sexual encounter between Thomas and Wyeth!). The performances are fairly theatrical, though Cushing's zealous witchfinder is a study in quiet intensity (the actor looks particularly gaunt here, having lost his beloved wife shortly before commencement of principal photography). Former 'Playboy' centerfolds Madeleine and Mary Collinson - who appear to have been dubbed in an effort to beef up their unskilled performances - are visually stunning in the bosomy Hammer style, while David Warbeck (later a cult favorite in mainland European exploitation movies), Dennis Price (KIND HEARTS AND CORONETS), Isobel Black (THE KISS OF THE VAMPIRE) and Kathleen Byron (BLACK NARCISSUS) are featured in major supporting roles. The film was released theatrically with a UK 'X' certificate in 1971 because of some sloppy gore and a handful of self-conscious nude scenes, though the British censor has since awarded the uncut video print a lowly '15' rating, which indicates how attitudes have changed in the intervening years.
Aspect ratio: 1.85:1
Sound format: Mono
This exquisite, sexually charged shocker (the third and final entry in Hammer's unofficial Karnstein trilogy, following THE VAMPIRE LOVERS and LUST FOR A VAMPIRE, both produced in 1970) was directed by John Hough, a talented journeyman who began his career in British television (including notable episodes of "The Avengers") and later helmed the much-acclaimed ghost story THE LEGEND OF HELL HOUSE (1973) before relocating to America and getting lost on the Hollywood treadmill. Here, working with a clever script (by Tudor Gates) and elegant period art direction (by Roy Stannard), he maintains a graceful period style which belies the film's threadbare budget and modest ambitions: A decadent lord of the manor (Damien Thomas) summons the ghost of Mircalla Karnstein (Katya Wyeth) from her grave and is subsequently transformed into a vampire, whereupon he targets the beautiful twin nieces of a local witchfinder (Peter Cushing).
The plot is pure melodrama, but Hough plays it straight for the most part, except for a couple of humorous episodes early in the film (such as the notorious 'candle' incident during an unlikely sexual encounter between Thomas and Wyeth!). The performances are fairly theatrical, though Cushing's zealous witchfinder is a study in quiet intensity (the actor looks particularly gaunt here, having lost his beloved wife shortly before commencement of principal photography). Former 'Playboy' centerfolds Madeleine and Mary Collinson - who appear to have been dubbed in an effort to beef up their unskilled performances - are visually stunning in the bosomy Hammer style, while David Warbeck (later a cult favorite in mainland European exploitation movies), Dennis Price (KIND HEARTS AND CORONETS), Isobel Black (THE KISS OF THE VAMPIRE) and Kathleen Byron (BLACK NARCISSUS) are featured in major supporting roles. The film was released theatrically with a UK 'X' certificate in 1971 because of some sloppy gore and a handful of self-conscious nude scenes, though the British censor has since awarded the uncut video print a lowly '15' rating, which indicates how attitudes have changed in the intervening years.
The third and final entry to the 'Karnstein Trilogy', "Twins of Evil" of 1971 is doubtlessly one of the creepiest and best films the great British Hammer Studios have brought forth in the early 70s. After the fantastic "The Vampire Lovers" (1970) and the mediocre "Lust For A Vampire" (1971), this prequel to its predecessors is set in 17th century Austria (my home country), and unites several favorite Horror elements such as Witchhunts, Devil-Worshiping and Vampirism. After many Hammer beauties in other films, "Twins of Evil" brings us the eponymous twins in the leading role, played by the 19-year old former Playboy playmates Madeleine and Mary Collinson. Even though the busty twin sisters, as well as some of other beauties are very nice to look at, this film relies less strongly on eroticism than its predecessors, and focuses mainly on creepiness and suspense. The film follows the 70s Horror-trend of witch-hunts, which became popular after Michael Reeves' British Horror masterpiece "Witchfinder General" (1968) starring the great Vincent Price. This time, it is another brilliant Horror icon, Hammer's very own Peter Cushing, who plays a merciless Witchfinder. Only that this ruthless witch-hunter stands in opposition to a devil-worshiping clan of Vampires - The Karnsteins.
After their parents' death, Venice twins Frieda and Maria Gellhorn (Madeleine and Mary Collinson) are sent to live with their aunt and uncle in an Austrian village. The uncle Gustav Weil (Peter Cushing), a strict religious fanatic, is the leader of a puritan group called 'the brotherhood'. After mysterious deaths, Weil and his henchmen, who believe the murders to be the work of the devil, abduct young women and burn them at the stake for alleged witchcraft. It is quite obvious though, that these women are innocent. The satanic Count Karnstein, who spends his time with bloody rituals, lives in the castle on a mountain near to the village...
"Twins of Evil" magnificently combines several great Horror themes. A classic Vampire story comes along with and Witchhunts, Devil-Worshipping, all presented in a Hammer-typical, beautifully creepy Gothic atmosphere. In my opinion, many of the greatest Hammer films are from the early 70s, as they maintained the beautiful Gothic style and elegant creepiness of their earlier gems, and, at the same time, mixed different Horror-themes and introduced the more explicit themes of the 70s (such more explicit gore and mild erotica). This film has all the classic Gothic Hammer elements - foggy grounds, dark forests, graveyards and eerie castles etc, combined with gruesome elements and genuinely frightening moments. Peter Cushing (in my humble opinion, one of the greatest actors who ever lived) shines as the merciless Witchfinder, a role that fits him brilliantly. The sexy leading ladies Madeleine and Mary Collinson make the film a joy to look at. Director John Hough, who would later make films such as "The Legend of Hell House" (1972) as well the "Treasure Island" adaptation with Orson Welles (1972), deserves great praise for making this one Hammer's most elegant, suspenseful and chilling films. Beautifully filmed in the Hammer-typical uncanny visual style and accompanied by a nice score, "Twins of Evil" is doubtlessly one of the most atmospheric Hammer films from the early 70s, and it also ranks up there among their all-time greats. Highly recommended and a must-see for all Hammer fans!
After their parents' death, Venice twins Frieda and Maria Gellhorn (Madeleine and Mary Collinson) are sent to live with their aunt and uncle in an Austrian village. The uncle Gustav Weil (Peter Cushing), a strict religious fanatic, is the leader of a puritan group called 'the brotherhood'. After mysterious deaths, Weil and his henchmen, who believe the murders to be the work of the devil, abduct young women and burn them at the stake for alleged witchcraft. It is quite obvious though, that these women are innocent. The satanic Count Karnstein, who spends his time with bloody rituals, lives in the castle on a mountain near to the village...
"Twins of Evil" magnificently combines several great Horror themes. A classic Vampire story comes along with and Witchhunts, Devil-Worshipping, all presented in a Hammer-typical, beautifully creepy Gothic atmosphere. In my opinion, many of the greatest Hammer films are from the early 70s, as they maintained the beautiful Gothic style and elegant creepiness of their earlier gems, and, at the same time, mixed different Horror-themes and introduced the more explicit themes of the 70s (such more explicit gore and mild erotica). This film has all the classic Gothic Hammer elements - foggy grounds, dark forests, graveyards and eerie castles etc, combined with gruesome elements and genuinely frightening moments. Peter Cushing (in my humble opinion, one of the greatest actors who ever lived) shines as the merciless Witchfinder, a role that fits him brilliantly. The sexy leading ladies Madeleine and Mary Collinson make the film a joy to look at. Director John Hough, who would later make films such as "The Legend of Hell House" (1972) as well the "Treasure Island" adaptation with Orson Welles (1972), deserves great praise for making this one Hammer's most elegant, suspenseful and chilling films. Beautifully filmed in the Hammer-typical uncanny visual style and accompanied by a nice score, "Twins of Evil" is doubtlessly one of the most atmospheric Hammer films from the early 70s, and it also ranks up there among their all-time greats. Highly recommended and a must-see for all Hammer fans!
Mary and Madeleine Collinson play the title roles, and Peter Cushing and Damien Thomas are Protector and Tempter, respectively. The plot: in the 18th century a Vampire has terrorized the village for centuries. Members of the local church respond by going around and burning women as witches. The title girls arrive in the village and cause havoc, possibly because of their cleavage. One Twin is more Evil than the other; the viewer can predict the plot from there.
Vampire lore was changed to fit the filmmakers needs. Alert viewers will notice one Huge verbal mistake , and at least one visual goof.
The women under 40 are well endowed, and show as much cleavage as allowed. The color is more subdued than in some Hammer films. The gore is bright as ever, ketchup/catsup and red paint substituting for blood.
Not bad, but not essential horror viewing.
Vampire lore was changed to fit the filmmakers needs. Alert viewers will notice one Huge verbal mistake , and at least one visual goof.
The women under 40 are well endowed, and show as much cleavage as allowed. The color is more subdued than in some Hammer films. The gore is bright as ever, ketchup/catsup and red paint substituting for blood.
Not bad, but not essential horror viewing.
Hammer has a lucky to be able to make this movie after the British movies raise age allowing from 16 to 18 years old to show more nudity scenes as gory neither, was the sexual revolution that gave an upgrade and freedom, after a strong wave of liberalism from Europe, then Twins of Evil was made with two premises, firstly the Brotherhood of the Puritans leading by the bigot Gustav Weil (Peter Cushing) whom pursuit young women supposedly by practice of witchcraft and burning all them at fire without mercy, in other hand the Count Karnstein (Damien Thomas) protect by the Emperor stays free to get their victms, Mircalla arose from the grave, just to justified the trilogy's name, in fact she wasn't in the plot, then appears on the little village a gorgeous twins Sister from Italy after lost her father, Frieda and Maria (the Maltese Collinson sisters) a soft sexploitation picture has just few scenes cut by censorship, the candle a dared suggestive scene and the when Frieda bites a woman breast, the DVD bring all scenes in fullness as conceived at this time, also some front nudity showing pubes, one greatest movies from Hammer fully restored !!!
Resume:
First watch: 2015 / How many: 2 / Source: DVD / Rating: 7.75
Resume:
First watch: 2015 / How many: 2 / Source: DVD / Rating: 7.75
Hammer movies seem to divide horror fans. You either dig them or you don't, and I most certainly do! In my opinion even the weaker movies from that studio are still worth a look, and 'Twins Of Evil' is one of the better ones, and therefore essential viewing. It may not be as great as 'The Vampire Lovers', which it has a tenuous link to (it isn't really a "sequel" as such but also deals with the wicked Karnstein family, so if you haven't seen the former, don't sweat it), but it's still damn entertaining. Horror legend and Hammer regular Peter Cushing puts in a strong performance as the overly zealous witchfinder Gustav Weil. He always can be depended upon to take the material seriously, sometimes more seriously than it deserves. The Collinson twins who play his nieces are pretty and can act adequately, but show nowhere near as much flesh as you might expect. They may be the stars according to the title of the movie but are easily overshadowed by Cushing and cult figures Dennis Price (Franco's 'Vampyros Lesbos', the Vincent Price black comedy 'Theatre Of Blood') and David Warbeck (Fulci's 'The Black Cat' and 'The Beyond', and Russ Meyer's little seen 'Blacksnake!'). The rest of the supporting cast are all fine, especially Damien Thomas as the decadent Count Karnstein. As I said 'Twins Of Evil' didn't impress me as much as 'The Vampire Lovers' which I still think is THE Hammer vampire classic, but along with 'Vampire Circus' it is an underrated movie that deserves to be seen by every horror buff. Director John Hough incidentally went on to make the frightening 'Legend Of Hell House' and the cult Peter Fonda road movie 'Dirty Mary Crazy Larry'. 'Twins Of Evil' is yet another solid effort from the much loved Hammer studios.
Did you know
- TriviaTwins of Evil was the third film in Hammer's "Karnstein trilogy," following The Vampire Lovers (1970) and Lust for a Vampire (1971) in a series loosely based on Sheridan Le Fanu's "Carmilla." These pictures were produced quickly--the trilogy's original UK release dates range only from October 1970 (The Vampire Lovers) to October 1971 (Twins of Evil)--and they were lurid even by Hammer standards, bloody and relatively steamy, with an emphasis on heaving bosoms and vampire-enhanced girl-on-girl sexuality.
- GoofsWhen Count Karnstein sacrifices the girl in the altar, in one shot we see her face while the knife hits her heart, and she is looking to her right screaming. On the next shot, while the Count puts the knife out, she is dead and looking to her left.
- Quotes
Gustav Weil: The devil has sent me twins of evil!
- Alternate versionsThe original UK cinema version was cut by the BBFC to edit the scene where Gerta lies on Count Karnstein and to remove footage of blood being smeared onto a woman's body during the sacrifice scene. Video versions featured the same print, as does the 2002 Carlton DVD, and the cut footage may no longer survive.
- ConnectionsFeatured in Peter Cushing: A One-Way Ticket to Hollywood (1989)
- How long is Twins of Evil?Powered by Alexa
Details
- Release date
- Country of origin
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- Also known as
- Las hijas de Drácula
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £205,067 (estimated)
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