Kojak

Kojak the TV Series was The Best TV Series Television had to offer.This was one show that kept you in your seat from the start to the Finish each week, and kept you coming back for more,There has never been a better made for tv show since then. Telly Savalas was born to play Kojak, Never before has an actor put so much of himself into a role, and made it seem so real. I still miss Kojak today and if they would bring back the Series today it would have a new following. I guess you could say that's like saying they will bring back the Drive-In Movie. Not much chance of that happening.

The technical adviser, Detective Burton Armus was the guy that gave Telly the idea about the lolly pop. Burton was a detective working out of the 7th district homicide squad and advised the show. He went on in the film and TV industry as writer and director. A very special gut and I was proud to work with him for the short time I was there( the squad ). I met Telly on two occasions and when I told him that I was NYCPD he shook my hand and said he liked and respected our department. He was much like Jack Webb, anyone who met him , liked him because he was real. Hope the new show will be worth watching. We know it won't be the same, what re-make is?

Sure, Dragnet was in a category all its own and Naked City did pave the way for Kojak, but the grit was too shiny and fake. I grew up in NYC and later, after I moved away, when I watched Kojak in syndication I would get so homesick. What got to me the worst wasn't seeing landmarks like The Angry Squire or Washington Square, but by shooting on city streets, the NYC detritus was blowing down the sidewalk. Yes, that made me lonesome for home. Kojak was a show by, for, and about New Yorkers. Kojak's attitude was a New York cop's attitude, he was tough and glib and underneath that layer was the soft chewy center.

Law & Order owes a huge debt to Kojak. I knew I would have to watch L&O because of what I can only describe as Kojakisms, and it is a disservice to Kojak (& to Telly) that he is only remembered for "Who Loves Ya, Baby?". Kojakisms were as rich and varied as literature.

Here are some of my favorites:

"That's the way the baklava crumbles, baby"

"Whatever you do, don't you so much as double park anywhere near Manhattan South, 'cause you'll get a Hear Ye and a Hear Ye and a greeting you'll never forget."

"Light a candle, baby; a Get Well card won't do."

"...kiss off Goldilocks, your porridge is getting cold."

"You could package that with a wrap-around deodorant and still come out with a stink."

"...the Internal Affairs shoo-flies, they're gonna be all over us like a groom on a honeymoon. And lemme tell ya something, we all better be virgins or have a pretty good story."

"Gather ye rosebuds while ye may; there's a chill in the air.'

"The wine, it smells beautiful baby, but the company, strictly down the tubes."

"Ya know what a vendetta is? It's when a whole bunch of people kill a whole bunch of people for years and years and years and like that!"

" Yer no good! And that's the end of the story!"

Absolutely one of the best shows ever.

in great measure, scene for one actor. his humor, his art to gives many nuances to character, each episode as a joke , audience complicity are pieces of a nice work. in same measure, it is a fragment of past sensitivity. with its naivety, passions and way to define reality. and, in essence, Kojac is a cage. for a very interesting actor who leaves in shadow of this clever, funny, ironic detective.today, Kojak is a sentimental trip around borders of an age. seed of memories, taste of lollipop, charming adventures, not credible situations and memorable music. a TV legend far from every attempt to create a new version of it. unique, powerful, seductive. a kind of iceberg. or only page of a not boring past.

This series, a vehicle for star Telly Savalas, stands out in my mind as becoming more as it developed. The location filming in NY jogs memories of those who visited or lived in the city at that time. The plots frequently involved The Mob, which reflects the time. Some stories were patently unrealistic, but every time I'd complain about such, the camera would move into the street and that winter grating steam would wind around the sound of shoe leather, giving a pretty good suggestion of Dashielle Hammett (sp?). Interesting guest stars would occasionally show up, George Savalas proved a very natural actor and some of the humor appeared unforced and ad lib. A better show than much of the drivel in that decade.