A crippled lady songwriter meets an older lawyer, who becomes her first love.A crippled lady songwriter meets an older lawyer, who becomes her first love.A crippled lady songwriter meets an older lawyer, who becomes her first love.
Jamie Smith-Jackson
- Jennifer
- (as Jamie Smith Jackson)
Pat Harrington Jr.
- Frank
- (as Pat Harrington)
Suzanne Taylor
- Hostess
- (as Sue Taylor)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I think this is a very sensitive performance by Natalie Wood. She had any great roles but this one showed a depth of character not seen in her larger studio films. I enjoyed it very much and encourage those sho have doubts to watch it through to the end.
THE AFFAIR is a very bad TV movie from the 1970s starring the then-husband-wife team of Robert Wagner and Natalie Wood as hesitant lovers. She has polio and leads a reclusive existence as a pop song writer. He's an ambitious lawyer who is very outgoing and absolutely smitten with her. Their affair, such as it is, is doomed from the start, and she knows it, but goes along with it anyway. Two things to watch for if you are trapped into watching this: Wood's Jane Fonda hairdo that is never mussed, no matter what, and a tune she sings early in this dreadful flick. She sings it for four or five or six minutes, so you know it's classic padding between commercials. It also is one of the worst songs ever written, and the woman doing Wood's singing voice should have been shot and put out of her misery. Also, keep an eye out for all the peasant tops and dresses. By comparison, Wagner looks relatively timeless, with close-cropped hair and sporting a series of classic suits.
It's difficult to know who to blame for this dreary presentation. Even the best actors are disadvantaged with a poor script and I have to say that the script has to share some of the blame for this uninteresting piece of entertainment. A few times voices are raised in heated argument but on the whole the dialogue drifts along slowly and hesitantly as each character timidly explores the possibility of an affair. Natalie Wood as Courtney does well enough as the polio victim but her scenes with Marcus (Robert Wagner)were dull and vague and I felt little sympathy for either of the characters. It is true that Courtney confined herself to her own little world and was afraid to step outside of it and let some sparks fly. Some tighter direction might have helped too with Courtney delivering a greater feeling of her frustration. For me the projection of the feelings of the characters was missing. There was little drama to speak of.
So don't waste your time on this one. There are plenty of good dramas around
So don't waste your time on this one. There are plenty of good dramas around
Natalie Wood portrays Courtney Patterson, a polio disabled songwriter who attempts to avoid being victimized as a result of involvement in her first love affair, with her partner being attorney Marcus Simon, played tepidly by Wood's real-life husband, Robert Wagner. The film is cut heavily, but the majority of the remaining scenes shows a very weak hand from the director who permits Wagner to consistently somnambulate, laying waste to a solid and nuanced performance from Wood, who also proffers a fine soprano. The script is somewhat trite but the persistent nature of Wagner's dramatic shortcoming is unfortunately in place throughout, as he is given a free hand to impose his desultory stare at Wood, which must be discouraging to an actress. The progression of their relationship is erratically presented and this, coupled with choppy editing, leads the viewer to be less than assured as to what is transpiring, motivation being almost completely ignored in the writing. Although largely undistinguished, the cinematography shines during one brief scene when Wood is placed in a patio and, following the sound of a closing door, remains at the center while the camera's eye steadily pulls away demonstrating her helplessness and frailty. More controlled direction would have allowed the performers, even the limp Wagner, to scale their acting along the lines of an engaging relationship; as it was released, there is, for the most part, an immense lack of commitment.
Ordinary TV movie that would be forgotten entirely if not for the costarring of the lead pair who had just reunited years after the end of their first storybook marriage. The film is assuredly beneath Natalie but right in Wagner's ballpark, she did it so they could work together and his feature film career was over. He offers a surface performance, she a good one although she may look the worst on screen that she ever has. Expecting during production, the baby-a daughter was named Courtney after her character, she looks bloated with a very unflattering hairdo. Still her movie star charisma shines though making this gruel better than it would have been.
Did you know
- TriviaNatalie Wood was pregnant while making the movie and named her daughter Courtney Brooke Wagner after the character she played.
- ConnectionsReferenced in The Big Box: To the Devil a Daughter (2009)
Details
- Release date
- Country of origin
- Language
- Also known as
- Love Song
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 14m(74 min)
- Sound mix
- Aspect ratio
- 1.33 : 1
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