Blackenstein

Well the movie is silly now but you got to really understand that was 1973 and it was scary back then. even the original movies are not scary now . But they was back then. so come on now. if today they do a remake of blackenstien YES it would be scary now .THINK ABOUT IT.AND THE MOVIES THEY make now unless the music is really hard people are not that scared now. but on the real tip the movie was not all that bad for it,s time that it came out.the end of it was a bit silly. It did not have that hard core thunder to it . and really if it was a black movie why all the white women getting kill . you don,t see that many black women getting killed in the white movies . just asking OK don,t get it wrong . just something to think about.

The moving has serious pacing problems, so it's pretty tough to watch. The best part of the movie is the laboratory set, which must have been where most of the budget went. There are three moments of gore involving intestines and they are not too impressive. A few strange shots might catch the eye, but they are probably ripped off from some other movie. At least Blackenstein is not a pimp or anything, though that's probably what viewers want from their campy movies. My tape is from Media. Well, I used a coupon when I bought it.

Nothing's sacred in the world of exploitation cinema, not even Mary Shelley's legendary novel or the classic Universal make-up effects on Boris Karloff. And thank the heavens for that, otherwise we never would have seen this wondrously demented Blaxploitation interpretation of Frankenstein. "Blackenstein" is a delightfully inept movie, some would even categorize it under so-bad-it's-great, and the script goes far beyond simply copying the original Shelley tale. There are even flashes of "The Island of Dr. Moreau" to be found here and there's another mini sub-plot about a rejuvenation serum. The actual Frankenstein plot is moderately altered as well, since the mad doctors (yes, two in this case, black & white brotherly messing with Mother Nature and God's creation together!) don't intend to re-insert life into dead body parts, but supply a wounded Vietnam veteran with new arms and legs. The procedure doesn't go as planned, due to the sabotaging of a jealous assistant, and a monstrous creation arises from the operating table. The genetically altered Brutha goes on a murder rampage but his endearing wife still doesn't give up on him. "Blackenstein" is original and funny because of its ineptness, but after a while it nearly becomes unendurable to sit through. The pace slows down fast and the story reverts to boredom, the dialogs are horrible, the make-up effects are miserable and the acting performances are lamentable. Especially Roosevelt Jackson, as Malcomb the assistant, is the hammiest performer I've seen in a long time. The DVD states that the operating sequences were shot with the same and carefully persevered scenery and sets of the original Frankenstein film. That's quite difficult to believe but, as said, everything's possible in the 70's exploitation industry. "Blackenstein" is definitely not a good film, but nevertheless recommended to people with a morbid & insatiable curiosity for weird film-making.

In 1972, some genius had the idea of a blaxploitation vampire film, Bram Stoker's legendary vampire Dracula becoming Blacula. It's clever because it rhymes.

The following year, writer/producer Frank R. Saletri tried to get in on the action with a blaxploitation version of Frankenstein called Blackenstein, which isn't such a great title. It's also not a very good film.

Blackenstein sees Dr. Winifred Walker (Ivory Stone) paying a visit to her old teacher Dr. Stein (John Hart) in the hope that he will help her fiancé Eddie (Joe De Sue), a Vietnam veteran who has lost all of his limbs in a landmine blast. Using a special DNA serum, Stein transplants new limbs onto Eddie, but his assistant Malcomb (Roosevelt Jackson), who is in love with Winifred, meddles with the treatment, turning Eddie into a violent lumbering monster.

The problem with Blackenstein is that it's not obvious whether director William A. Levey was going for genuine horror or pure camp. If he was aiming for a truly terrifying experience, he fails spectacularly, starting with Stein's hilariously clichéd mad scientist's lab, which is full of flashing lights, bubbling beakers, and crackling electrical equipment that could have come straight out of James Whale's Frankenstein forty years earlier (in fact, the special electronic effects were created by Ken Strickfaden, who also worked on Whale's movie). If he was going for tongue-in-cheek, OTT fun, he doesn't go far enough: much of his film is uneventful and extremely tedious, so much so that the director resorts to throwing in a nightclub act to try and add some pep to proceedings.

With terrible performances, inept gore (limb ripping, spilled guts, a torn out throat), and gratuitous female nudity (four bare breasts, and past-her-prime mobster's girlfriend Liz Renay in a sheer negligee), Blackenstein sounds like fun, but it takes a special kind of horror fan to sit through a film like this without wanting to throw in the towel at some point.

This kitschy blaxploitation film was originally intended as a serious movie, which (ultimately) earns it some points in the camp department. However, the movie's slow starting pacing pace, wooden acting, and (periodically) decent production value make for a largely uneventful ride. Using sets from the original 1931 "Frankenstein," as well as similar art direction, "Blackenstein" was a movie that tried hard to be legitimate, and the first half of the film rises above typical exploitation schlock. However, once the Blackenstein monster is created, the film begins to fall apart, and what follows is a terrible, "Blood Freak"-style horror movie, with laughably amateurish scene direction and gore effects. The result is a very uneven film, and a difficult one to recommend without reservations. The highlight is the awful acting, (particularly of Blackenstein himself), which makes for decent joke material, but I can't say we consistently laughed our way through this one. Fans of H.G. Lewis and Ray Dennis Steckler should be pleased, as the film has a somewhat similar feel, but most others can give it a pass. ---|--- Reviews by Flak Magnet