The story of the breakup of an eighteen-year marriage, as seen from the points of view of both the husband and the wife.The story of the breakup of an eighteen-year marriage, as seen from the points of view of both the husband and the wife.The story of the breakup of an eighteen-year marriage, as seen from the points of view of both the husband and the wife.
Marietta Meade
- Gina
- (as Marietta Schupp)
Maximilian Bartel
- Butler
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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These two connecting movies, made in the early seventies were obviously tax write-offs for the over indulgent Burtons - but to see Carrie Nye, wafting about Rome in orange and canary yellow chiffon dresses, sipping champagne out of her golden slippers and charmingly trying to step in between Burton and Taylor's 'on again-off again' love affair is a treat that makes these two 70's period pieces great! With her honest husky drawl, she growls and drinks and brazenly seduces Burton so matter-of-factly, that you really can't understand why he turns her down for the shrill harping's of Taylor's needy character. A fun movie of a time long past - where material excess was accepted and longed for, and the only care in the world was 'what diamonds to wear' that day. Carrie Nye shines in these films.
At the time, it was fun to watch every Liz and Dick movie they made together, but knowing they were divorced in 1974, it's not enjoyable to watch a movie in 1973 in which they play a couple in the midst of a terrible divorce. I'd skip Divorce His – Divorce Hers if I were you.
This is one of those movies that pretty much takes place over the course of a few days, but constantly flashes back in time. Usually, I find that kind of story annoying, and this movie is no exception. Elizabeth Taylor and Richard Burton play a bickering, tired, estranged couple who are getting ready to finalize their divorce. Liz has custody of their three children, and each of them are in different stages in anger towards their father. But, none of the kids are particularly likable, so my heart was not tugged in their direction. Liz acts like an understudy; if this was the first movie of hers you saw you'd think she was a lousy actress. Dick is plain cranky, like they've filmed too many takes and he just wants to go home. The script is boring. The so-called surprises are hardly worth the build-ups, and the arguments lack fire, punch, and interest. The pace is slow, and it's not even enjoyable for fans who wish an inside view of what went wrong with the famous couple's marriages. The characters are obviously dissimilar to their offscreen personas. Just skip it. Watch Who's Afraid of Virginia Woolf? instead.
This is one of those movies that pretty much takes place over the course of a few days, but constantly flashes back in time. Usually, I find that kind of story annoying, and this movie is no exception. Elizabeth Taylor and Richard Burton play a bickering, tired, estranged couple who are getting ready to finalize their divorce. Liz has custody of their three children, and each of them are in different stages in anger towards their father. But, none of the kids are particularly likable, so my heart was not tugged in their direction. Liz acts like an understudy; if this was the first movie of hers you saw you'd think she was a lousy actress. Dick is plain cranky, like they've filmed too many takes and he just wants to go home. The script is boring. The so-called surprises are hardly worth the build-ups, and the arguments lack fire, punch, and interest. The pace is slow, and it's not even enjoyable for fans who wish an inside view of what went wrong with the famous couple's marriages. The characters are obviously dissimilar to their offscreen personas. Just skip it. Watch Who's Afraid of Virginia Woolf? instead.
How well I remember from my youth all the media coverage of Elizabeth Taylor and her love life. First her affair with Eddie Fisher and the breaking up of that marriage and then the page one stories for days from the set of Cleopatra where she and Richard Burton were an item. She shed Fisher and married Burton and Liz and Dick married, twice in fact, and did several joint projects. Sad to say this made for television film about a couple's dwindling affection for each other was one of the least of their projects, maybe THE least.
Divorce His - Divorce Hers examines a marriage that has not stood the test of time. Both Burton and Taylor have gone their separate ways have taken on lovers, still is their a chance they could reunite. The viewer will conclude by the end that we don't really care.
Given all the marriages by both parties in real life they could have played these parts in their sleep. In fact I'm reasonably sure that Burton and Taylor were sleepwalking part of the film.
God knows that both individually and jointly Liz and Dick gave us some great performances. But in this strictly star vehicle it all seems by rote.
Divorce His - Divorce Hers examines a marriage that has not stood the test of time. Both Burton and Taylor have gone their separate ways have taken on lovers, still is their a chance they could reunite. The viewer will conclude by the end that we don't really care.
Given all the marriages by both parties in real life they could have played these parts in their sleep. In fact I'm reasonably sure that Burton and Taylor were sleepwalking part of the film.
God knows that both individually and jointly Liz and Dick gave us some great performances. But in this strictly star vehicle it all seems by rote.
Divorce His/Divorce Hers from 1973 is the only tv movie that Liz and Dick made. In fact, I think they were about to become divorced themselves, though they did remarry.
This movie is in two parts, showing the effect of divorce on each party as their 18-year marriage is ending.
They play Martin and Jane Reynolds. We meet them in Rome after a two-year separation. Martin is in Rome on business and has unhappy memories of their union.
Jane is more focused on their family life and the hurt the divorce caused their children.
Overly long and kind of boring. Rome is beautifully photographed, and Taylor looks gorgeous and bejeweled. Burton seems a little out of it.
Actually the whole thing is kind of trashy. I don't think either one of them were in a good place in their lives, since they split the next year. And their lives were much more interesting than those of the characters in this film.
This movie is in two parts, showing the effect of divorce on each party as their 18-year marriage is ending.
They play Martin and Jane Reynolds. We meet them in Rome after a two-year separation. Martin is in Rome on business and has unhappy memories of their union.
Jane is more focused on their family life and the hurt the divorce caused their children.
Overly long and kind of boring. Rome is beautifully photographed, and Taylor looks gorgeous and bejeweled. Burton seems a little out of it.
Actually the whole thing is kind of trashy. I don't think either one of them were in a good place in their lives, since they split the next year. And their lives were much more interesting than those of the characters in this film.
The glut of DVDs flooding the market is giving us a chance to wallow in some ripe old tosh and I love it!. This pongs like an ignored armpit. Poor old Waris Hussein, its not his fault. Would you fancy telling Dick and Liz that they can't act or even dare whisper that they should at least try to look at the script before the camera rolls ? Everyone around them seems to be red faced. Barry Foster can scarcely hide his shame - fresh from Frenzy and then THIS?. Rudolph Walker puts in an appearance and makes you realise that Eastenders ain't all that bad and that at least you could understand Jack Smethurst whilst he was being all controversial as Rudi's Loving Neighbour. Let's hope that some more enterprising DVD companies release more choice cuts such as this. Bring out your dead! Seriously, if you get a thrill out of high class trash get this one before it goes back into hiding for another 30 years.
Did you know
- TriviaThis was Richard Burton's and Dame Elizabeth Taylor's only made-for-television movie together.
- Quotes
[first lines]
Judith Reynolds: Daddy!
Martin Reynolds: Darling! How you've grown! Is Mummy in?
Judith Reynolds: Mummy isn't here. She went out.
Martin Reynolds: Didn't she get my cable?
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