Any Old Port in a Storm
- Episode aired Oct 7, 1973
- TV-PG
- 1h 36m
IMDb RATING
8.3/10
4.2K
YOUR RATING
A winemaker and connoisseur kills his half-brother in a fit of rage to prevent him from selling the family winery to a merchant company, and Lt. Columbo has to be very creative to solve this... Read allA winemaker and connoisseur kills his half-brother in a fit of rage to prevent him from selling the family winery to a merchant company, and Lt. Columbo has to be very creative to solve this one.A winemaker and connoisseur kills his half-brother in a fit of rage to prevent him from selling the family winery to a merchant company, and Lt. Columbo has to be very creative to solve this one.
Regis Cordic
- Lewis
- (as Regis J. Cordic)
Monte Landis
- Steward
- (as Monty Landis)
Holger Bendixen
- Auction Patron
- (uncredited)
Featured reviews
This was another episode that I saw recently and I am still mystified at how I missed this episode for so long. Any Old Port in a Storm defines the term classic Columbo and has next to nothing wrong with it.
While it is a slow-paced episode, Any Old Port in a Storm is never dull. The script is excellent, with some very snappy lines and some of the interactions are among my favourites in a Columbo episode. The story lives up to its great premise and is always interesting and absorbing, the ending is tricky but not confusing as it is paced and explained very well.
Any Old Port in a Storm looks striking too, the photography doesn't jar in any way and the location shooting still looks pleasing on the eyes. The music is atmospheric and is careful not to intrude too much. The direction is top notch, as is the cast. Peter Falk is spot on and Donald Pleasance is so classy in an equally strong performance.
All in all, a classic Columbo episode with very little to fault it. 10/10 Bethany Cox
While it is a slow-paced episode, Any Old Port in a Storm is never dull. The script is excellent, with some very snappy lines and some of the interactions are among my favourites in a Columbo episode. The story lives up to its great premise and is always interesting and absorbing, the ending is tricky but not confusing as it is paced and explained very well.
Any Old Port in a Storm looks striking too, the photography doesn't jar in any way and the location shooting still looks pleasing on the eyes. The music is atmospheric and is careful not to intrude too much. The direction is top notch, as is the cast. Peter Falk is spot on and Donald Pleasance is so classy in an equally strong performance.
All in all, a classic Columbo episode with very little to fault it. 10/10 Bethany Cox
Adrian Carsini (Donald Pleasance) runs a California winery owned by his younger half-brother (Gary Conway, in a flat performance) who reveals he's about to sell it. This enrages the older wine connoisseur who knocks the young playboy out cold and ties him up in the wine cellar. Soon Carsini has committed a murder and makes it look like a scuba diving accident. Our rumpled Lt. Columbo (Peter Falk) is on the case and is willing to harass everyone—even Carsini's cold but devoted secretary (Julie Harris)—until he's discovered the truth.
Leo Penn directs a script by Stanley Ralph Ross (from a story by Larry Cohen) that is mainly excellent. The murder—or rather its cover up—is splendidly tricky. Columbo's scenes with his main adversary and the secretary are inventive and witty. "Columbo vs. wine connoisseur" was a premise waiting to happen, and Ross makes the most of it. Not all the scenes are as tight and purposeful as they are in "Murder by the Book" or "A Stitch in Crime," but this slow-paced episode never seems to drag.
What makes this "Columbo" rank among the best are Julie Harris, in a familiar but welcome performance, and Donald Pleasance, who seems to have lived in his character for years and knows the man's every aspect, from his imperious snobbishness and petulant tantrums to his nervous boyishness and childlike enthusiasm. We don't care about the half-brother; but a second tragedy happens in the wine cellar, and it's one of the saddest moments in the series.
Leo Penn directs a script by Stanley Ralph Ross (from a story by Larry Cohen) that is mainly excellent. The murder—or rather its cover up—is splendidly tricky. Columbo's scenes with his main adversary and the secretary are inventive and witty. "Columbo vs. wine connoisseur" was a premise waiting to happen, and Ross makes the most of it. Not all the scenes are as tight and purposeful as they are in "Murder by the Book" or "A Stitch in Crime," but this slow-paced episode never seems to drag.
What makes this "Columbo" rank among the best are Julie Harris, in a familiar but welcome performance, and Donald Pleasance, who seems to have lived in his character for years and knows the man's every aspect, from his imperious snobbishness and petulant tantrums to his nervous boyishness and childlike enthusiasm. We don't care about the half-brother; but a second tragedy happens in the wine cellar, and it's one of the saddest moments in the series.
ANY OLD PORT IN A STORM is the greatest of all the Columbo TV movies that I've been watching recently as it's just the perfectly-made episode. It features an excellent and humble performance from Peter Falk as the investigating detective and a wonderful guest star in the form of Donald Pleasence, who brings warmth, quirkiness, and humour to his role. It has everything you'd want from a Columbo story and more besides.
The storyline involves the fussy owner of a winery who prides himself on his ability to sniff out and collect only the very best wines. Unfortunately he's saddled with a younger half-brother who plans to sell the business for his own ends, and the winery owner isn't about to let that happen. A moment of rage is followed by a carefully-considered plan to make murder look like an accident, but will Columbo be fooled?
We all know where this story is going, but ANY OLD PORT IN A STORM features wonderful scripting, the great solving of clues, and some hilarious set-pieces to enjoy. The scene where Columbo is trying to find out the previous week's weather is a comic highlight, but Pleasence's explosion in a high-class restaurant is the stand-out moment. Watch out for Gary Conway (LAND OF THE GIANTS) in his cameo as the younger brother.
The storyline involves the fussy owner of a winery who prides himself on his ability to sniff out and collect only the very best wines. Unfortunately he's saddled with a younger half-brother who plans to sell the business for his own ends, and the winery owner isn't about to let that happen. A moment of rage is followed by a carefully-considered plan to make murder look like an accident, but will Columbo be fooled?
We all know where this story is going, but ANY OLD PORT IN A STORM features wonderful scripting, the great solving of clues, and some hilarious set-pieces to enjoy. The scene where Columbo is trying to find out the previous week's weather is a comic highlight, but Pleasence's explosion in a high-class restaurant is the stand-out moment. Watch out for Gary Conway (LAND OF THE GIANTS) in his cameo as the younger brother.
An accomplished Columbo adventure with a well-written script that shrewdly fine-tunes the basic, well-established Columbo formula.
Donald Pleasence is magnificent as a wine fanatic who is horrified to learn that his impetuous and irresponsible brother (Gary Conway) is planning to sell off the family-owned vineyard. The sequence of increasingly antagonistic banter between the brothers, prior to the murder set-up, is powerful and ingenious. Pleasence renders Conway unconscious in a fit of rage in his office - does he immediately think of making it into a murder or does it become a gradual thought? In any case, the "eventual" murder is resourcefully constructed to be made to look like an accident; better than any other "made to look like an accident" scenario in the series.
Whilst there is not the typical plethora of circumstantial clues, the ones that are included are nicely inserted to achieve a decent impact.
The script-writer intriguingly develops the relationship between detective and murderer, as a mutual respect becomes apparent, especially as Columbo starts demonstrating his new-found knowledge on the subject of wine. Without contradicting myself, this is a remarkably positive element to the whole proceedings, given that my usual personal preference is for the Columbo-villain relationship to be more fractious.
Several later scenes uphold the high standard of the episode, primarily, when the murderer's grip over his secretary is "turned on it's head"; in the restaurant, when the murderer ironically complains about the over-heated wine; at the beach cliff-top, when the murderer is forced to throw away all of his wine from the cellar etc.
There is hardly a dull moment in this Columbo adventure; the pacing of the story is not frenetic, rather it is all executed in a calm, controlled manner which is symbolic of its subtleties.
It is one of Peter Falk's favourite episodes and one of mine - highly recommended viewing and an episode that would be great for newcomers to the series (if there are any) to watch, in order to endear themselves to the Columbo character.
Donald Pleasence is magnificent as a wine fanatic who is horrified to learn that his impetuous and irresponsible brother (Gary Conway) is planning to sell off the family-owned vineyard. The sequence of increasingly antagonistic banter between the brothers, prior to the murder set-up, is powerful and ingenious. Pleasence renders Conway unconscious in a fit of rage in his office - does he immediately think of making it into a murder or does it become a gradual thought? In any case, the "eventual" murder is resourcefully constructed to be made to look like an accident; better than any other "made to look like an accident" scenario in the series.
Whilst there is not the typical plethora of circumstantial clues, the ones that are included are nicely inserted to achieve a decent impact.
The script-writer intriguingly develops the relationship between detective and murderer, as a mutual respect becomes apparent, especially as Columbo starts demonstrating his new-found knowledge on the subject of wine. Without contradicting myself, this is a remarkably positive element to the whole proceedings, given that my usual personal preference is for the Columbo-villain relationship to be more fractious.
Several later scenes uphold the high standard of the episode, primarily, when the murderer's grip over his secretary is "turned on it's head"; in the restaurant, when the murderer ironically complains about the over-heated wine; at the beach cliff-top, when the murderer is forced to throw away all of his wine from the cellar etc.
There is hardly a dull moment in this Columbo adventure; the pacing of the story is not frenetic, rather it is all executed in a calm, controlled manner which is symbolic of its subtleties.
It is one of Peter Falk's favourite episodes and one of mine - highly recommended viewing and an episode that would be great for newcomers to the series (if there are any) to watch, in order to endear themselves to the Columbo character.
This is my favourite Columbo of all time. Not only is it my favourite Columbo but it also stars one of my favourite actors in Donald Pleasence. Pleasence and Falk form a great chemistry the way they start to trifle around about making wine. At this point the viewer is treated to some of Columbo's best idiosyncratic traits that has made his character so famous. I was hoping that Pleasence and Falk would team up again for a second Columbo but my hopes came to an end when Mr.Pleasence passed away in 1995.
Did you know
- TriviaPeter Falk has stated that this episode is his personal favorite. He said that this was the first episode in which Columbo developed a sincere fondness for the murderer. Speaking of Columbo and the Donald Pleasence character, he said that "the two men shared something in common: an admiration for excellence." This was discussed in a 10-minute interview by Johnny Carson on "The Tonight Show Starring Johnny Carson (1962)" three days before the original broadcast of the episode, in which Falk praised the skills and performance of Pleasence.
- GoofsAll the stunt with the overheated port proved is that the temperature in Carsini's wine room got so hot that it ruined his wine. It didn't prove Rick died there or was even in there, at all.
- SoundtracksThis Old Man
(uncredited)
English children's folk song
Whistled by Peter Falk
Details
- Release date
- Country of origin
- Languages
- Also known as
- "Columbo - Wein ist dicker als Blut" (1975)
- Filming locations
- Mirassou Winery, 3000 Aborn Road, San Jose, California, USA(Carsini Winery)
- Production company
- See more company credits at IMDbPro
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