Double Exposure

Dr. Bart Keppel (Robert Culp) styles himself as a "motivation research specialist," and it's true he has written several books on marketing and made a name for himself on the subject of "subliminal advertising"—which involves inserting frames of an advertised product into the reels of a film. The frames go by too fast for the conscious mind to note them; but subconsciously the mind picks them up and makes the viewer crave what is pictured. But this advertising expert's more lucrative sideline is blackmail. He takes secret pictures of his married clients with a girl hired to tempt them. His latest victim, Vic Norris (Robert Middleton), balks and wants to turn in Dr. Keppel (don't call him Mr. Keppel) to the D.A. The blackmailer prevents this by murdering Norris during a screening of a promotional film. He finds a clever alibi and an even cleverer way of tempting his victim into the wrong place at the wrong time. But his projectionist (Chuck McCann) finds out and blackmails the blackmailer. It's up to our rumpled Lt. Columbo (Peter Falk) to use subliminal tricks of his own to unmask the killer.

This enjoyable "Columbo" episode, directed by Richard Quine from a script by Stephen J. Cannell, bears resemblance to "Columbo: Death Lends a Hand," which also featured Robert Culp as a killer who blackmails one victim too many. The subject of subliminal advertising is amusing, though I think the idea was discredited at some point. The last I heard of it was when some Japanese animators innocently inserted frames of American flags into episodes of the TV cartoon, "Alf." There was an uproar, but the idea of hypnotizing people with frames of film came to look silly. Still, give this episode your willing suspension of disbelief, and you'll enjoy it.

Most of the 1970s Columbos are excellent and "Double Exposure" is one of the very best. The motivational psychology angle works well and offers Columbo some intriguing research to do. The villain is played by Robert Culp and this is his third and last appearance in 1970s Columbo. (He would return as the father of a villain in a 1990s episode - "Columbo Goes To College".) Culp is a class act and he brings the right balance of arrogance and likable roguishness to the part. Falk clearly loves playing against Culp and as a result he raises his game giving one of his most grounded performances as the detective. The interaction between the two is a joy and look out for Columbo's "you can't win them all" line which is the climax to some verbal jousting between him and Culp. Overall, this would be in my top 5 Columbos of all time.

I usually watch Columbo for the guest villains/murderers, and this episode stars the arrogant Robert Culp, who's in my opinion second only to Jack Cassidy as far as great guest stars/killers go. Culp perfectly portrays Dr. Bart Kepple, a research specialist who's responsible for this new fangled gizmo called subliminal messaging, and he's a very proud and confident man. The method of the murder is quite original, yet very risky, but Culp makes any routine murder that much more interesting. Kepple naturally underestimates Columbo, and tries to outsmart him, even though Columbo is adept at playing dumb to the arrogant suspect. Speaking of dumb, that award goes to the film projectionist, who stupidly blackmails Kepple and practically asks to get himself killed, in which Kepple obliges. Lastly, the conclusion is better than many other episodes, as Columbo uses Kepple's technique against him.

A Season 3 Columbo episode that is particularly underestimated for its engrossing qualities, which are facilitated by a very tightly-structured plot and script with very few secondary characters, brisk pacing and an enormous amount of screen time between Columbo and villain.

Robert Culp makes his third and final appearance as a Columbo villain, playing a motivational research specialist whose blackmailing scheme, involving his potential (married) business clients and a model he is using for the advertising campaigns, is threatened to be exposed by one of his clients...

Quite possibly this is Culp's best performance of the three; remarkably calm, assured and purposeful throughout despite the increasingly intrusive nature of Columbo's questioning. There are some great scenes between the two in a supermarket and (even better) on a golf course.

The quality of the episode is all the more remarkable given the moderate quantity of circumstantial clues, yet the basic murder set-up is really quite ingenious, particularly as the murderer is able to hide the murder weapon in a very clever and almost foolproof manner. This accentuates the lack of predictability in this story as Columbo has to be really smart to uncover the truth: the finale is superbly ironical and the elements of smartness possessed so markedly by the villain in the preceding sequences are wonderfully transferred to the dogged and ultra-persistent hero.

Addicts may also note that Columbo mentions the "Hayward case" early on in this story, which interestingly refers to the previous episode entitled "Candidate for Crime."

An undoubtedly solid episode, which is precise in its intentions and very competent in its delivery.

I am a big fan of Robert Culp. Before his acting career took off he and a pal would make some money weekends by racing motorcycles. His friend was Steve McQueen. There was something that Robert Culp brought to each role, a unique quality. He was always cerebral and wiley. He is always a step ahead, even as the end approached, his character maintained a touch of class. I always liked episodes with Robert Culp in them. As his friend Steve McQueen was able to do, Robert Culp brought his own touch of style and McQueen grade of coolness.