Two disillusioned New York City policemen plan a ten million dollar robbery to fuel their low pensions, only to run into one debacle after another in the process.Two disillusioned New York City policemen plan a ten million dollar robbery to fuel their low pensions, only to run into one debacle after another in the process.Two disillusioned New York City policemen plan a ten million dollar robbery to fuel their low pensions, only to run into one debacle after another in the process.
Frank Adonis
- Picnic Hood
- (as Frank Scioscia)
Featured reviews
The story is a simple one, two of New York's finest decide to get rich by robbing ten million in bearer bonds, and then fencing them through the mafia. I didn't laugh once during this supposed caper comedy. I did however enjoy the film, and especially liked the supporting cast. The late Dolph Sweet and J.P. Ryan are standouts. The photography is another plus, with long engaging shots of New York City. The robbery itself is well done, but the exchange of the goods with Ryan's men in Central Park stretches believability to the limit. The ending seems quite abrupt, and while happiness reigns, it is doubtful, they could get away with it so easily. - MERK
Cops and Robbers is an enjoyable, entertaining, and well-acted film. Directed by Aram Avakian, and starring Cliff Gorman and Joseph Bologna as two cops who decided to pull-off the "perfect crime".
Filmed in 1973, it's a trip down memory lane, capturing the grit and grime of New York City before it's "make-over" some twenty years later. Gorman and Bologna give their career best performances. Their interactions and conversations seem as real as can be. At no time what-so-ever, do you feel like these fine actors are acting.
The movie however is stolen by character actor John P. Ryan as mob-fence "Pastsy O'Neill". Ryan gives an academy award winning performance(he was never nominated), and you truly have sympathy for his character in the end.
A really fine work of film-making.
Filmed in 1973, it's a trip down memory lane, capturing the grit and grime of New York City before it's "make-over" some twenty years later. Gorman and Bologna give their career best performances. Their interactions and conversations seem as real as can be. At no time what-so-ever, do you feel like these fine actors are acting.
The movie however is stolen by character actor John P. Ryan as mob-fence "Pastsy O'Neill". Ryan gives an academy award winning performance(he was never nominated), and you truly have sympathy for his character in the end.
A really fine work of film-making.
New York City cops Tom and Joe are in the mist of burn out. Why me syndrome eats at them in every way including getting in the wrong lane on the highway. They decide on a bold move to remove themselves from the relentless rat race by stealing and selling security bonds to the mob while remaining untraceable themselves.
Cops and Robbers is a very decent suspense comedy overachiever. Lack of star power works in its favor with Cliff Gorman and Joseph Bologna as the two rogue cops as non-descript everydays they ooze New York and are not required to perform acts of cool bravado to protect their careers. They are not master thieves, instead learning as they go along and it's this thin ice approach that gives the film it's well paced balance of humor and suspense.
Made during the Serpico era when the NYPD was swimming in corruption it's hard not to root for these dirty cops being squeezed on both sides. It may be a low rent sting but it does have the benefit of bluffing the audience deeper into the final moments than predictable outcomes reserved for superstars like Newman and Redford.
Cops and Robbers is a very decent suspense comedy overachiever. Lack of star power works in its favor with Cliff Gorman and Joseph Bologna as the two rogue cops as non-descript everydays they ooze New York and are not required to perform acts of cool bravado to protect their careers. They are not master thieves, instead learning as they go along and it's this thin ice approach that gives the film it's well paced balance of humor and suspense.
Made during the Serpico era when the NYPD was swimming in corruption it's hard not to root for these dirty cops being squeezed on both sides. It may be a low rent sting but it does have the benefit of bluffing the audience deeper into the final moments than predictable outcomes reserved for superstars like Newman and Redford.
... which sounds like an odd combination of genres, but not really for the 1970s.
Joseph Bologna and Cliff Gorman star as two NYC cops who grow tired of seeing slimy characters grow rich while they can barely make ends meet for their families, so they decide to try a little heist for themselves. They don't want to pull any petty jobs..they want one great caper that will provide them new lives, but the problem is they don't really know what's involved or how to plan it, so they go (in disguise) to a mob boss who they know has skirted the law easily for years. He gives them the inside info on a Wall Street company, and the benefits of stealing bonds, which he will pay handsomely for. The day they choose? The day the Apollo 11 astronauts are given a ticker tape parade just downstairs from their target.
This is a crime/comedy..so needless to say, all does not go as planned, and their biggest worry isn't getting arrested for the actual crime, but for their problem delivering 'the goods' to the mob.
This was really a fun watch and much better than I anticipated. It is flat out a New York film and in no way is it 'Hollywood-ized'. It's true to the NYC of the early 70's..lots of corruption, chaotic arrests, the noise, the little messy shops on littered streets contrasted to the order and sterile space of the financial offices. The actors are NY too, and there is a natural feel to every performance from accents to body language. It's like a darkly funny crime caper set in a time capsule, and wonderfully watchable - not your usual cop movie.
Joseph Bologna and Cliff Gorman star as two NYC cops who grow tired of seeing slimy characters grow rich while they can barely make ends meet for their families, so they decide to try a little heist for themselves. They don't want to pull any petty jobs..they want one great caper that will provide them new lives, but the problem is they don't really know what's involved or how to plan it, so they go (in disguise) to a mob boss who they know has skirted the law easily for years. He gives them the inside info on a Wall Street company, and the benefits of stealing bonds, which he will pay handsomely for. The day they choose? The day the Apollo 11 astronauts are given a ticker tape parade just downstairs from their target.
This is a crime/comedy..so needless to say, all does not go as planned, and their biggest worry isn't getting arrested for the actual crime, but for their problem delivering 'the goods' to the mob.
This was really a fun watch and much better than I anticipated. It is flat out a New York film and in no way is it 'Hollywood-ized'. It's true to the NYC of the early 70's..lots of corruption, chaotic arrests, the noise, the little messy shops on littered streets contrasted to the order and sterile space of the financial offices. The actors are NY too, and there is a natural feel to every performance from accents to body language. It's like a darkly funny crime caper set in a time capsule, and wonderfully watchable - not your usual cop movie.
Disillusioned NYC cops Joe (Joseph Bologna) and Tommy (Cliff Gorman) decide their meager weekly salary isn't worth getting killed over and plan a big score. Tommy contacts Mafia kingpin Pasquale "Patsy" Aniello (John P. Ryan) after observing him being booked. In disguise, Tommy finds out that Patsy would pay handsomely for $10 million in bonds. So together the two cops plan to rob a local Wall Street firm during a big parade for the Apollo 11 astronauts.
One review here leads off with the line, "A Real Find" and I couldn't agree more. This 70s cop thriller captures both the working man's embitterment with the system and the sleazy side of NYC. Both of the leads are good in their roles and they get fine support from Ryan (has he always been middle aged?), whose lead henchman is played by Joe Spinell. Director Aram Avakian didn't make many films (5 total), but he has a great eye for realism and even a bit of the absurd like the mob using guys on ten speeds during the final chase in Central Park. Filmed entirely in New York City, this really captures the feel of the 70s station house with the green, cracking walls.
One review here leads off with the line, "A Real Find" and I couldn't agree more. This 70s cop thriller captures both the working man's embitterment with the system and the sleazy side of NYC. Both of the leads are good in their roles and they get fine support from Ryan (has he always been middle aged?), whose lead henchman is played by Joe Spinell. Director Aram Avakian didn't make many films (5 total), but he has a great eye for realism and even a bit of the absurd like the mob using guys on ten speeds during the final chase in Central Park. Filmed entirely in New York City, this really captures the feel of the 70s station house with the green, cracking walls.
Did you know
- TriviaIn a long shot of traffic there is a truck emblazoned with the Bohack logo. Bohack was a supermarket in the 70s and it featured prominently in many other Donald Westlake novels involving John Dortmunder whose girlfriend, May, worked there.
- GoofsDuring the chase scene, Tom and Joe's police cruiser is a 1972 Plymouth Fury. By the end of the chase, it becomes a 1969 Ford Custom 500.
- Quotes
Patsy O'Neill: Smart and stupid at the same time, just like a cop.
- ConnectionsFeatured in Mugshot: An Interview with Joe Bologna (2015)
- How long is Cops and Robbers?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Treffpunkt Central Park
- Filming locations
- Oakland Gardens, Queens, New York City, New York, USA(Tom and Joe change a flat tire on the shoulder of the Long Island Expressway)
- Production company
- See more company credits at IMDbPro
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