When a mysterious entity possesses a young girl, her mother seeks the help of two Catholic priests to save her life.When a mysterious entity possesses a young girl, her mother seeks the help of two Catholic priests to save her life.When a mysterious entity possesses a young girl, her mother seeks the help of two Catholic priests to save her life.
- Won 2 Oscars
- 18 wins & 21 nominations total
William O'Malley
- Father Dyer
- (as Reverend William O'Malley S.J.)
Peter Masterson
- Dr. Barringer - Clinic Director
- (as Pete Masterson)
Thomas Bermingham
- Tom - President of University
- (as Reverend Thomas Bermingham S.J.)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Summary
Reviewers say 'The Exorcist' is acclaimed for its deep exploration of faith and evil, with standout performances by Ellen Burstyn, Jason Miller, and Max von Sydow. Its eerie atmosphere, Mike Oldfield's score, and Friedkin's direction are lauded. Practical effects and character depth are noted. Some find the pacing slow and story lacking, yet it remains a cultural and genre milestone.
Featured reviews
The Exorcist
Stunning visuals, effects and overall horror for 1973. The characters are very strongly portrayed and the feeling of hopelessness is ever-present throughout the movie. Even though some scenes are outright shocking and provocative, there is also a strong element of the uncanny present. This is a very haunting movie that still shocks, amazes and intrigues after all these years.
10Collins
THE EXORCIST---A PERFECT FILM
Many people complain that this movie's too slow but those are the kind of folks who only like 80-minute splatter films with characters so dumb and one-sided, you pray for the bad guy to kill them. This monster of a drama is both beautiful and bold. It has CHARACTERS and not simply LAMEBRAINS lined up for slaughter. It has class and purpose. It takes the audience into the darkest recesses of humankind and then brings them back through a message of hope and self-sacrifice. The movie is NOT anti-religion, it's anti-evil. Anyone who likes smart, clever, meaningful horror-drama should see this film at least twice. It is surprisingly touching and amazingly powerful.
That said, the cast deserves a hand for their wonderful performances. Ellen Burstyn perfectly conveys the tension of a mother of the cusp of tragedy; Max von Sydow is hauntingly perfect as the story's ray of light; Jason Miller embodies the sadness of a defeated man; and Linda Blair is far above average even at her young age.
Once again, see this movie. You won't forget it.
That said, the cast deserves a hand for their wonderful performances. Ellen Burstyn perfectly conveys the tension of a mother of the cusp of tragedy; Max von Sydow is hauntingly perfect as the story's ray of light; Jason Miller embodies the sadness of a defeated man; and Linda Blair is far above average even at her young age.
Once again, see this movie. You won't forget it.
The Exorcist....more than a mere horror film
The Exorcist is the best horror film ever made and there is one reason for this,the subject matter is treated with dignity and respect,too many "horror films" are made today that just don't try,it's as if they give up half way through and fall into self parody and amusement.the Exorcist is an exception and one of the very few good horror films around.the film works on a number of levels and is one of the few films I know of to do this i.e subliminal imagery,multiple storylines. a lot has been written about this film drawing mainly on sensationalism surrounding the films release that it would be hard for someone who has not seen the film to not have any preconceptions,but if you have not seen the film do try to keep an open mind because it will scare the hell out of you.this is also one of the rare cases where a film could arguably be better than the book it was adapted from.in my opinion the film could not have been made any better,the cast throughout are superb, the locations and production are second to none,all the characters are totally believable and there are points in the film where you think all this could really happen and it is for that reason the film is frightening and continues to frighten people to this day....a true shocker and one that has not lost any of its impact over the years.
The most "ripped-off" movie of all time
According to the film critics, the Exorcist is the only movie about demonic possession that should have ever been made. Every subsequent movie with a "possession" theme was labeled a "rip-off." I'm pretty sure that Beyond the Door was the first "rip-off." One film critic described this movie as vulgar. Perhaps. Was the Exorcist any less vulgar? The Exorcist had a good director, good actors and good production values. It is these attributes which set the Exorcist apart from all the follow-up films. However, if you are offended by someone regurgitating green slime, does it really matter whether it's coming from Linda Blair or anyone else? I have always thought that the Exorcist worked as well on a dramatic level as it does a horror movie. This is probably something you shouldn't be able to say about an effective horror movie. I once listened to William Friedkin's audio commentary while watching the movie. He and I agree on which scene is the best part of the movie. It is the exchange between Ellen Burstyn and the great Lee J Cobb. As a police lieutenant, Cobb has more compassion for Burstyn than priest she seeks help from. When Cobb is about to leave Burstyn's house, he says: "You're a nice lady." She replies: "You're a nice man." This is actually touching! Ironically, this touching scene is directly followed by one of the most wild and disturbing scenes in the movie. In fact, I've always wondered how the movie escaped an X rating with this scene intact. However, I still believe the tender scene which precedes this resonates more. All things considered, the Exorcist is definitely one of the greatest horror movies of all time, as well as one of the most influential. Not number one, though. My choice for Number One took place in Texas. Something to do with chain saws.
Still a powerful film, more than thirty years on...
More than thirty years on, The Exorcist remains a very powerful film and was a cinematographic milestone in 1973. Repeated duplication of the genre has, no doubt, 'desensitized' a new generation of movie-watchers, though it remains an unnerving masterpiece. It is not difficult to understand why the film generated such a seismic global impact all those years ago, since it imposed an unprecedented sensory attack on the viewer. Regan's vile physical appearance, combined with her vile language and blasphemous diatribe sent a shock wave around the world. Moreover, many people seemed to believe the claims that the film was based on a true story and could therefore actually happen to them. Electricity consumption must have soared for several months in 1973 as people who had seen the film slept with their lights on! It is still not a film I would feel comfortable watching before going to bed. On another level, I found parts of it profoundly moving and actually cried at the end when Regan was finally released from her possessor and wept in the arms of her mother and Father Damien, having lunged himself through a window and down a precipitous flight of steps, managed to find just enough life in himself to indicate that he had retained his faith and repented of his sins by motioning his fingers in the sign of penitence when comforted by a distraught colleague. Possibly the only thing that lets the film down if one really sits and thinks about it is the underpinning concept that an ancient demon which had existed since the dawn of time should wish to possess the body of a twelve year old child and emit a string of juvenile profanities. But then the film was designed to shock all along!
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Did you know
- Trivia(at around 1h 20 mins) When Regan projectile vomits at Father Karras, the vomit was intended to hit Jason Miller in the chest, but the plastic tubing misfired, hitting him in the face. His reaction of shock and disgust while wiping away the vomit is genuine, and Miller admitted in interviews that he was very angered by this mistake.
- GoofsWilliam Peter Blatty closely modeled the exorcism scene on the actual rite of exorcism in the Church's "Rituale Romanum". Father Merrin can be seen opening a copy of the Rituale in the scene in question. However, the priests depart from the Rituale in two important details. First, there should have been four people (apart from Regan) in the room during the exorcism: the exorcist himself; an assistant priest to take over in case the exorcist died midway through; a member of the victim's family of the same sex as the victim, to help restrain her; and a doctor, to (among other things) administer any medication that was needed. Due to the "2 Priest rule", Fr Merrin should have delayed the second round of the exorcism and phoned the bishop to get a replacement for Fr Karras, instead of trying to tackle it on his own.
- Quotes
Demon: What an excellent day for an exorcism.
Father Karras: You would like that?
Demon: Intensely.
Father Karras: But wouldn't that drive you out of Regan?
Demon: It would bring us together.
Father Karras: You and Regan?
Demon: You and us.
- Crazy creditsThere are no opening credits after the title. Although it is commonplace now, it was unheard of in 1973.
- Alternate versionsThe network TV version originally broadcast on CBS in the '80s was edited by William Friedkin, who also shot a replacement insert of the Virgin Mary statue crying blood, replacing the shot of a more obscenely desecrated statue. Friedkin himself spoke the Demon's new, censored lines; he was unwilling to work with Mercedes McCambridge again. The lines "Your mother sucks cocks in hell, Karras" and "Shove it up your ass you faggot" were re-dubbed by Friedkin as "Your mother still rots in hell" and "Shut your face, you faggot." Several of Ellen Burstyn's lines were also re-dubbed by the actress, replacing "Jesus Christ" with "Judas Priest" and omitting the f-word. Most of the profanity spoken by Regan is also cut out, as are the shots of her being abused with a crucifix and forcing Chris' face into her crotch. There is also a slightly alternate shot of Regan's face morphed into the white face of the demon just after Merrin arrives at the MacNeil house (the theatrical versions only show the beginning of the transformation). This network TV version is rarely if ever used for TV and cable showings today.
- ConnectionsEdited into Exorcist II: The Heretic: Alternate Opening (1977)
Details
Box office
- Budget
- $11,000,000 (estimated)
- Gross US & Canada
- $233,005,644
- Opening weekend US & Canada
- $8,175,666
- Sep 24, 2000
- Gross worldwide
- $430,872,776
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