Dying Room Only

I just saw "Dying Room Only" for the first time in over 30 years, and this is a typically great 70's TV-movie thriller. A couple (Cloris Leachman looking pretty good, and hubby Dabney Coleman) stop at a lonely desert cafe (in the daytime, not the nighttime as the summary here states) and the husband disappears as the wife is in the ladies room. The only two possible witnesses (the cafe cook and customer Ned Beatty, in a great sleazy role) are saying nothing. What happened? Where did the husband go? The movie then takes off to have Cloris Leachman trying to figure it out, since she is getting almost no help at all from anyone. Is even the local cop in on it, whatever "it" may be? Everyone is suspect. Nighttime comes, and danger looms....

I do agree with the reviewer that stated this film could have been better in the second half. The first half is amazing - very suspenseful and thrilling. The second half kind of veers into "typical" fare but is still decent.

A bunch of familiar 70's faces round out the small cast. Especially since the film is fairly short at about 1:13 (most TV-movies back then were 90 minutes with the commercials) this is definitely a fun watch.

Apparently there was enough interest in "Dying Room Only" that made Warner Bros. release this on DVD on 1/19/10. Its on a web-site called www.warnerarchive.com. This is also a re-mastered print which isn't too common for made-for-TV-movies. I just ordered mine and it is definitely worth the investment. TV airings of this movie have all since passed and probably won't get the time of day any longer, so the DVD is worth it's weight in gold. ($19.99) It is crystal clear and the movie is un-cut. There aren't any extras or special features but it is still a treat. Kudos to Warner Bros!! (who has the Lorimar Productions library of movies).

You've read the plot for this television film on this page. What can I add? A married couple pulls up to a seedy diner on the way home from vacation. They are smack in the middle of nowhere, somewhere in the desert.

They encounter a nasty cook and a goof-ball customer. Both enter the bathrooms to wash up. She comes out, but he does not. She knocks on the door calling to him. No answer.

The fun begins. Kind of spooky at times. Good entertainment. Cloris Leachman is very good in this film. So are Ross Martin and Ned Beatty. And Dana Elcar does a good job as the sheriff. Oh, and the husband is a very young Dabney Coleman.

I would love to see this one again.

Well-received but unsatisfying movie-of-the-week written by Richard Matheson, expanding his short story about a married couple driving through the desert who stop at a roadside diner for a bite to eat. The husband goes into the men's room and never comes out, leaving his wife in the hands of the suspicious-acting staff at the diner and the unsympathetic local law. Matheson could have taken this plot any which way, but instead settles on the most obvious scenario. I was hoping for something along the lines of "The Twilight Zone", perhaps placing the husband in an alternate reality. Instead, it's Formula 101--the old abduction plot--and the obviousness holds no suspense for us. In the lead, Cloris Leachman does very well, although she doesn't have much to work with. A promising premise, but I was "Dying" for a better denouement.

Is Richard Matheson awesome or what? Who else could conceive of something so simple and sinister as a woman's husband disappearing in a men's room at a broken down café in the desert? The same guy who conceived of a monster truck stalking a beleaguered motorist to great effect in "Duel," and that's only a slight sample of the other legendary tales he's penned. His skill at deriving something so evil out of the ordinary is very comparable to Stephen King at his '70s peak with "Night Shift" and "Dying Room Only" is indicative of that prowess --- it still makes an impact on people I show it to today.

The great news is that this film is now widely available as part of the Warner Archives collection, remastered in widescreen, and though there's nothing but the film on the disc, it's a bargain at about $10.

The locals, played by Ross Martin and Ned Beatty are creepy and cruel, the motel night clerk is surly and obtuse. It's really all on Ms. Leachman to figure it out, and Chloris does a really fine job here: she transmits her urgency and controlled panic without making herself into a blithering, hysterical wreck. She's a strong heroine. Dabney Coleman is almost unrecognizable as her husband, here, he's so very young looking.

I've heard many comparisons to "Breakdown" but this film is really only similar in plot structure. Breakdown was an adrenaline fueled roller coaster ride that was definitely one of the better road thrillers ever produced. DRO is more a psychological head-game and a mystery, more suited to rainy evenings at home than crowded nights at the multiplex. Pick it up, before they remake and ruin it.