Godspell

I'm not religious in the slightest, but you don't have to be to enjoy this wonderful feelgood musical. I can't understand any bad reviews on here. I bet they were still foot-tapping away to the songs. I've seen several different versions of this on stage as well, but the film did the stage musical justice and, with the era, it is locked in time with the whole hippie scene and a more carefree look on life, on love and hope for the future, something that's missing in many ways today.

Saw this in its original release, on a spring afternoon school trip to a large movie theater on Long Island, which is sadly gone now, like most large single movie theaters. I was so moved by this film that i wore out the soundtrack within a couple of years.

And speaking of buildings being gone, it's so poignant now to see the World Trade Center in this film while it was nearing its completion. With the cast singing the end of the song "All For The Best" on top of one of the towers, how eerie to think that spot doesn't exist anymore. (Also strange that in the beginning of the film, as John the Baptist wheels his cart off the Brooklyn Bridge, the camera pans to show the skyline, and with the Twin Towers there, there's a sound segue to the street scenes...and it's the sound of a jet engine!)

But maybe its appropriate that this film has moments of the Twin Towers in its infancy. Not only in the beginning, in the gorgeous first shot from under the Brooklyn Bridge, and in the song segment...but also when Jesus is on the pier and speaks away from everyone, and the Towers are there again in the shot behind him to the right.

In an odd way, this movie that always meant a lot to me, and count me in as one of the non-religious people out there...its one of the ONLY ways i can see the World Trade Center and feel happy. What other films that shot right at the Twin Towers have the life-affirming qualities that "Godspell" has? I don't know of any, to be honest.

And on that note, I always push this film to people, as one of the outstanding New York movies. Except for the mansion scene...you're at all these exterior locales, with New York empty of people...and to this very day, Manhattan comes alive with memories of this film when i come to a certain location. (Bethesda Fountain was first viewed by me in this film...so every time i go there, one guess what comes to mind.)

Watching it as an adult far from 1973, do I think the film would have aged better with less goofy voices from the performers? Sure. Could the film have been a little longer with the excised songs from the original song still in? You bet, and it still wouldn't have been longer than 105 minutes. Is the ending still one of THE best endings I've seen in a movie musical? Hands down, yes. How brilliant. No stage version of "Godspell" could have done that. Jesus' teachings still matter to many people in the modern day. (And yeah...get past the 1973 fashions and cars...all those scenes of modern NY in the beginning, and the last shot, still hold true today.)

Lastly, for those who were shell-shocked by Mel Gibson's film...i say use this as an alternative. Religious faith needs some smiles and toe-tapping now and then.....

Can there be any better bit than when David Haskell (John the Baptist/Judas) is lying on a LI-LO in a paddling pool on the roof-top smoking a cigar, singing 'It's All For The Best'.

This movie really makes me want to visit New York, but only in the Seventies. Did they close down areas of New York to film this, or did they do it at like 4am? David Haskell should have been a big big movie-star. Who was his agent?, that's a very talented man, the agent had gold dust in his hand.

More movies should be made like this. Anyway here's to the whole gang, and David Haskell, thanks for everything.

I remember seeing this film a very long time ago with my father when it was released in theaters. I just recently saw it again on TV and was just as dazzled as I was the first time (although I admit, to fully appreciate this movie, it is best seen on a large screen). The film is gorgeous to look at, and the whole feel is carnival-like. The songs are as fresh as they were in 1973, catchy and light-hearted, and yet touching. The young cast seems to be having a great time--and it's interesting that their characters (except for Jesus, played by Victor Garber) all use their real names.

Titanic fans will be interested in seeing the 23-year old Victor Garber (who played the ship's builder Thomas Andrews) as Jesus, and not only is he gorgeous to look at, he has a beautiful singing voice as well. It mystifies me why Garber never got more leading roles in movies. Far superior to the dreary opera that came out the same year, "Jesus Christ Superstar."

Godspell reminds us of a culture long gone, peace demonstrations, flower power, "big hair", bright colours, folk rock music, and loud expressive clothing. These are the props of choice the directors use to communicate the gospel message. The film itself is dated now but viewed in the context of early seventies culture it contains a powerful and relevant message that impacted on a searching audience.

Godspell was conceived by John Michael Tebelak, who upon reading the gospels discovered joy, - "Joy! I found a great joy, a simplicity" However a visit to a church to experience this joy was totally disappointing, he knew at once what he must do.

Tebelak brings his discovery alive by way of the gospel of Matthew; his set is central New York City, a place over flowing with people caught in the hustle and bustle of daily routine. Out of the crowds he separates his cast, setting them free from the mundane routines of daily inner city life. They come together at a fountain where they frolic in the water seemingly without any care for the routines they have left behind. John played by David Haskell baptises each one in turn, Jesus played by Victor Garber appears and he to is baptised, rising from the water complete with superman tee shirt symbolically marking him as "master". The cast then is set apart as the "masters" disciples as each receives the symbolic mark of Jesus with face paint. Together now, dressed in flamboyant opp shop clothing, vibrant colours, face paint and "big" hair they have developed a sense of community that stands out in this over sized set, they have become a band of disciples.

The band proceeds through the empty city stopping at significant landmarks to play out messages from the gospel. These messages are focused on the teachings of Christ mainly through the parables, interestingly the disciples participate in the teaching, this gives a sense of inclusiveness that draws the audience into the message. Most of the critical points of the gospel are covered, such as Gethsemane, the last supper, the betrayal, and the crucifixion which at first seems a little bizarre but it also gives one a sense of participation and connectiveness, however the resurrection is left out. Their teaching is supported by the use of song and music, mime and dance, coupled with comedy; this blend achieves the joyful portrayal of the gospel that Tebelak desired.

The portrayal of Jesus as a clown may have been offensive to some, however this reviewer found it to be refreshing, the clown communicates joy while communicating the seriousness of the gospel message. He reminds us that the gospel is a message of great joy and humility, love and peace, of triumph and victory. However in saying that there are some aspects that don't fit with our understanding, for instance the betrayal scene, Jesus kisses Judas. Then it does finish with a question hanging over it, that being, why no resurrection scene? Or maybe there was, perhaps the grand finale represents the risen Jesus, carried lifted high into the crowded streets, it gives a sense of inclusiveness, that somehow Jesus lives on in each one of us.

A fun movie that you just have to participate with, and at the same time a serious message is communicated.