The MacKintosh Man

The Mackintosh Man is taken from the excellent novel The Freedom Trap by Desmond Bagley. The book is far, far better than the film.

Paul Newman plays Reardon, a spy who poses as a convict. He goes to prison and befriends Slade, a Russian double agent played by Ian Bannen. When Slade is sprung from prison by a secret organisation, Reardon goes with him and infiltrates their gang.

The action moves from Ireland to Malta, and there's lot of intrigue and double-crosses. You'd think with all that going for it, the film would be entertaining, but it isn't. For one thing, it has a murky look throughout. For another, it is badly scripted and leaves out far too much of the important explanatory information that makes it work in the novel. The result is intolerable, because it is a confusing mess. Owing to the script's muddled nature, the actors give downbeat performances which further hurt an already disappointing film.

John Huston ("The African Queen" "The Maltese Falcon" "The Treasure of the Sierra Madre") directs this spy thriller scripted by Walter Hill ("The Driver" "48 Hrs." "Undisputed") which stars a top tier cast that includes Paul Newman, Dominique Sanda, James Mason, and a host of British actors who you're sure to recognize. There's also photography by Oscar winning cinematographer Oswald Morris and music by multiple Oscar winning composer Maurice Jarre. Sadly, what ends up on screen is dullsville. Newman plays a British secret agent who pretends to be an Australian criminal who later pretends to be Canadian, in order to infiltrate a secret spy organization run by villainous James Mason. The dullness of the film may be explained by some behind-the-scenes politics. Walter Hill was in the process of suing Warner Bros. but came to an agreement to adapt this book, which he halfheartedly did in order to complete his obligation. Hill later stated he only wrote the first half of the film and the rest was re-written by Huston and others, with the script not even completed two weeks into shooting. Cinematographer Oswald Morris also reported that Huston was rather disinterested in the film, showing up late to set and that Morris and crew were the ones who had to set up the shots for the day and catch up the unprepared Huston when he did finally show up. Newman was also reportedly disappointed at Huston's lack of enthusiasm for the project. Given all that, it's understandable that this spy thriller is rather lifeless. Still, Mason and Newman are compulsively watchable and even a disinterested Huston is still a better than most, so although lackluster, "The MacKintosh Man" is still watchable. Also, I think this is probably the first and only time you'll ever see Paul Newman coldcock a dog and drown it.

A well-made espionage thriller, THE MACKINTOSH MAN has all the necessary elements for a real knockout spy yarn – only it's never quite as involving as it should be. The screenplay by highly-respected writer Walter Hill features a solid premise and plenty of interesting twists and turns, and the various UK locations are used to great effect, bringing a character of their own to the film. The cast is also well-chosen, and portray their roles with respectable conviction, yet something still seems off about the picture. It's almost as if the whole enterprise lack that special "oomph" that is necessary to really sell a spy picture.

Perhaps the problem is that, after years of James Bond movies and various Cold War thrillers, too many of the film's elements have simply been done before and done better, and the ominous feeling of déjà vu is too immense for the film to survive. Or maybe the problem is that we expect a lot more from a director with clout of John Huston, who seems to take a strangely apathetic approach to the material which makes the film's recycled elements feel even more trying. For whatever reason, the film never seems to grip us in the way a good thriller is supposed to. As a whole, THE MACKINTOSH MAN is a fine film for a rainy evening, but it stands as not only a wasted opportunity, but also as possibly the least distinctive film of director Huston.

Thrilling and exciting picture with an extraordinary duo , Paul Newman and Dominique Sanda , they form an awesome pair in this interesting flick . This is an entertaining movie full of all usual trimmings : car pursuits , fistfights , noisy action , getaway and capture . It deals with a member of British Intelligence named Reardon (Paul Newman) who undergoes a risked assignment ordered by Mackintosh (Harry Andrews) . As he is recruited , assuming a fictitious criminal identity and allows himself to be caught , imprisoned, and freed in order to infiltrate a spy organization led by a mysterious leader (Michael Hordern) . Reardon have to expose a communist traitor and he also must catch him . The intrigue involves a Conservative Member of the British Parliament, Sir George Wheeler (James Mason) , who is best known for his frequent political diatribes on the British government . Meanwhile , Reardon goes in action , being helped by a beautiful agent (Dominique Sanda in her first Hollywood movie for French actress) .

A cold war spy thriller with all the edge-of-seat ingredients : suspense , thrills , a complex intrigue , twists and turns . Intriguing and thrilling script , being one of the first produced screenplays of Walter Hill who later became an action thriller director . Paul Newman is first rate as a secret agent assigned a dangerous mission accompanied by a beauty Dominique Sanda . Wily and excellent , as always , James Mason as a cunning Parliament member with dark aims . This is the first of two movies that actors Paul Newman and James Mason made together , the other was Verdict . It's also the second of two movies that director John Huston and actor Paul Newman made together , he first was The judge Roy Bean , made the previous year . Supporting cast is frankly magnificent , such as Ian Bannen , Nigel Patrick , Michael Hordern , Percy Herbert , the last film of Noel Purcell and Niall MacGinnis and special mention to Harry Andrews as Mackintosh . This film and its source novel were loosely based on the identification, defection and escape from Wormwood Scrubs Prison in 1966 of Russian spy George Blake who was working in British intelligence as a double agent but was not one of the Cambridge Five spies . Colorful and evocative cinematography by Oswald Morris filmed on location in London , Ireland and Malta . Enjoyable musical score by the great Maurice Jarre , including a catching leitmotif .

The motion picture was well produced by John Foreman who financed various Huston films such as The Man Who Would Be King ; being stunningly directed by the great John Huston at his best . Director John Huston made this spy movie not longer after he had helmed another espionage film , Kremlin's letter . The picture was made in a good time of the 70s and 80s when Huston resurged as a director of quality films with Fat City, (1972 ), the afore-mentioned The man who would be king (1975) and Wise blood (1979). He ended his career on a high note with Under volcano (1984), Honor of Prizzi (1985) and Dublineses (1987). Rating : 7 above average , worthwhile watching , though P.G. , parents guide , for its violence and beatings . This is one of John Huston's main films , a model of his kind , the spy genre , definitely a must see if you are aficionado to thriller film . Huston broke a new ground with this landmark movie , providing exciting scenes and unforgettable dialogs .

While never actively bad, this thriller just isn't exceptional. The first half isn't bad (we keep wondering why Newman is doing these things, and we wonder where he's going and what's going to happen), though it somehow lacks "oomph" to everything. In the second half, it starts to get dull. You won't be clear on everything in the end, and the climax came off more as a whimper than a bang. Nowhere near the worst movie in the world, but you can give it a miss despite Huston directing and Newman starring. This didn't do very well at the box office when it first came out, and it's easy to see why.