Left to die in the desert by his wife and her lover, a businessman fights to survive and get his revenge.Left to die in the desert by his wife and her lover, a businessman fights to survive and get his revenge.Left to die in the desert by his wife and her lover, a businessman fights to survive and get his revenge.
Featured reviews
While trekking through the desert with his wife Kay and their guide Richard Damien falls off a cliff injuring himself . Lying in a gully his wife and the guide promise to get help but unknown to Richard Kay and the guide are having an affair and decide to let him lie to die
The idea behind this is a sound one . It's similar to a lot of films you've seen before where an unfaithful spouse eyes an opportunity to cash in on fate when it arises , pocket an inheritance and have raw lust filled sex with a younger partner , so much so you end up hating the villainess and her toyboy not because they're the baddies but simply because no one deserves to be that lucky
In it's favour the protagonist/victim Richard Damien is shown to be an arrogant angry middle man and isn't typical victim material , he's all man who makes John Wayne look effete and his single bloody mindedness is totally convincing . He might be driven by hate and revenge but hatred is a great motivator whether you're lost in the desert or simply struggling in day to day life
What the story doesn't do so well is construct a time frame . For instance you've got a problem understanding how long Richard is lost for . He grows stubble in a manner that suggests he's been in the desert for at least a week but as every schoolboy will tell you you'd only survive three or four days without water and probably slightly less if you're out in a blazing desert . Richard does manage to find a cactus but by the length of his stubble you're still left with the impression he's been in the desert to long to survive and has made his water last him an implausibly long time . This lack of internal continuity let's the story down a great deal . Okay it's only a TVM and does deserve some faint praise for being slightly more ambitious than you'd expect but lacks a little something to make it classic TVM material
The idea behind this is a sound one . It's similar to a lot of films you've seen before where an unfaithful spouse eyes an opportunity to cash in on fate when it arises , pocket an inheritance and have raw lust filled sex with a younger partner , so much so you end up hating the villainess and her toyboy not because they're the baddies but simply because no one deserves to be that lucky
In it's favour the protagonist/victim Richard Damien is shown to be an arrogant angry middle man and isn't typical victim material , he's all man who makes John Wayne look effete and his single bloody mindedness is totally convincing . He might be driven by hate and revenge but hatred is a great motivator whether you're lost in the desert or simply struggling in day to day life
What the story doesn't do so well is construct a time frame . For instance you've got a problem understanding how long Richard is lost for . He grows stubble in a manner that suggests he's been in the desert for at least a week but as every schoolboy will tell you you'd only survive three or four days without water and probably slightly less if you're out in a blazing desert . Richard does manage to find a cactus but by the length of his stubble you're still left with the impression he's been in the desert to long to survive and has made his water last him an implausibly long time . This lack of internal continuity let's the story down a great deal . Okay it's only a TVM and does deserve some faint praise for being slightly more ambitious than you'd expect but lacks a little something to make it classic TVM material
Cold-as-ice Diana Muldaur schemes with young lover James Stacy to leave her overbearing husband stranded in the middle of the Mojave desert with a broken leg. Who of us cannot wonder: Could I survive if this happened to me? Arthur Hill is the perfect chap for this rigorous acting workout: he's an Everyman, a survivor. As for Muldaur, one of the busiest actresses of the decade, she plays this unlikable woman straight, with no camp or melodramatic overtones; intelligent, glamorous, stylish with scarves in her red hair, Muldaur never gave an unconvincing performance. ABC movie-of-the-week, directed by Lee H. Katzin and written by Francis M. Cockrell and Leon Tokatyanis, is a well-done tale of suspense. **1/2 from ****
In the 1970s, Diana Muldaur often played really nasty, conniving women--tough but unscrupulous broads. And, that's exactly who she is in "Ordeal".
The film begins with Richard Damian (Arthur Hill) out in the middle of the desert with his wife and the man who is her lover. When Richard gets badly hurt, Kay Damian (Muldaur) leaves him for dead...as she doesn't love him and wants to have fun with her boy toy! She eventually reports his disappearance to the police...after she assumes he's already dead. The problem is he isn't dead and Richard lives to somehow survive and get revenge on his faithless wife. Will he somehow make it? And, if so, what's next?
Much of the film is spend showing Richard's survival ordeal in the desert and occasionally cutting back to brief segments with Kay playing with her boy toy. Late in the film, the two schemers decide to return to the desert to make 100% sure he's indeed dead.
This is a good film because the bad folks are incredibly evil--the audience just wants to see them get theirs! However, the ending...well, it left me waiting and hoping for SOMETHING more. In other words, you have an excellent film that at the end just didn't deliver.
The film begins with Richard Damian (Arthur Hill) out in the middle of the desert with his wife and the man who is her lover. When Richard gets badly hurt, Kay Damian (Muldaur) leaves him for dead...as she doesn't love him and wants to have fun with her boy toy! She eventually reports his disappearance to the police...after she assumes he's already dead. The problem is he isn't dead and Richard lives to somehow survive and get revenge on his faithless wife. Will he somehow make it? And, if so, what's next?
Much of the film is spend showing Richard's survival ordeal in the desert and occasionally cutting back to brief segments with Kay playing with her boy toy. Late in the film, the two schemers decide to return to the desert to make 100% sure he's indeed dead.
This is a good film because the bad folks are incredibly evil--the audience just wants to see them get theirs! However, the ending...well, it left me waiting and hoping for SOMETHING more. In other words, you have an excellent film that at the end just didn't deliver.
A fairly good remake of the 1953 original starring Robert Ryan and Rhonda Fleming.Arthur Hill is OK but,in my opinion,his characterization of the betrayed husband pales in comparison to the intensity given the role by the wonderful(and vastly underrated)character actor,Robert Ryan.My only other criticism is the relatively weak acting by James Stacy.His character is too indifferent in this movie and by comparison,William Lundigan's portrayal is significantly better.The desolate desert locations are striking in their sparsity.I'not sure where this movie was filmed but the locale closely resembles the Antelope Valley region of Kern Co. in California.In summation,this movie is pretty well done but try to view the original(Inferno),made in 1953, for a real treat.
Ordeal (1973)
** 1/2 (out of 4)
Decent made-for-TV flick about a rich husband (Arthur Hill) who goes out into the desert with his wife (Diana Muldaur) and a guide (James Stacy) trying to find a certain location he might be buying. The abusive and hard-headed husband ends up falling down a cliff and breaking his leg. The wife and guide go to get help but she talks him into letting her husband die so that they can keep his money. The only problem is that he realizes what they're up to when no one comes back for him so he plans on making it out by himself. ORDEAL has a lot of silly stuff in it and it goes on a bit too long even at just 88-minutes but there's enough entertainment here to make it worth viewing as long as you don't go in expecting too much. One of the biggest flaws in the story is how the rich man ends up out in the desert on his own. He pretty much refuses to go with the wife and guide after he's injured and instead wants to stay out there by himself until they can get help back to him. Considering how he's been rich all of his life and never been out in the wild I had a hard time believing he would do this. Once you get past that the story clears out a little better and we get some nice scenes. I was shocked to see how much more I preferred the story happening outside the desert. The film cuts back and forth to what the husband is doing to what the wife and guide are doing. I thought the stuff between the wife and guide was actually more entertaining as the two begin to fear that the husband might not be dead and how they might have to change their plans. The stuff in the desert is nice as well since we get some great visuals. I think some people, myself included, are going to have a hard time believing what all the husband does considering his background but after a while you just get caught up in the story and go with it. The performances are a major plus with Hill doing a terrific job showing how desperate the man is. I thought he was very good in the scenes dealing with his hatred towards the wife as well as him struggling to survive. Muldaur is also quite good and perfectly gets across her spoiled side. This would turn out to be Stacy's final film before a drunk driver would hit him while he was riding his motorcycle and ripping off his left arm and leg. He actually turns in the best performance here and really makes you believe the tension his character starts to feel as things don't go as planned. It seems like the 70s delivered just about every type of storyline when it came to made-for-TV movies and this one here is a bit far-fetched at times but there's enough going on here to make it worth viewing.
** 1/2 (out of 4)
Decent made-for-TV flick about a rich husband (Arthur Hill) who goes out into the desert with his wife (Diana Muldaur) and a guide (James Stacy) trying to find a certain location he might be buying. The abusive and hard-headed husband ends up falling down a cliff and breaking his leg. The wife and guide go to get help but she talks him into letting her husband die so that they can keep his money. The only problem is that he realizes what they're up to when no one comes back for him so he plans on making it out by himself. ORDEAL has a lot of silly stuff in it and it goes on a bit too long even at just 88-minutes but there's enough entertainment here to make it worth viewing as long as you don't go in expecting too much. One of the biggest flaws in the story is how the rich man ends up out in the desert on his own. He pretty much refuses to go with the wife and guide after he's injured and instead wants to stay out there by himself until they can get help back to him. Considering how he's been rich all of his life and never been out in the wild I had a hard time believing he would do this. Once you get past that the story clears out a little better and we get some nice scenes. I was shocked to see how much more I preferred the story happening outside the desert. The film cuts back and forth to what the husband is doing to what the wife and guide are doing. I thought the stuff between the wife and guide was actually more entertaining as the two begin to fear that the husband might not be dead and how they might have to change their plans. The stuff in the desert is nice as well since we get some great visuals. I think some people, myself included, are going to have a hard time believing what all the husband does considering his background but after a while you just get caught up in the story and go with it. The performances are a major plus with Hill doing a terrific job showing how desperate the man is. I thought he was very good in the scenes dealing with his hatred towards the wife as well as him struggling to survive. Muldaur is also quite good and perfectly gets across her spoiled side. This would turn out to be Stacy's final film before a drunk driver would hit him while he was riding his motorcycle and ripping off his left arm and leg. He actually turns in the best performance here and really makes you believe the tension his character starts to feel as things don't go as planned. It seems like the 70s delivered just about every type of storyline when it came to made-for-TV movies and this one here is a bit far-fetched at times but there's enough going on here to make it worth viewing.
Did you know
- TriviaThis movie was the last appearance that James Stacy made before losing his left arm and left leg in a 1973 motorcycle accident involving a drunk driver.
- GoofsWhen Kay and Andy are at the pool, and the camera changes back and forth from one to the other, our view of Kay keeps changing from applying suntan lotion to just lying there.
- Alternate versionsA good remake of the 1953 theatrical film "Inferno," starring Robert Ryan and Rhonda Fleming.
- ConnectionsRemake of Inferno (1953)
Details
- Runtime
- 1h 30m(90 min)
- Aspect ratio
- 1.33 : 1
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