Ordeal

This made for TV drama is a re-make of a 1953 film called "Inferno", directed by Roy Ward Baker which featured Rhonda Fleming and Robert Ryan. "Inferno" was shot in 3-D. "Ordeal" is an effective re-casting of the original, but Arthur Hill cannot match the grim intensity that Robert Ryan brought to the role of the stranded husband. Diana Muldaur, while lacking Rhonda Fleming's glamor, is actually more convincing in her role as the faithless wife. On the whole, I slightly prefer the original, but the TV version is certainly worth your time. Oddly enough, the male actors who play the lovers of the women in both films are equally bland and ineffective.

A fairly good remake of the 1953 original starring Robert Ryan and Rhonda Fleming.Arthur Hill is OK but,in my opinion,his characterization of the betrayed husband pales in comparison to the intensity given the role by the wonderful(and vastly underrated)character actor,Robert Ryan.My only other criticism is the relatively weak acting by James Stacy.His character is too indifferent in this movie and by comparison,William Lundigan's portrayal is significantly better.The desolate desert locations are striking in their sparsity.I'not sure where this movie was filmed but the locale closely resembles the Antelope Valley region of Kern Co. in California.In summation,this movie is pretty well done but try to view the original(Inferno),made in 1953, for a real treat.

In the 1970s, Diana Muldaur often played really nasty, conniving women--tough but unscrupulous broads. And, that's exactly who she is in "Ordeal".

The film begins with Richard Damian (Arthur Hill) out in the middle of the desert with his wife and the man who is her lover. When Richard gets badly hurt, Kay Damian (Muldaur) leaves him for dead...as she doesn't love him and wants to have fun with her boy toy! She eventually reports his disappearance to the police...after she assumes he's already dead. The problem is he isn't dead and Richard lives to somehow survive and get revenge on his faithless wife. Will he somehow make it? And, if so, what's next?

Much of the film is spend showing Richard's survival ordeal in the desert and occasionally cutting back to brief segments with Kay playing with her boy toy. Late in the film, the two schemers decide to return to the desert to make 100% sure he's indeed dead.

This is a good film because the bad folks are incredibly evil--the audience just wants to see them get theirs! However, the ending...well, it left me waiting and hoping for SOMETHING more. In other words, you have an excellent film that at the end just didn't deliver.

While trekking through the desert with his wife Kay and their guide Richard Damien falls off a cliff injuring himself . Lying in a gully his wife and the guide promise to get help but unknown to Richard Kay and the guide are having an affair and decide to let him lie to die

The idea behind this is a sound one . It's similar to a lot of films you've seen before where an unfaithful spouse eyes an opportunity to cash in on fate when it arises , pocket an inheritance and have raw lust filled sex with a younger partner , so much so you end up hating the villainess and her toyboy not because they're the baddies but simply because no one deserves to be that lucky

In it's favour the protagonist/victim Richard Damien is shown to be an arrogant angry middle man and isn't typical victim material , he's all man who makes John Wayne look effete and his single bloody mindedness is totally convincing . He might be driven by hate and revenge but hatred is a great motivator whether you're lost in the desert or simply struggling in day to day life

What the story doesn't do so well is construct a time frame . For instance you've got a problem understanding how long Richard is lost for . He grows stubble in a manner that suggests he's been in the desert for at least a week but as every schoolboy will tell you you'd only survive three or four days without water and probably slightly less if you're out in a blazing desert . Richard does manage to find a cactus but by the length of his stubble you're still left with the impression he's been in the desert to long to survive and has made his water last him an implausibly long time . This lack of internal continuity let's the story down a great deal . Okay it's only a TVM and does deserve some faint praise for being slightly more ambitious than you'd expect but lacks a little something to make it classic TVM material

"Ordeal" is a quality television film from 1973 with a very good cast and great production values. The story of a somewhat shallow rich man who literally wanders the desert and in the process discovers his deeper self. The bright ,arrid Arizona desert is used to great effect and I was really impressed by the film's stately score. Seemingly all the main characters in the movie are unlikeable ,but Arthur Hill lets us see the subtle transformation from a man on a mission of hateful revenge(against a fed-up wife and the shifty trail guide who left him to die with a broken leg in the merciless desert)to a man who, in overcoming incredible obstacles(almost too incredible), he finds his place-connection in this stark natural world and an inner peace.The scene where he finds a water hole is beautifully done.This film is certainly a worth a look.