Left to die in the desert by his wife and her lover, a businessman fights to survive and get his revenge.Left to die in the desert by his wife and her lover, a businessman fights to survive and get his revenge.Left to die in the desert by his wife and her lover, a businessman fights to survive and get his revenge.
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"Ordeal" is a quality television film from 1973 with a very good cast and great production values. The story of a somewhat shallow rich man who literally wanders the desert and in the process discovers his deeper self. The bright ,arrid Arizona desert is used to great effect and I was really impressed by the film's stately score. Seemingly all the main characters in the movie are unlikeable ,but Arthur Hill lets us see the subtle transformation from a man on a mission of hateful revenge(against a fed-up wife and the shifty trail guide who left him to die with a broken leg in the merciless desert)to a man who, in overcoming incredible obstacles(almost too incredible), he finds his place-connection in this stark natural world and an inner peace.The scene where he finds a water hole is beautifully done.This film is certainly a worth a look.
This noteworthy film stars Arthur Hill as a worthy and initially shallow businessman. His wife, well-portrayed by the memorable Diana Muldaur, schemes to rid herself of him, and her lover conspires with her, (As portrayed by James Stacy, as her slick opportunist lover).
Hill finds himself abandoned in the scorching, unforgiving desert, and at first is tempted to give up. There is a suspenseful soundtrack and he gradually learns to fight back, despite a broken leg, dehydration, and no rescue in sight.
Muldaur meanwhile enjoys the spoils of what she thinks is his eventual demise. She and her lover celebrate the fact that his tracks have been covered by rain, he is most likely dead. There are some nice shots of her 1970's style mansion, kaleidoscopic colors from that era, and set decoration.
They visit the desert to ensure that Hill has died, there is a suspenseful twist at the end, and you will truly enjoy this film. There was an earlier film starring Robert Ryan and Rhonda Fleming (circa 1950's) which I believe was a similar theme. Recommended. 8/10.
Hill finds himself abandoned in the scorching, unforgiving desert, and at first is tempted to give up. There is a suspenseful soundtrack and he gradually learns to fight back, despite a broken leg, dehydration, and no rescue in sight.
Muldaur meanwhile enjoys the spoils of what she thinks is his eventual demise. She and her lover celebrate the fact that his tracks have been covered by rain, he is most likely dead. There are some nice shots of her 1970's style mansion, kaleidoscopic colors from that era, and set decoration.
They visit the desert to ensure that Hill has died, there is a suspenseful twist at the end, and you will truly enjoy this film. There was an earlier film starring Robert Ryan and Rhonda Fleming (circa 1950's) which I believe was a similar theme. Recommended. 8/10.
Cold-as-ice Diana Muldaur schemes with young lover James Stacy to leave her overbearing husband stranded in the middle of the Mojave desert with a broken leg. Who of us cannot wonder: Could I survive if this happened to me? Arthur Hill is the perfect chap for this rigorous acting workout: he's an Everyman, a survivor. As for Muldaur, one of the busiest actresses of the decade, she plays this unlikable woman straight, with no camp or melodramatic overtones; intelligent, glamorous, stylish with scarves in her red hair, Muldaur never gave an unconvincing performance. ABC movie-of-the-week, directed by Lee H. Katzin and written by Francis M. Cockrell and Leon Tokatyanis, is a well-done tale of suspense. **1/2 from ****
While trekking through the desert with his wife Kay and their guide Richard Damien falls off a cliff injuring himself . Lying in a gully his wife and the guide promise to get help but unknown to Richard Kay and the guide are having an affair and decide to let him lie to die
The idea behind this is a sound one . It's similar to a lot of films you've seen before where an unfaithful spouse eyes an opportunity to cash in on fate when it arises , pocket an inheritance and have raw lust filled sex with a younger partner , so much so you end up hating the villainess and her toyboy not because they're the baddies but simply because no one deserves to be that lucky
In it's favour the protagonist/victim Richard Damien is shown to be an arrogant angry middle man and isn't typical victim material , he's all man who makes John Wayne look effete and his single bloody mindedness is totally convincing . He might be driven by hate and revenge but hatred is a great motivator whether you're lost in the desert or simply struggling in day to day life
What the story doesn't do so well is construct a time frame . For instance you've got a problem understanding how long Richard is lost for . He grows stubble in a manner that suggests he's been in the desert for at least a week but as every schoolboy will tell you you'd only survive three or four days without water and probably slightly less if you're out in a blazing desert . Richard does manage to find a cactus but by the length of his stubble you're still left with the impression he's been in the desert to long to survive and has made his water last him an implausibly long time . This lack of internal continuity let's the story down a great deal . Okay it's only a TVM and does deserve some faint praise for being slightly more ambitious than you'd expect but lacks a little something to make it classic TVM material
The idea behind this is a sound one . It's similar to a lot of films you've seen before where an unfaithful spouse eyes an opportunity to cash in on fate when it arises , pocket an inheritance and have raw lust filled sex with a younger partner , so much so you end up hating the villainess and her toyboy not because they're the baddies but simply because no one deserves to be that lucky
In it's favour the protagonist/victim Richard Damien is shown to be an arrogant angry middle man and isn't typical victim material , he's all man who makes John Wayne look effete and his single bloody mindedness is totally convincing . He might be driven by hate and revenge but hatred is a great motivator whether you're lost in the desert or simply struggling in day to day life
What the story doesn't do so well is construct a time frame . For instance you've got a problem understanding how long Richard is lost for . He grows stubble in a manner that suggests he's been in the desert for at least a week but as every schoolboy will tell you you'd only survive three or four days without water and probably slightly less if you're out in a blazing desert . Richard does manage to find a cactus but by the length of his stubble you're still left with the impression he's been in the desert to long to survive and has made his water last him an implausibly long time . This lack of internal continuity let's the story down a great deal . Okay it's only a TVM and does deserve some faint praise for being slightly more ambitious than you'd expect but lacks a little something to make it classic TVM material
In the 1970s, Diana Muldaur often played really nasty, conniving women--tough but unscrupulous broads. And, that's exactly who she is in "Ordeal".
The film begins with Richard Damian (Arthur Hill) out in the middle of the desert with his wife and the man who is her lover. When Richard gets badly hurt, Kay Damian (Muldaur) leaves him for dead...as she doesn't love him and wants to have fun with her boy toy! She eventually reports his disappearance to the police...after she assumes he's already dead. The problem is he isn't dead and Richard lives to somehow survive and get revenge on his faithless wife. Will he somehow make it? And, if so, what's next?
Much of the film is spend showing Richard's survival ordeal in the desert and occasionally cutting back to brief segments with Kay playing with her boy toy. Late in the film, the two schemers decide to return to the desert to make 100% sure he's indeed dead.
This is a good film because the bad folks are incredibly evil--the audience just wants to see them get theirs! However, the ending...well, it left me waiting and hoping for SOMETHING more. In other words, you have an excellent film that at the end just didn't deliver.
The film begins with Richard Damian (Arthur Hill) out in the middle of the desert with his wife and the man who is her lover. When Richard gets badly hurt, Kay Damian (Muldaur) leaves him for dead...as she doesn't love him and wants to have fun with her boy toy! She eventually reports his disappearance to the police...after she assumes he's already dead. The problem is he isn't dead and Richard lives to somehow survive and get revenge on his faithless wife. Will he somehow make it? And, if so, what's next?
Much of the film is spend showing Richard's survival ordeal in the desert and occasionally cutting back to brief segments with Kay playing with her boy toy. Late in the film, the two schemers decide to return to the desert to make 100% sure he's indeed dead.
This is a good film because the bad folks are incredibly evil--the audience just wants to see them get theirs! However, the ending...well, it left me waiting and hoping for SOMETHING more. In other words, you have an excellent film that at the end just didn't deliver.
Did you know
- TriviaThis movie was the last appearance that James Stacy made before losing his left arm and left leg in a 1973 motorcycle accident involving a drunk driver.
- GoofsWhen Kay and Andy are at the pool, and the camera changes back and forth from one to the other, our view of Kay keeps changing from applying suntan lotion to just lying there.
- Alternate versionsA good remake of the 1953 theatrical film "Inferno," starring Robert Ryan and Rhonda Fleming.
- ConnectionsRemake of Inferno (1953)
Details
- Runtime
- 1h 30m(90 min)
- Aspect ratio
- 1.33 : 1
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