While investigating a murder case, a detective stumbles upon a rare-stamp swindle involving the victim's twin sister.While investigating a murder case, a detective stumbles upon a rare-stamp swindle involving the victim's twin sister.While investigating a murder case, a detective stumbles upon a rare-stamp swindle involving the victim's twin sister.
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Francesca Annis gives quite a performance as a pair of identical twin sisters, Delphi and Diane. They are complete opposites in personalities and lifestyles. When Diane is murdered, everybody is a suspect especially Delphi who deals with rare stamps. The film is satisfactory even with a stellar cast. They filmed on location in England. Jack Cardiff tried his hand at directing. The film is a decent effort. The mystery does have some twists especially at the end of the film. I wished the film had a better ending. I would have liked to know what happened to the main characters in the aftermath. James Booth plays detective in the film. I enjoy seeing other British actors and actresses like Nicky Henson, Joss Ackland, Una Stubbs, a young Dame Penelope Keith before she became a television star.
Despite obviousness of many plot elements within this work directed by renowned cinematographer Jack Cardiff, it is quite possible to enjoy the film for its merits that include expected polished camera-work and lighting, but also superlative design, plainly a result of competent research, and atmospheric settings about Windsor Castle, to the benefit of a somewhat unfocused crime melodrama involving murder in the normally staid world of philately. Action opens in a flat close by the Castle with a young woman, fresh from a shower, being bludgeoned to death, over two dozen blows to the face making her corpse essentially unrecognizable, and when Detective Inspector Matthews (James Booth) launches an investigation he learns that the deceased was one of a pair of decorative and identical twins, performed by Francesca Annis, the surviving sister, Delphi, employed by their guardian, a prominent stamp collector, with the titular item, a piece of enormous value, being target of a plot to steal it, this somehow connected with the homicide. Filmed at London's Pinewood Studios complex and on location in the vicinity of Windsor Castle, including the House on the Bridge Restaurant atop Windsor Bridge, the windows of which offer an agreeable view of the Royal edifice (enjoyed here at lunch by Matthews and Delphi), the film suffers from credibility factors and an oddly structured use of flashbacks, but a John Scott score is reasonably effective (there is a seamless inclusion of police sirens!), and Cardiff leads his players well. There is not a weak portrayal from among the cast, with even the monochromatic Annis being largely believable, Booth and Nicky Henson providing strong turns as the case investigators; Joss Ackland gains acting honours as Jones, supervising police official in the matter.
This particular type of Detective mystery, set in the world of the professional and the prosperous, was a most unusual theme for what passed for the British film industry in the 1970s. The genre had gone out of fashion about a decade earlier, a situation that was to remain until the advent of the Morse TV movies in 1986. Nowadays, a format that may have seemed outmoded in 1973 can be seen replicated on channels such as ITV3 on most nights of the year. Too bad then that PENNY GOLD provides such a tame example.
Fittingly, for a Jack Cardiff film, the photography is superb, as is the art direction. But in general, the director and his cast are unable to bring the characters or the uninspired story to life. James Booth is good as the Inspector though, with Nicky Henson as his faithful sidekick and there are all too fleeting appearances from Penelope Keith and Sue Lloyd. A crime story revolving around stamp collectors hardly sounds exciting to begin with, although there had been at least one thriller on the same theme before, BARBADOS QUEST, with Tom Conway in 1955. Then fairly early on we learn that the murdered woman, whose face had been damaged beyond recognition, is one of twins, one good, the other evil. You hardly need to be Hercule Poirot to see where this is going. The film's at its worst when the murder of a typically tedious character is announced, which we're then shown in a slow-moving flashback. I could hardly wait. The location shooting and reminders that the Britain of forty years ago was not the nanny state it is today hardly compensate for moments such as this.
Fittingly, for a Jack Cardiff film, the photography is superb, as is the art direction. But in general, the director and his cast are unable to bring the characters or the uninspired story to life. James Booth is good as the Inspector though, with Nicky Henson as his faithful sidekick and there are all too fleeting appearances from Penelope Keith and Sue Lloyd. A crime story revolving around stamp collectors hardly sounds exciting to begin with, although there had been at least one thriller on the same theme before, BARBADOS QUEST, with Tom Conway in 1955. Then fairly early on we learn that the murdered woman, whose face had been damaged beyond recognition, is one of twins, one good, the other evil. You hardly need to be Hercule Poirot to see where this is going. The film's at its worst when the murder of a typically tedious character is announced, which we're then shown in a slow-moving flashback. I could hardly wait. The location shooting and reminders that the Britain of forty years ago was not the nanny state it is today hardly compensate for moments such as this.
Everyone is dying to get their hands on a priceless stamp, a Penny Gold.
It's a very watchable murder mystery, it is very much of its time, and I love that aspect of it, great cars, great fashion and some terrific location shooting. Plenty of suspense, loads of twists, expect the unexpected.
The best aspect of this film, Francesca Annie, she's a terrific talent, and dare I say it, incredibly beautiful, she has always had such enigmatic presence, I thought she made this film.
It's not a quality movie, it's a bit humdrum, but absorbing enough,w out for Joss Ackland and Penelope Keith.
One big twist I wasn't expecting, enjoyed. 6/10
It's a very watchable murder mystery, it is very much of its time, and I love that aspect of it, great cars, great fashion and some terrific location shooting. Plenty of suspense, loads of twists, expect the unexpected.
The best aspect of this film, Francesca Annie, she's a terrific talent, and dare I say it, incredibly beautiful, she has always had such enigmatic presence, I thought she made this film.
It's not a quality movie, it's a bit humdrum, but absorbing enough,w out for Joss Ackland and Penelope Keith.
One big twist I wasn't expecting, enjoyed. 6/10
The film is produced in 1973. A police movie that is actually one of the first generation movies of this genre. The story of the movie is not very amazing. Maybe after 50 years since it was made, the story seems a bit simple, but I almost guessed the theme from the middle of the movie. However, I was surprised towards the end of the movie. Therefore, it is one of the films that can surprise the audience to some extent and advance the story in a way that the audience does not expect. The twist of the story is suitable and it keeps the audience almost to the end. Although the movie is old, it can be enjoyed and maybe it will be worth the afternoon of a day off.
Did you know
- TriviaFirst film of John Rhys-Davies.
- GoofsAs the police car gets on the motorway at the end of the start credits the driver says 'why's that' but his mouth says 'why not'.
- How long is Penny Gold?Powered by Alexa
Details
- Runtime
- 1h 27m(87 min)
- Color
- Aspect ratio
- 1.75 : 1
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