Penny Gold

Francesca Annis gives quite a performance as a pair of identical twin sisters, Delphi and Diane. They are complete opposites in personalities and lifestyles. When Diane is murdered, everybody is a suspect especially Delphi who deals with rare stamps. The film is satisfactory even with a stellar cast. They filmed on location in England. Jack Cardiff tried his hand at directing. The film is a decent effort. The mystery does have some twists especially at the end of the film. I wished the film had a better ending. I would have liked to know what happened to the main characters in the aftermath. James Booth plays detective in the film. I enjoy seeing other British actors and actresses like Nicky Henson, Joss Ackland, Una Stubbs, a young Dame Penelope Keith before she became a television star.

The film is produced in 1973. A police movie that is actually one of the first generation movies of this genre. The story of the movie is not very amazing. Maybe after 50 years since it was made, the story seems a bit simple, but I almost guessed the theme from the middle of the movie. However, I was surprised towards the end of the movie. Therefore, it is one of the films that can surprise the audience to some extent and advance the story in a way that the audience does not expect. The twist of the story is suitable and it keeps the audience almost to the end. Although the movie is old, it can be enjoyed and maybe it will be worth the afternoon of a day off.

The British film industry was dying on its feet when this film was made in the early seventies.The fact that it was directed by Jack Cardiff speaks volumes.Anyone can see the basic premise of the plot after only about 10 minutes.So there isn't a lot of suspense merely an interest as to how the plot unravels.Booth seems to be doing an imitation of Jack Regan but despite the car chase and the rough handling of suspects this is no "Sweeny".Penelope Keith is seen in a small role before her rise to fame.This is the sort of film that was far more at home on the TV screens than on the cinema screen.At the end of the day this is little more than a potboiler.

This could have been made at Merton Park ten years earlier, but for it being in colour, the graphic description of the injuries suffered by the murder victim and the annoying 70's-style music score by John Scott. Several other reviewers have commented on the fact that it is possible to see the final 'twist' coming almost as soon as the credits are over; although part of the fun is working out the 'how' and 'why' since the 'what' is already so obvious.

Shot in wintry London locations (particularly at and around Windsor), it's attractive to look at; but considering that it was directed by Britain's top Technicolor cameraman of the forties & fifties, it's constant reliance on zooms comes as a letdown.

Despite obviousness of many plot elements within this work directed by renowned cinematographer Jack Cardiff, it is quite possible to enjoy the film for its merits that include expected polished camera-work and lighting, but also superlative design, plainly a result of competent research, and atmospheric settings about Windsor Castle, to the benefit of a somewhat unfocused crime melodrama involving murder in the normally staid world of philately. Action opens in a flat close by the Castle with a young woman, fresh from a shower, being bludgeoned to death, over two dozen blows to the face making her corpse essentially unrecognizable, and when Detective Inspector Matthews (James Booth) launches an investigation he learns that the deceased was one of a pair of decorative and identical twins, performed by Francesca Annis, the surviving sister, Delphi, employed by their guardian, a prominent stamp collector, with the titular item, a piece of enormous value, being target of a plot to steal it, this somehow connected with the homicide. Filmed at London's Pinewood Studios complex and on location in the vicinity of Windsor Castle, including the House on the Bridge Restaurant atop Windsor Bridge, the windows of which offer an agreeable view of the Royal edifice (enjoyed here at lunch by Matthews and Delphi), the film suffers from credibility factors and an oddly structured use of flashbacks, but a John Scott score is reasonably effective (there is a seamless inclusion of police sirens!), and Cardiff leads his players well. There is not a weak portrayal from among the cast, with even the monochromatic Annis being largely believable, Booth and Nicky Henson providing strong turns as the case investigators; Joss Ackland gains acting honours as Jones, supervising police official in the matter.