The Picture of Dorian Gray

This is the fourth version I have watched of Oscar Wilde's famous supernatural tale, following the definitive 1945, the trashy 1970 and the classy 1976 British TV ones. Producer Dan Curtis had reverently (and, generally, faithfully) tackled a number of horror classics around this time – R.L. Stevenson's THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE (1968), Bram Stoker's Dracula (which he personally directed) and Mary Shelley's FRANKENSTEIN (both 1973) – and this certainly upholds that tradition, while maintaining their standard of excellence. Indeed, the essence of the piece emerges quite strongly in this case: the Victorian atmosphere (despite the limited resources of TV-based adaptations), the moral issues behind the protagonist's Satanic pact and his subsequent callous/hedonistic behavior, the wit (which was always Wilde's forte) and the opportunities afforded the cast (notably latter-day Hammer regular Shane Briant in the title role, Nigel Davenport, and DAUGHTERS OF DARKNESS [1971]'s John Karlen) by way of superbly-delineated characters…though the all-important role of Sybil Vane is rather inadequately filled by Vanessa Howard. Needless to say, the gradual degradation of Dorian Gray's portrait features prominently within the narrative, and this obviously emerges a highlight here as well.

Young Shane Briant was the prettiest Dorian Gray ever on screen. In this version of The Picture Of Dorian Gray I got the distinct feeling that this is how Oscar Wilde probably saw his character in real life. His inspiration probably was some pretty twink he met in passing in the London underground gay scene.

Although Briant narrates this story of his life which dates from 1891 to 1911 which was after Wilde himself was gone, the story is seen from two pairs of eyes. One is that of Nigel Davenport the freewheeling hedonist who takes Gray under his wing. He's the witty Wilde and full of aphorisms which he tosses off to express his attitudes about life and love. The other is the artist Charles Aidman who paints that infamous portrait showing Gray in the full bloom of youth and attractiveness. This was Wilde the closeted gay man so hopelessly in love with the pretty Mr. Gray.

Of course Briant is taken with the portrait and wishes a strange wish that the opposite of life comes true, that he remain young and attractive and the portrait age like we humans do. But not all of us lead a life of total debauchery. It's that which the portrait shows as his pleasures age him rapidly on canvas. And his sins which includes the deaths of several people either by accident or very much design.

This is a nice television production of the Oscar Wilde classic, Briant is the quintessential Dorian Gray. If they do it again I could see Robert Pattinson playing the part.

I first saw this one when it was first shown, so I'm not too objective about it. It really managed to scare me, partly because it was so late at night, but partly because of that whole feeling from a videotaped suspense story (the same thing that helped Dark Shadows itself). And the casting was so right. I hardly know Shane Briant from anything else, so it might not be so right to call HIM "well-cast," but to me, he IS Dorian Gray. And as far as the other male actors, the one who fit his part so well was Nigel Davenport (who's so good at "larger than life" characters) as Sir Henry. And John Karlen, a sort of Dan Curtis "repertory player" at the time, because of Dark Shadows. As one poster points out, this version manages to include the involvements with men, in a fairly subtle way. The scene where Dorian recites a list of men's names to John Karlen's character, as a way of blackmailing him, and the look on Karlen's face, were very well-done. (If that scene were done now, it would probably be done in a TOO OBVIOUS way, and be bad by comparison.) I saw it when "Dorian Gray" was barely a name to me, let alone more, so even more than the famous 1945 version (which is rightly famous), this is THE version to me.

The story is familiar - Oscar Wilde's Dorian Gray wishes his painting would grow old whilst he remain young. This is the version from Dan Curtis Productions, which produced the TV-series "Dark Shadows" from 1966-1971; the television show incorporated a version of "Dorian Gray" into the series' "1897 flashback" (1969). The next film, the sexually charged "Dorian Gray" (1970), starred Helmut Berger. But, the most well-known version remains "The Picture of Dorian Gray" (1945), which starred Hurd Hatfield.

This "The Picture of Dorian Gray" (1973) was produced for late night TV, and the "videotape" quality shows, sadly. Still, it plays. Few actors could play the part as deliciously as Helmut Berger (who fitted the part like a glove); but, Shane Briant takes a fine turn in the lead role. Mr. Briant's Dorian is sweeter-looking, but much more evil. Nigel Davenport, John Karlen, and Fionnula Flanagan head a great group of supporting players.

The 1973 TV film, oddly enough, portrays Dorian as more wicked than other versions. For example, Briant's character has sex with a child; and, it's not ambiguous! In addition to upping the wickedness, the film is played more for horror than drama. Briant's blackmailing of pal John Karlen (as Alan) by reciting his lovers' names tops other versions; the 1970 movie had Dorian and Alan's wife in some naked photographs.

****** The Picture of Dorian Gray (4/23/73) Glenn Jordan ~ Shane Briant, Nigel Davenport, John Karlen

This is a TV thriller based on Oscar Wilde's novel - a suspenseful plot from beginning to end about young English aristocrat Dorian Gray, whom after meeting the hedonistic Sir Harry Wotton, dives into a life of decadence and self-indulgence. The story gets even more thrilling when a self portrait of Dorian changes appearances, reflecting his sinful ways.

Great-pacing with decent acting and a good setting that captures the beauty but eeriness of the atmosphere. There is hardly any dull moment in the movie and the drama, though a little too theatrical in some ways, keeps you glued to the screen. Overall, a captivating thriller!

Grade A-