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5.6/10
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A psychiatrist tells stories of four special cases to a colleague.A psychiatrist tells stories of four special cases to a colleague.A psychiatrist tells stories of four special cases to a colleague.
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Creepy British movie has four scary tales about an invisible man eating tiger, a picture that comes alive, a tree that is alive and the last and worst one is about voodoo. Joan Collins is great as a woman fighting for her husband's affection over a tree! The tiger and the picture episodes are good too. Altogether a good creepy movie .
This is not one of those Amicus anthologies which present unexpected twists: three out of the four stories are utterly predictable from their initial set up. But then it's like one of those fairground rides - you see what you're going to get (eg a 25 foot vertical drop), but if you're into that sort of thing you can still get a thrill out of the ride (the last story in particular is quite unpleasant - watching it is like watching an unavoidable car accident in slow motion). While none of the acting is quite on the level that you get from Peter Cushing in particular in anthologies like 'The House that Dripped Blood' or 'Tales from the Crypt', it is consistently good (Joan Collins actually being more believable than in the silly story she appears in for 'Tales from the Crypt'), and Freddie Francis directs these with a good sense of atmosphere and character. One I wouldn't mind seeing again.
Dr. Nicholas (Jack Hawkins) arrives at the insane asylum run by the eminent Prof. Tremayne (Donald Pleasence) to hear his absolutely bizarre theories as to how four of his patients ended up there.
The first is young Paul (Russell Lewis), who lived with quarrelling parents Sam and Fay (Donald Houston, Georgia Brown), and who had concocted an imaginary friend dubbed Mr. Tiger. Or is he imaginary?
Next is Timothy (Peter McEnery), whose newly acquired penny farthing - it's a sort of bicycle - is able to transport him back in time, all while a leering portrait of his uncle Albert (Frank Forsyth) watches over him.
Then we meet Brian (Michael Jayston), who frustrates his wife Bella (Joan Collins) by bringing home - and falling in love with (I kid you not) - a tree. A creepy looking tree that seems to be named Mel.
Finally, in the tale that takes up most of the movies' running time, the story of Auriol (Kim Novak) is told. She's having to deal with a rebellious daughter, Ginny (Mary Tamm) while entertaining a writer named Kimo (Michael Petrovitch).
Only the fourth tale, "Luau", has any real kick to it. And it's an appreciably twisted tale indeed. But overall, the segments of "Tales That Witness Madness" are bland and lack style. A shame, given that director / cinematographer Freddie Francis *could* do solid work in this format. Things get a little too silly a little too often, especially in the sequence with Brian and Bella, and the endings are rather predictable. Certainly this excellent cast of familiar faces does some good work; Pleasence is a pleasure to watch as always. And the movies' final moments come complete with yet another twist before the end credits start rolling.
However, if you're looking for a good horror anthology from this period, check out "Asylum" or "Tales from the Crypt" instead.
Five out of 10.
The first is young Paul (Russell Lewis), who lived with quarrelling parents Sam and Fay (Donald Houston, Georgia Brown), and who had concocted an imaginary friend dubbed Mr. Tiger. Or is he imaginary?
Next is Timothy (Peter McEnery), whose newly acquired penny farthing - it's a sort of bicycle - is able to transport him back in time, all while a leering portrait of his uncle Albert (Frank Forsyth) watches over him.
Then we meet Brian (Michael Jayston), who frustrates his wife Bella (Joan Collins) by bringing home - and falling in love with (I kid you not) - a tree. A creepy looking tree that seems to be named Mel.
Finally, in the tale that takes up most of the movies' running time, the story of Auriol (Kim Novak) is told. She's having to deal with a rebellious daughter, Ginny (Mary Tamm) while entertaining a writer named Kimo (Michael Petrovitch).
Only the fourth tale, "Luau", has any real kick to it. And it's an appreciably twisted tale indeed. But overall, the segments of "Tales That Witness Madness" are bland and lack style. A shame, given that director / cinematographer Freddie Francis *could* do solid work in this format. Things get a little too silly a little too often, especially in the sequence with Brian and Bella, and the endings are rather predictable. Certainly this excellent cast of familiar faces does some good work; Pleasence is a pleasure to watch as always. And the movies' final moments come complete with yet another twist before the end credits start rolling.
However, if you're looking for a good horror anthology from this period, check out "Asylum" or "Tales from the Crypt" instead.
Five out of 10.
TALES THAT WITNESS MADNESS opens with a doctor (Donald Pleasence) introducing his colleague to the patients in a mental institution. Since this is an anthology film, each patient has a story. They are as follows...
MR. TIGER: A boy has an imaginary friend called Mr. Tiger that is very hungry for meat and bones. Mum and dad aren't getting along, which makes Mr. Tiger quite cross.
PENNY FARTHING: A man inherits a load of antiques from his Aunt's estate. Among them is a strange picture of his Uncle that's seemingly alive and possesses mystical powers.
MEL: When a man drags home a bizarre, woman-shaped tree from the forest, his wife (Joan Collins) doesn't approve, leading to jealousy, obsession, and an inevitable showdown.
Luau: A woman (Kim Novak) plans a big surprise party for her friend. Unfortunately, ancient superstition turns the festivities into a hideous ritual of terror.
The wraparound story concludes with the traditional twist. While the last two segments are the strongest, the whole movie is good. This is a special treat for fans of Ms.'s Collins and Novak...
MR. TIGER: A boy has an imaginary friend called Mr. Tiger that is very hungry for meat and bones. Mum and dad aren't getting along, which makes Mr. Tiger quite cross.
PENNY FARTHING: A man inherits a load of antiques from his Aunt's estate. Among them is a strange picture of his Uncle that's seemingly alive and possesses mystical powers.
MEL: When a man drags home a bizarre, woman-shaped tree from the forest, his wife (Joan Collins) doesn't approve, leading to jealousy, obsession, and an inevitable showdown.
Luau: A woman (Kim Novak) plans a big surprise party for her friend. Unfortunately, ancient superstition turns the festivities into a hideous ritual of terror.
The wraparound story concludes with the traditional twist. While the last two segments are the strongest, the whole movie is good. This is a special treat for fans of Ms.'s Collins and Novak...
British studios made a number of anthology horror flicks in the '60s and '70s, and "Tales That Witness Madness" is one of them. It depicts a futuristic asylum in which the owner (Donald Pleasence) tells his colleague (Jack Hawkins, who died right before the movie got released) about the patients and how they went insane.
I didn't like this one as much as movies like "Dr. Terror's House of Horrors" and "The House that Dripped Blood", but it's still entertaining. The tree segment is the neatest one. It just goes to show that horror flicks - even if they're not particularly scary - are best when they're not just scenes of people crawling around making scared faces. I will say that Kim Novak's character seems kind of flat, but the rest of the movie makes up for that. Also starring are Joan Collins and the recently deceased Mary Tamm.
So yes, does anyone love me?
I didn't like this one as much as movies like "Dr. Terror's House of Horrors" and "The House that Dripped Blood", but it's still entertaining. The tree segment is the neatest one. It just goes to show that horror flicks - even if they're not particularly scary - are best when they're not just scenes of people crawling around making scared faces. I will say that Kim Novak's character seems kind of flat, but the rest of the movie makes up for that. Also starring are Joan Collins and the recently deceased Mary Tamm.
So yes, does anyone love me?
Did you know
- TriviaFinal theatrical movie of Frank Forsyth (Uncle Albert).
- GoofsAt the end of the movie, Tremayne is ushered out of the lab and Jack closes the automatic door. Rather than pressing the red, "close" button, he presses the green "open" button and the door slides closed.
- Quotes
Tremayne (segment "Clinic Link Episodes"): Brian's case was the first one that gave me an inkling into what might be achieved.
- ConnectionsFeatured in Trailer Trauma 2: Drive-in Monsterama (2016)
- How long is Tales That Witness Madness?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Geschichten, die zum Wahnsinn führen
- Filming locations
- Binfield Manor, Forest Road, Binfield, Bracknell, Berkshire, England, UK(House exterior/interiors in 'Luau' segment)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 30m(90 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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