Captain Kronos: Vampire Hunter

I've only seen a couple of Hammer horror films, but I'm impressed. They seem to be subtly effective if you're looking for a few thrills and chills, not overdoing the gore, being mild on the language but yet having a definite edge to them.

"Captain Kronos" isn't super but it's enjoyable. The direction is excellent, the DVD transfer looked nice, and - like a good mystery - there's a good twist at the end regarding the murderer, er.....vampire. For us guys, there are also a lot of pretty women in here, too. The acting isn't the best but who cares? It's entertaining, and not made to be taken seriously.

I enjoyed the team of "Captain Kronos and Professor Hieronymous-Grost," and I'm surprised there wasn't a sequel. These two guys make a good team: Horst Janson as the younger, dashing swordsman, and John Cater as the older assistant. The latter provides a little comic relief, too. Their relationship reminded me a bit of Basil Rathbone and Nigel Bruce at "Holmes and Watson."

The good captain is not your normal vampire hunter. He's just as anxious to get it on with the ladies, and he has a sexy one for a partner in Caroline Munro as "Carla." Kronos also smokes "herbal" cigars! The brief touches of comedy, western, swashbuckling, horror, mystery, romance, sex, supernatural, and who-knows-what else all make it an inventive and fun hour-and-a-half. Hey, it even gives God several good plugs! This horror movie is different, all right.

Proof definite that Hammer could survive without Christopher Lee, Peter Cushing, or even their borrowed Universal monsters (Frankenstein's monster, Dracula, the Mummy). Kronos is an entirely original take on vampires and monster-hunting. Brian Clements (The Avengers) has fun with the concept, and you're never quite sure if you're watching a parody or a homage. Kronos works either way, though. Check out the swordfight scene that's a parody of every Western ever, when Kronos kills three men before they (or us) can see him draw his sword. Lots of action, and an interesting vampire concept, make for a must-see movie.

Among the least known of the Hammer Studios horror output, Captain Kronos: Vampire Hunter is also one of its most interesting and unusual productions. As opposed to the more in-your-face Dracula series that immortalized Christopher Lee, CK:VH knows that it is just a cinematic comic book and works with itself in a restrained, somewhat lighthearted way that is, off and on, quite effective. This film never really tries to outright scare you which, I think, is extremely cool. Instead, it sets an atmospheric table at which your imagination is invited to partake. This suave slant is the work of Director Brian Clemens who was largely responsible for the legendary '60's British TV series, The Avengers; the original, with Patrick Macnee and Diana Rigg. If you remember that series, you'll recognize some of its essential look and feel in this film. Viewed from one azimuth, CK:VH is nonsense but, if you lighten up a bit and just get into the story, the movie takes on a dreamy quality against which its more `horrific' elements play in a most interesting way.

The setting, never precisely defined, seems to be central Europe during or just after the Napoleonic Wars (from the clothes). Let's call it early 19th century. Captain Kronos himself appears to be a former officer of Dragoons, separated from service although still in uniform. The implication is that, while away in the wars, he lost his wife, and possibly his child, to vampires. Now, in the company of his good friend, a hunchbacked academic and authority on vampire lore who drives a wagon loaded with tools of the vampire-killing trade, the Captain roams the region hunting the undead.

Captain Kronos is played by the German actor Horst Janson who, with his grave, nearly too-nordic features, balanced by eyes that seem to constantly smile, brings a nice sense of mystery to the role. Kronos is aloof and taciturn, though never unpleasant. He smokes long cheroots and carries a Samurai sword that he, evidently, did not acquire at a flea market. We don't learn the history of the sword, but we see that he can definitely wield it, as does a trio of toughs fronted by the local alpha-blade (the late Ian Hendry, a prominent British character actor of the period who, interestingly, was a regular during the Avengers' first season.) Actually, they don't really see the sword. They just feel it, sort of, before collapsing in a heap. Janson plays the Captain with a certain Playboy Magazine, lady's man sense of cool, echoing a time when people were just finishing up talking about sex and beginning to actually do it. If you were around then, you'll recognize the spin. It's a nostalgia hit, for sure. You might even recognize Janson's face, which was seen in full page ads in American magazines during that period; men's apparel, liquor, etc.

The Captain and his trusty companion have arrived in the film's locale in response to rumors of bad happenings. Young women of the area are undergoing drastic reverse-makeovers, emerging from them as exsanguinated centenarians. The locals, rather superstitious rural types, are in a tizzy. Could the recently-deceased head of the local, reclusive aristocratic family, whom some suspect of not being completely dead, be involved? It's an angle definitely worth investigating. The Captain makes contact with the only person in the area still in possession of his wits - the local physician - and the hunt begins.

If most Hammer films tend to be hissing fastballs down the middle, CK:VH is an off-speed slider on the corner. There's nothing fancy here, no baroque sets or sophisticated effects. In fact, the film overall has a sparse look and feel that enhances its credibility. The hunt for the vampire proceeds as a believable combination of scientific method and lore. Much of what transpires does so in daylight which, to me, carries significant implications. Evil that does not fear sunlight carries a big stick. We, as its prey, have no real hiding place. The film balances its occasionally goofy moments by never sacrificing its dignity and, at times, is quite poignant. It also features one of the most brilliantly effective sequences ever seen in this genre, illustrating how much can be accomplished with the simplest of cinematic means. I think you'll know it when you see it. This film was produced as the first in what was hoped to be a series of Captain Kronos adventures but the concept failed to grab the required audience. Pity, but at least we have this one. It's fun, stylish, and a perfect rainy-day diversion.

This was one of the best vampire films I have ever seen. It's an interesting take in which a swash-buckling English swordsman and his hunchback companion hunt vampires in 19th century pastoral England. The action is intense, the damsels are beautiful, and the ending is satisfying. This movie is like The Searchers, the Lone Ranger, and Monty Python's the Holy Grail all in one. The scene where they try different methods to kill one of their friends who will soon turn into a vampire was (I think) unintentionally hilarious. They stake him, hang him, and burn him to no avail. You can feel the "aw, shucks" attitude of the scene, even from the guy who's trying to die! The emotional level never seems to get above this level. If you like the new Mummy movie, you'll like this, although the special effects in this one are kind of weak, but the spirit is there! Find this one, you won't be disappointed.

While few of the Hammer horror films took themselves too seriously it was in the 1970s when the cycle became almost a parody of itself and "Captain Kronos, Vampire Hunter" is perhaps the best example of this. Although it is a little known film it is certainly one of the best horrors, largely due to its original take on the vampire theme and imaginative, albeit risky, casting.

Rather than offer the audience another Christopher Lee dominated vampire flick, "Kronos" features Horst Janson in the title role and he is essentially the Clint Eastwood character from the Sergio Leone Spaghetti Westerns. This means Kronos is unstoppable with a sword and can kill several men with one quick swish of his blade, best displayed when the brilliant Ian Hendry and his mob make the mistake of picking a fight with him.

It is important not to take the film or the cast too seriously as this is essentially a comedy-horror. There are several very amusing scenes such as when Kronos and his hunchbacked helper struggle to find a way to destroy a particularly nasty vampire, making light of the many and varied ways to supposedly kill one of the undead.

Like all Hammer Horror films "Kronos" benefits from having a short 90- minute running time, concentrating more on action and bloodletting than the idle chat that typified Francis Ford Coppola's "Bram Stoker's Dracula". It is also good to see a vampire film in which the hero is dangerous and unpredictable and not entirely wholesome such as the Van Helsing character often is.

Anyone who found "Blade" to be too noisy and over-the-top (karate and vampires do not go together) should watch "Kronos" which is essentially the same film but far more subtle - like the difference between using a scalpel and a chainsaw.