A Friend in Deed
- Episode aired May 5, 1974
- TV-PG
- 1h 35m
A police commissioner provides a false alibi for a neighbor who killed his wife in a fit of rage. He then kills his own wife in cold blood and blackmails the neighbor into faking an alibi fo... Read allA police commissioner provides a false alibi for a neighbor who killed his wife in a fit of rage. He then kills his own wife in cold blood and blackmails the neighbor into faking an alibi for himself. Lt. Columbo has to untangle this mess.A police commissioner provides a false alibi for a neighbor who killed his wife in a fit of rage. He then kills his own wife in cold blood and blackmails the neighbor into faking an alibi for himself. Lt. Columbo has to untangle this mess.
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This particular program, though, is the one I'd probably label my all-time favorite - among many, including those with the ubiquitous Columbo "killers," Jack Cassidy, George Hamilton, etc.
One of the greatest mistakes in the entire history of film was the casting of Peter O'Toole in the lead for "Man of La Mancha," rather than Richard Kiley, whose Broadway performance in this role was among the most acclaimed, ever. Kiley was an immensely- and diversely-talented actor, who should be more prominently recognized and remembered among his peers than he is.
His portrayal as the egotistic, manipulative, greedy deputy police commissioner, and the villain of this episode, is outstanding. The "shtick" of this series, of course, included the usually smooth, urbane, well-dressed, cosmopolitan qualities of the villains - contrasted markedly with Columbo's being the opposite in all of these.
This aspect is certainly apparent here - and the only somewhat puzzling part of the story is the seeming absence of Kiley's knowledge of Columbo's abilities beneath his sloppy exterior - and he would have certainly seen the records of the department certifying the lieutenant's significant abilities.
The main paradox in the history of "Columbo" was the ease with which he seemed to be able always to remain "under the radar," both within the department (even with those with whom he was most closely associated) and on the outside - despite having had to possess a better record for detection and solution of serious crimes than Sherlock Holmes, Hercule Poirot and Sam Spade - combined.
There is no way a review of a "Columbo" episode could be a spoiler. We know from the outset that Kiley is the villain here - however, Columbo's inevitable foiling his devious, wily superior, is perhaps the most clever in the history of this long series.
Storywise this is simply one fine movie. It on top of that is also quite original for a Columbo movie, thanks to some nice little touches that makes the story and its storytelling different from the usual Columbo formula. For instance we don't get to see the first murder being committed at all and there is not one murderer but two, of which one is the deputy police commissioner and Columbo's boss. In the long run the story isn't at all about the first murder in fact. The story on top of that has some small side-plots, which isn't something common for a Columbo movie, also due to its normal short running times. It's a story that develops nicely and has plenty of twists and surprises in it. It's the kind of script that would had also worked out for a good cop thriller movie.
But it's still a typical Columbo movie alright with most of its usual ingredients. The character of Columbo himself can be seen as a real police investigator this time, interrogating and looking for clues, while in most other Columbo movies he doesn't really feel and act like a police-man but more like a noisy, smart, observing private detective, like for instance Agatha Christie's Poirot or Miss Marple.
Perhaps it's true that the movie focuses more on the perpetrators than on the Columbo character, even more than usual but I see this as a part of the reason why this movie is different and more original from other Columbo movies, rather than as something that is bad about the movie.
The movie also really benefits from Richard Kiley, who plays a fine role, as Columbo's main suspect. His character carries the movie for quite a large part.
A movie that doesn't follow all of the usual Columbo movie rules but works out fine anyhow thanks to its well written script, that helps to make the movie one of the more original Columbo movies out there.
8/10
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The way Columbo works out this crime and proves the killers' actions is truly unusual and I liked the novelty of the episode and solution. Overall, very well written and one of the better episodes.
Did you know
- TriviaWhen Columbo is being paged over his car's police radio, for the first and only time, his call number is revealed; it is "194". (Note: During the last half of the episode, Columbo was using a department vehicle due to his Peugeot being disabled, which had never been equipped with a police radio. 194 was likely the ID number of the vehicle he borrowed).
- Goofs(at around 41 mins) Mark Halperin (Richard Kiley) refers to the murder plot as a "Quid Quo Pro" instead of as a Quid Pro Quo.
- Quotes
Mark Halperin: [to his wife] Darling, if you're embarrassed by all your millions, why don't you just sign them over to me? They wouldn't embarrass me in the least.
- ConnectionsReferences Strangers on a Train (1951)
Details
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- Also known as
- Meine Tote - Deine Tote
- Filming locations
- 355 S Muirfield Rd, Los Angeles, California, USA(Halperin residence)
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