IMDb RATING
6.2/10
4.8K
YOUR RATING
Baron Frankenstein works with a mental patient to reanimate the dead.Baron Frankenstein works with a mental patient to reanimate the dead.Baron Frankenstein works with a mental patient to reanimate the dead.
David Prowse
- Monster
- (as Dave Prowse)
Christopher Cunningham
- Hans
- (as Chris Cunningham)
Charles Lloyd Pack
- Professor Durendel
- (as Charles Lloyd-Pack)
Andria Lawrence
- Brassy Girl
- (as Andrea Lawrence)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
6.24.7K
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Featured reviews
Hammer's most gruesome production?
The last entry in Hammer's legendary Frankenstein cycle by far isn't the best one, but it probably is the most appealing chapter to enthusiast horror buffs due to the excessive use of blood and ugly make-up effects. "Frankenstein and the Monster from Hell" is the direct successor of "Frankenstein must be destroyed", since Jimmy Sangster's "Horror of Frankenstein" introduced a different lead-actor (Ralph Bates) and repeated the initial premise of the infamous baron. Terence Fisher's grand finale is set entirely in a mental asylum where good old Peter Cushing continues his deviant experiments undercover. He changed his name to Dr. Viktor and receives help from a gifted new-arrival who got convicted for committing the exact same sorcery-crimes (although Frankenstein considers it science). In their private asylum-chambers, the doctors create new life using the brains and body parts of unfortunate patients of the asylum. Although good campy fun nonetheless, this film slightly disappoints compared to its predecessors. I feel like Fisher could have used the grim asylum setting much better and even Cushing's characters isn't as 'evil' as it was in the other films. Simon Helder Frankenstein's partner in crime is entirely listless and Madeline Smith doesn't do much either, aside from looking really cute. The monster doesn't evoke feelings of fright and he actually looks more like a fugitive cast-member of the "Planet of the Apes"-series. On the other hand, you could say that this installment is one of the better since the scenery is raw and the monster is more repellent looking. There are some really nasty killings in this film and the medical experiments are extremely graphic (a gratuitous brain-transplant, anyone?). Purely talking trivia, this also is an interesting film as it was Terence Fisher's last directing achievement. This great director easily was one of the genre's most important icons, with on his repertoire most films of both the Frankenstein and Dracula franchises as well as some other milestones like "The Devil Rides Out" and "The Mummy". His last film (Fisher passed away in 1980) is great entertainment and nothing more.
The final movie in Hammer's Frankenstein series could well be the best of them all.
'Frankenstein And The Monster From Hell' is an important Hammer movie for two reasons. First it was the last in the series which began back in 1957 with 'The Curse Of Frankenstein'. Secondly, it was the final movie for Terence Fisher, who directed all but two of the Hammer Frankenstein movies as well as other Hammer classics like 'Dracula: Prince Of Darkness' and 'The Devil Rides Out'. The previous entry in the series 'The Horror Of Frankenstein' had been a failed experiment. Fisher didn't direct it, Peter Cushing didn't play Frankenstein (Ralph Bates did), and it jumped the story all the way back to the beginning. So in watching 'Frankenstein And The Monster From Hell' we can just pretend it never happened. Shane Briant plays Simon Helder, a young doctor attempting to duplicate Frankenstein's experiments. He is charged with sorcery and is sentenced to an asylum by a judge who had previously done the same thing to the Baron himself. When Helder arrives at the asylum he is told by the director (John Stratton, who gives a wonderfully slimy performance!) that Frankenstein is dead, but Helder immediately suspects that "Dr Victor" (Peter Cushing) is in fact Frankenstein. Of course he is right and he soon becomes Frankenstein's assistant. Sarah, a beautiful mute girl known to the inmates as "Angel" (Madeline Smith) has been helping the Baron (who has injured hands), but she is just an amateur. Now that he has Helder he can continue with his life's work - creating another monster. Cushing plays an older and slightly nutty Frankenstein in this one, and Stratton is very good as his idealistic assistant. Madeline Smith is as beautiful as ever, but in case you're wondering, keeps her clothes on, so you'll just have to watch 'The Vampire Lovers' again, won't you. The supporting cast also includes Dr Who #2 Patrick Troughton and Bernard Lee (M from the Bond films). David "Darth Vader" Prowse once again plays the Monster, but unlike his silly one in 'Horror Of Frankenstein', this monster is very scary and repellent looking, being closer to a caveman than anything we've seen in the previous movies. It's an inspired touch and very effective. In fact the whole movie is inspired and could well be the best in the series in my opinion. While it's sad that it was Terence Fisher's epitaph at least he went out on a high note. I highly recommend 'Frankenstein And The Monster From Hell'.
Cool movie and one of the best monsters ever!!
In this last movie of Hammer Studios' Frankenstein, Peter Cushing proves once again why he is perfect as the Baron. The plot is sometimes confusing, but works well. It moves fast and smooth like the movie Frankenstein Must Be Destroyed, but unlike The Evil of Frankenstein. In comparison to Destroyed, this movie ranks right up there with it. A good cast and script helps this movie entirely. In comparison to Evil, this movie beats it to a pulp. The Evil of Frankenstein was a disgrace, but Cushing's performence makes up for the plot entirely. All in all, Frankenstein and the Monster from Hell is a good, solid film that might be confusing to some, but is great for a late night movie.
Frankenstein
I enjoyed watching this film very much, first off i am a Hammer Films fan of all of the horror creatures, not just Frankenstein, although it is my favorite creature. Peter Cushing was excellent in this one. David Prowse, aka Darth Vader did very well as the monster i thought. i love the idea of the film also,, a sanitarium, what a perfect place for the Baron to practice. Von Helder character was also very good, in fact probably stole the show for me. I also liked the character of Angel, and the Director as well, the film has it's funny moments as well, not to much that i didn't like about the film,, the brain transplant scene, well could have been better, and a few other scenes , but hey that's minor stuff, all in all i thought this was a great film to end the Hammer Films collection of Frankenstein, and i would recommend this to all horror fans,, and Peter Cushing fans also.
Hammer House of Horror: The Frankenstein series.
Frankenstein and the Monster from Hell (1974) was made during the waning days of Hammer Films. Peter Cushing once again reprises his role as Baron Frankenstein (under another non de plume)and he's up to his old tricks again. Why can't the Baron learn from his past mistakes? He must be addictive to cutting up corpses and trying to reanimate the dead. Maybe this time he'll learn not to mess with mother nature. Most of the gooey stuff was edited from the U.S. version. British body builder and future Darth Vader David Prowse once again makes an appearance as "The Monster" (In here he looks like a big bulky hairy Neanderthal).
A mild mannered doctor is working in a mad house. He looks very familiar and he has a knack for sutures and plasma. A young doctor is soon taken under his wing and he learns the doctor's true identity. Will the new guy be able to keep the old doctor under wraps or will he be up to his old tricks once again? Terrance Fisher helmed this Hammer film for one of the last times. Fitting how Peter Cushing and himself ended their long run with Hammer Films. The series was clearly running out of gas and ideas. The series was finally put to bed for good. We'll never see a studio like Hammer or their sister company Shaw Brothers ever again. It's a shame as well for fans young and old.
Recommended for Hammer fans.
A mild mannered doctor is working in a mad house. He looks very familiar and he has a knack for sutures and plasma. A young doctor is soon taken under his wing and he learns the doctor's true identity. Will the new guy be able to keep the old doctor under wraps or will he be up to his old tricks once again? Terrance Fisher helmed this Hammer film for one of the last times. Fitting how Peter Cushing and himself ended their long run with Hammer Films. The series was clearly running out of gas and ideas. The series was finally put to bed for good. We'll never see a studio like Hammer or their sister company Shaw Brothers ever again. It's a shame as well for fans young and old.
Recommended for Hammer fans.
Did you know
- TriviaAccording to an interview with actor Shane Briant (Dr. Simon Helder) on the 2014 UK R2 Blu-ray, real human blood was used in this film. Blood that could no longer be used for transfusions was sourced from the blood bank and used in the film, including in the notorious scene where Baron Frankenstein (Peter Cushing) uses his teeth to clamp down on a severed artery of the monster.
- GoofsAt c.17 minutes, a modern 1970s high-pressure hose is used.
- Quotes
Baron Victor Frankenstein aka Dr. Carl Victor: [after inserting eyes into the creature's head] Now, in approximately one hour, when the narcosis wears off... we shall see.
Simon Helder: [jokingly] Let's hope it's he who sees!
Baron Victor Frankenstein aka Dr. Carl Victor: ..."he who sees"?
Simon Helder: Sorry...
Baron Victor Frankenstein aka Dr. Carl Victor: [begins to laugh maniacally] "He who sees"! I like that!
Simon Helder: I didn't think it was that funny, I must say...
- Alternate versionsShout! Factory's Region A Blu-Ray release uses the edited Paramount US R rated cut.
- ConnectionsEdited into I Am Your Father (2015)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Frankenstein y el monstruo del infierno
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- £137,200 (estimated)
- Runtime
- 1h 33m(93 min)
- Aspect ratio
- 1.85 : 1
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