Inn of the Damned

I first saw 'Inn of the Damned' years ago then caught it again recently and I'm pleased to report having only grown more fond of this quirky Australian western-horror, a highly original one-of-a-kind tale featuring a cast so talented and diverse it simply can't miss.

Director Bourke seizes the opportunity to spend an ample budget (a record at the time in Oz) on building an elaborate mystery, the characters afforded more depth than usual, in particular Cord's likeable Dirty Harry-esque bushranger hunter who becomes suspicious of the old Inn after a disappearance. Dame Judith Anderson and Joseph Furst are both first-rate as the reclusive inn-keepers guarding a harrowing secret, and there's even space for both John Meillon and Michael Craig in the deeper-than-expected casting.

It's essentially a horror movie set in 1890s outback, so whilst there's horse chases, stagecoaches and spurs in abundance, it's still a bona fide thriller delivering well-timed shocks and some ghastly make-up effects.

Initially I felt the film was perhaps 20 mins longer than needed, but I came to appreciate the character backstories including those of the victims, a diverse assortment of eccentric lodgers each bringing their own sordid situations into the orbit of the senile serial killers.

Special mentions also go to local stage actor & playwright Robert Quilter as the despicable vagrant-criminal Biscayne, and then the Diana Dangerfield (Brisbane-based theatre actress & playwright)/ Carla Hoogeveen (also seen in Bourke's earlier anthology 'Night of Fear') lesbian love triangle is a detour you won't soon forget, the pair given more screen-time than expected in the somewhat shoehorned sub-plot, delivering decent performances that rise above the salaciousness.

Overall I can understand the criticisms at the film's perceived padding, but realistically there's plenty of blood-letting at regular intervals and if you invest in the characters, there's a tense, sombre tone and a particularly unsettling climax to make the wait worthwhile. Odd but effective western-styled Ozploitation thriller.

'70s Ozsploitation movie Inn of the Damned combines the Western and horror genres and, in my opinion, does it very well.

The film stars Alex Cord as American bounty hunter Cal Kincaid, who teams up with Trooper Moore (Tony Bonner) to capture ruthless Australian criminal Biscayne (Robert Quilter); meanwhile, local innkeepers Caroline and Lazar Straulle (Judith Anderson and Joseph Fürst) -- old acquaintances of Biscayne -- subsidise their income by murdering their lodgers and stealing their belongings. When Trooper Moore goes to the inn to question the Straulles, he winds up becoming a victim of the homicidal old couple (who were driven insane when their children were killed by an escaped convict), leading Kincaid to stop eating peaches off a naked hooker and investigate his friend's disappearance instead.

The film begins primarily as a Western, with the two heroes tracking down their quarry through the scenic countryside, but segues into horror once Biscayne is brought to justice and Moore is murdered.

My favourite part of the film comes when a woman (Diana Dangerfield) and her pretty stepdaughter Beverly (Carla Hoogeveen) arrive at the inn during a storm. While their buggy driver Alfred (Phillip Avalon) is being brutally stabbed to death by Lazar, the women are stripping off to share a bed and to take a bath together. We then learn that the stepmother is a predatory lesbian who has been abusing Beverly, which is totally superfluous to the plot, since both women are bumped off soon after, but that's why it's so great -- it's pure exploitation!

Kincaid opting to spend a night in the inn to try and find out what happened to Moore ramps up the suspense, leading to a tense showdown between the bounty hunter and the elderly psychos. The film does tend to outstay its welcome once the killers have been caught, and the revelation about what is hidden in their secret room is quite disappointing (not nearly as twisted as I had hoped), but on the whole this is a very entertaining film.

7.5/10, rounded up to 8 for the Straulle's unique method of killing their victims.

Oh my goodness gracious, this one sets the standard for the worst movies of all time. I haven't seen many of those on the worst 500 list but how this turkey didn't make it is anyone's guess. Dumbest food/sex scene in history. Cliched slomo shots - hey this baby's got it all!

I enjoyed the movie itself.Good original but sad story. Touched a not very exposed taboo.That is Female molestation of younger teenage girls briefly. The sound quality and lighting is not the best.Time for a remake in the digital era.

Read anything about "Inn of the Damned" and you'll doubtlessly come across a description of the way the movie was intended as a one-hour long episode of a TV series that was to begin with the director's earlier "Night of Fear". The TV show idea was scrapped when the ABC failed to pick it up, and so Bourke expanded his concept into an almost two hour long movie.

Read any REVIEW of the movie, however, and you'll read about the movie's strange, unsuccessful melding of two genres: the western and the horror movie.

What you WON'T read is what a fantastic short horror movie was buried in "Inn of the Damned"'s almost two hour length. It features the fulfilment of the promise Bourke showed in "Night of Fear", with some genuinely shocking, disturbing, and nail-biting moments.

Alas, these all come too late for those of us with short attention spans. The movie doesn't really try to mix the two genres; it starts as a tepid horror movie, has about an hour long preamble as a middling western, and then goes into full-on horror mode. The horror story could've been told in any time period.

The movie jolts us back into its REAL story with a strange subplot about two young women who stay at the titular inn who hate each other, but the older has sapphic feelings for the younger. Some would say that this is just more bizarre preamble before the movie gets going again, but I see it as a fantastic beginning of the superior and worth the price of admission, final act. It supplies us with nudity and lesbianism, yes, but also a macabre subplot that comes to an even more macabre end. And so the end begins in earnest.

I scoffed when I saw the "Hitchcockian" quote on the video cover. I was wrong. The master would have been proud of the movie's suspenseful, shocking and disturbing final moments. It's just too bad you have to wait so late in the movie to get there.