Inn of the Damned

'70s Ozsploitation movie Inn of the Damned combines the Western and horror genres and, in my opinion, does it very well.

The film stars Alex Cord as American bounty hunter Cal Kincaid, who teams up with Trooper Moore (Tony Bonner) to capture ruthless Australian criminal Biscayne (Robert Quilter); meanwhile, local innkeepers Caroline and Lazar Straulle (Judith Anderson and Joseph Fürst) -- old acquaintances of Biscayne -- subsidise their income by murdering their lodgers and stealing their belongings. When Trooper Moore goes to the inn to question the Straulles, he winds up becoming a victim of the homicidal old couple (who were driven insane when their children were killed by an escaped convict), leading Kincaid to stop eating peaches off a naked hooker and investigate his friend's disappearance instead.

The film begins primarily as a Western, with the two heroes tracking down their quarry through the scenic countryside, but segues into horror once Biscayne is brought to justice and Moore is murdered.

My favourite part of the film comes when a woman (Diana Dangerfield) and her pretty stepdaughter Beverly (Carla Hoogeveen) arrive at the inn during a storm. While their buggy driver Alfred (Phillip Avalon) is being brutally stabbed to death by Lazar, the women are stripping off to share a bed and to take a bath together. We then learn that the stepmother is a predatory lesbian who has been abusing Beverly, which is totally superfluous to the plot, since both women are bumped off soon after, but that's why it's so great -- it's pure exploitation!

Kincaid opting to spend a night in the inn to try and find out what happened to Moore ramps up the suspense, leading to a tense showdown between the bounty hunter and the elderly psychos. The film does tend to outstay its welcome once the killers have been caught, and the revelation about what is hidden in their secret room is quite disappointing (not nearly as twisted as I had hoped), but on the whole this is a very entertaining film.

7.5/10, rounded up to 8 for the Straulle's unique method of killing their victims.

It is getting a bit dated now and our view of films changes over time but the first time I ever saw this film I could NOT believe it had been made in Australia - I didn't think we were that good. I first saw it 30 years ago but still have a copy and am watching it again. There is more sex than I remembered - how odd - but there is some good acting and great scenery of paddocks shot around Camden. These are probably housing estates now.

I found the punch line quite moving and still do. The acting is good and quite professional. On the whole, it is still a scary movie without the use of cgi or special effects.

I really don't know what to think about this very strange western from the Aussie land. Very strange, very difficult to analyze, to have an opinion. But it's no crap, no, in any way, just an unpredictable and unusual feature, that's all. You have horror elements in this movie from the mid seventies; very daring for this period. It was not Robert Rodriguez's period yet and the Grindhouse mode was not sent to Australia either. But this film doesn't beyond to the Grindhouse, no. It's really something very weird, not for all audiences, for sure. Most of them will run away from it or stop after a couple of reels. No it's worth trying this movie.

I enjoyed the movie itself.Good original but sad story. Touched a not very exposed taboo.That is Female molestation of younger teenage girls briefly. The sound quality and lighting is not the best.Time for a remake in the digital era.

At an isolated inn, the elderly owners, Caroline and Lazar Straulle, are killing off anyone who stays with them. Meanwhile, in the same area, a murderer is on the run from the law. At the vanguard of his pursuers is a bounty hunter, Kincaid, a highly resourceful man. It is inevitable that he and the Straulles will cross paths.

Better than expected, though still not great. On the surface this seems like a common-or-garden horror movie. However, it turns out it is better than that, being a crime-drama and an okay one at that.

Yes, the production values are quite low and the plot a bit haphazard but it is interesting enough. Performances are solid, which is the biggest surprise.

Not great though. As mentioned, the plot lacks solidity. Moreover, it is quite padded: the early and middle sections seem to go around in circles and there are several scenes and sub-plots that could easily be left out.

It does end in very thrilling fashion though, making up for the tedium of some of the earlier scenes.