The Internecine Project

The movie begins (and ends) like a political movie,a la Pakula .But if the "hero" is blamed for butchering democracy ,the essential is a thriller ,some very special "domino theory" .To get rid of some people who become embarrassing,the professor (a spy) ,pushes the "divide and rule" concept to its absolute limits and ,although completely implausible (all works out much too well) , displays an implacable logic in his sinister plans.Probably not great,but not derivative,and rather gripping.

Main objection: Lee Grant's character is almost useless and her would be feminist journalist is only decorative.

James Coburn (gaunt, and with a thick mustache) plays an American diplomat and future adviser to the US President who needs his former life as a secret agent permanently scrubbed; unfortunately, he has four acquaintances in London (a civil servant, a prostitute, a thuggish masseur and a scientist doing research on a device that kills with a high-frequency sound) who know too much about his past. He orchestrates a plan to have the four unwittingly eliminate each other, though a sideline romance with former-flame and uptight writer Lee Grant might be his undoing. Very clever thriller from screenwriters Barry Levinson (who also produced) and Jonathan Lynn, adapting Mort W. Elkind's book "Internecine", though it does take a while to get this plot into motion (and involves a great deal of telephone ringing). Director Ken Hughes is attracted to intricate details and technicalities, but a snappy pace doesn't seem to be his thing. At least one of the killings (with the victim in the shower) is especially ungainly, however the film isn't terribly violent or bloody--Hughes and his writers are more interested in plot development than circumstance. Good performances all around, including Grant as the lover. Grant matches up well with Coburn, and she has a funny, natural reaction when he tells her she should be working on something more her speed--a cookbook. **1/2 from ****

British espionage movies generally fall into two categories. Those that are inspired by Ian Fleming and those inspired by John Le Carre'. If you are looking for daring escapes, beautiful girls, gadgets and gizmos plus lots of pyrotechnics then don't bother with THE INTERNECINE PROJECT. On the other hand if the concept of an ingenious plot involving multiple murders committed by the people being murdered intrigues you, then go no further for INTERNECINE will give you that and more.

James Coburn portrays Professor Robert Elliot, an intelligence agent whose specialty is providing damaging and/or sensitive information anonymously to powerful businessmen and politicians. He does this through a network of 4 operatives who do not know each other. When he is offered the plum assignment of becoming a chief advisor to the President, it becomes necessary for him to eliminate those who know about his past activities. Elliot then conceives a plan where his operatives will all kill each other on the same evening while he sits at home.

Lee Grant co-stars as a crusading reporter who was once involved with Coburn but knew nothing of his background. Now that he is associating with a powerful and unscrupulous figure (Keenan Wynn), she wants to use him to dig up dirt on the businessman. Coburn's 4 associates are played by British character actors Ian Hendry, Harry Andrews, and Michael Jayston. The one female operative is German born Christiane Kruger. All are very good with Hendry's twitchy diabetic being the standout.

The film was shot in drab and dark colors which perfectly suits the tense and humorless story that unfolds. This made poor copies of the movie TOO dark in some scenes but this new Kino Blu-Ray has an excellent transfer that rectifies that problem. Made around the time of Watergate, THE INTERNECINE PROJECT reflects the cynicism of political thrillers from the 1970s. There is a twist ending that James Coburn didn't like but in hindsight it turns out to be very satisfying. All in all a superior spy thriller that some will find too slow and uneventful...For more reviews visit The Capsule Critic.

THE INTERNECINE PROJECT is an intriguing little thriller made as a collaboration between the UK and West Germany. It's one of those films that nobody mentions anymore, but which provides a few surprises and nice elements for film fans. The unusual plot itself is a highlight, as this is a film which explores the meaning of the word 'internecine' (mutually destructive, as it happens).

James Coburn plays an anti-hero, a politician with more than a few skeletons in his closet. In order to tie off some loose ends, he sets a plot in action to kill off people who know a little too much about him. The thrills come from seeing said plot play out, and wondering whether he'll succeed or not.

The spy elements of the storyline give this some decent, Cold War-era paranoia shudders. The cast is very well picked; even Lee Grant is an asset, although her character - a feminist journalist - is extraneous to the storyline, although she does have a jaw-dropping encounter with the chauvinistic Coburn. Harry Andrews continues to delight in his later years, Ian Hendry is memorably twitchy, and the likes of Julian Glover and Keenan Wynn prop up the cast. There's little to dislike and much to enjoy about this thought-provoking thriller.

The Internecine Project is a devious plan in which the people who were part of a spy operation are now in the way and become unwitting participants in a plan where they kill each other. The idea is that if you took a 60's era Cold War spy and appointed him or her, in this case James Coburn who's now a suave professor of economics who is a guest on TV news interviews for his views, to a top government post in the 70's (or beyond for that matter), that person would face a thorough background investigation, prompting him or her to eliminate anyone with any damaging knowledge that would derail the appointment. It seems like an extreme solution to the problem, but good enough to make a movie about. One wonders how many political appointees today have had to think up there own internecine projects in order to assure their Senate confirmations. The movie is mostly about the contrived plot and seems trivial and weak, held together more by the locations and some nice background music. Before the ball gets rolling Coburn shares neat scenes with each person on his list that build up the characters. Lee Grant's part as an idealist reporter who's in love with Coburn but doesn't trust his methods, doesn't add much, but Keenan Wynne has a few good scenes as one of Coburn's ruthless business and political connections.