Hunger

I see I took this film a little bit more light-hearted than some of the other reviewers it seems. I used to always to see this movie in the tv guide on the Starz Encore network. I always wanted to watch it because I was just so curious about what this film was but I never could watch it because it always aired only on sundays at 5 am, it was always that day and time. Finally curiousity drove me so insane I *gasp* tried to figure out how to program my vcr, when I failed miserably I just started taping at 3 am and hoped for the best. I didn't get to watch what I had taped until I got home from school the next day and boy was it worth pretty much wasting a blank tape! This film totally blew my mind, I've always loved those weird indy foreign cartoons, especially the 70's ones. This movie not only had some of the most visually pleasing effects, it also had some of the best music I've ever heard. The overall tone of the film did seem to be an attempt to point out how wrong and selfish gluttony is and that last scene pretty much showed just how wrong he thought it really is, but the music, effects, and overall mood and atmosphere the film puts you in is too amazing and totally drowns out whatever political message this creator wanted to get out. Even the simplest things in this film, like the chewing and walking scenes just totally blow you away and burn in your memory for life. This is an all around wonderful film, a must see for any animation fan.

This is a fascinating film--not so much for what it says but because it looks so very, very early 1970s. When I watched it, it brought back memories of super-wide neckties, crazy hair and intense colors. I also liked the quality of the animation--though it was, at times, hard on the eyes. The way things seemed to morph in the film was pretty interesting. However, while there were some interesting elements, the film got old very, very quickly. It was so hard on the eyes and other senses that it was tough watching it to the conclusion.

I can see that all the other reviews have been extremely positive and I'm glad they liked it. However, I truly can't see the average person sitting through this film--it's definitely for a very select audience.

Peter Foldes' trailblazing computer-assisted animation shows the incredible potential of this genre. The imagery is strange, lurid, almost psychedelic as one scene morphs into another. A repetitive machinelike musical soundtrack backs the unfolding principal narrative.

Our own civilization's rampant consumerism is symbolized by a single man, whose appetite, desires, and lack of control precludes any happy or reasonable balance. In the end he is forced to confront hunger born out of of impoverishment, rather than the result of affluence and greed. The conclusion is ambiguous: is it our future or our present that we are seeing?

I saw this film late one night on CBC in 1974 and it truly freaked me out. Eight years later I was able to get a 35mm film print of it for a report I did in high school French class. Today I finally own it on DVD. Seminal viewing for fans of the animated short film.

This short, produced by the National Film Board of Canada, was nominated for an Academy Award. Once you've seen it, you'll see why. Not easily forgotten, although you may wish to. The choice of animation styles was made, I suspect, deliberately, in order to keep viewers off-balance. It's a perfect choice. A thought-provoking, extremely unsettling look at hunger in many forms. If you are easily disturbed or offended, this probably isn't for you. Otherwise, highly recommended.

I just have to express my love for this film. When we look at most computer animated films, even non animation buffs can tell you that what you are looking at has been generated by computer. Not so with "Hunger". There is none of that plastic shine usually associated with computer animation, and the images are two-dimensional. It looks at first like regular animation, but strange things happen. There is a moment right at the end that is one of the creepiest things I've ever seen in film. When the innocent looking children suddenly grow huge fangs and devour our "hero", we can see early uses of "morphing". True it is nowhere as smooth as later examples, but I think in Hunger's case, it works beautifully. The "primitiveness" of the film only adds to its effect. The way the lines break apart and form new ones is crude, yes, but at the some time it looks almost as if the drawing have a life of their own. They move with a strange fluidity. Of course another reason I love the film is simply because it is very profound and is addressing issues that are usually ignored in computer animation in favor of fancy tricks