The Little Prince

nice, out not very great ambition, a drawing ad usum delphini more than adaptation, charming, honest, with not inspired songs, prey of its time, not great, not impressive but subject for good entrainment. the tale of Little Prince is only soul of a book. the letters, the drawings, the delight of reading are secrets to feel the profound message or the sense of this extraordinary trip. because the work of Saint - Exupery is not comedy, drama or musical. it is a mirror. so, the great virtue of this small film is to be invitation to discover Sain-Exupery masterpiece.and Steven Warner is perfect road sign. just an instrument to a fabulous castle. out of that, a boy and his need of root. a flower, a snake, few planets, a plain and a dialog with mystics nuances. tale about truth. and freedom of elephant from hat.

Stanley Donen's cinematic adaptation of Antoine De Saint-Exupery's The Little Prince is a delightful musical that will appeal to children and adults alike. The film is adequately paced at 88 minutes and will hold the attention of its young audience. The cinematography of Christopher Challis does justice to Saint-Exupery's original art work in the novelette. The stark beauty of the desert and the crisp brilliance of the night sky provide a beautiful backdrop to the sweet interaction between The Pilot and The Little Prince played by Richard Kiley and the adorable and competent Steven Warner. The film remains faithful to much of the original story except for a 1970s upgrade of the inhabitants of the Prince's neighboring planets. The drunkard, the lamplighter and the vain man of the novel are replaced by more contemporary representations of frivolously driven grown-ups. There is more than just a hint of Cold War era futility and fear flavoring these characters. In the novel, The King ridiculously rules over no one on a small empty planet. In the film, he has been replaced by a boarder patrolling royal figure demanding "Where are your papers. Where is your passport?" Another planet is home to a general commanding an army without soldiers who proudly lectures on the virtues of military discipline. In a world 30 years into the Cold War and exhausted from a decade of Vietnam, these were much more appropriate symbols of pointless and aimless grown-up affairs. In viewing these planetary visits, Challis' work is technically impressive. A majority of the scenes are shot through a circular, fish eye lens adding a claustrophobic feel to the action played out on these tiny worlds. Bob Fosse's choreography is impressive. I wish the same could be said of his performance in the film as The Snake. I wondered how he would work some of his trademark accessories into the portrayal in a subtle and intelligent manner. Instead, he looks ridiculous in chapeau, black gloves and spats dancing well worn steps from "Cabaret" among the rocks and sagebrush. I'm certain young viewers will enjoy the movie regardless but Fosse is an actor with average delivery skills who truly shines by creating in the dance studio or directing behind the camera. Several years later, he wisely turned portrayal of the thinly veiled biographical character Joe Gideon in "All That Jazz" over to actor Roy Scheider and the result was 9 Oscar nominations and 4 awards. Gene Wilder is excellent as The Fox. His gentle voice and appearance is wonderfully suited to roles in children's film and he taps into the same spirit he brought to Willie Wonka in "Willie Wonka and the Chocolate Factory". No child would fear taming this gentle creature.

In all, the film is cinematically beautiful, wonderfully told, sweet, sad and endearing. Like the novel, it should be enjoyed by film-goers of all ages.

I only saw this movie by accident, and I'm glad I did catch most of it! Apart from the interesting plot-line, little prince goes space travelling only to end up on earth, the movie has a lot to offer, especially for the young viewer. The sets and locations are well chosen, making for a colourful trip through space, and the characters are acted out quite well. Especially the historian and the snake are very amusing, not to forget the amiable little prince himself. And it's great to see Gene Wilder in an earlier role. But this movie isn't just for kids. It makes some great observations about life, as pointed out by the fox, who says that all humans are hunters and out to kill him, and also the snake, who promises to cure the prince of his disease, known as life. Then there's the historian, who tells us his job is to make up things. That would explain a lot. Not being a great fan of musicals myself, I found that this one was quite watchable. All in all, a fairly good adaption of the children's story by Antoine de Saint-Exupery. The only real shortcoming of this movie is that no part of it is really that memorable, that would make it stick out in your mind. Nonetheless, if you're looking for a film to show your kids, or just a bit of light entertainment, this pleasant little movie might be the one for you. Historian: "I thought of it, wrote it down, read it and it's been printed, therefore it's fact."

Certainly much thoughtfulness, sincerity and hard work was poured into this little film.

However, many great literary masterpieces cannot be captured on film. `The Little Prince' is one such treasure. Sadly, grown-ups often cannot see the truth. The most important of all truths is the very last one the Little Prince learned at the end of his sojourn: `It is only with the heart one can see clearly; what is essential is invisible to the eye.'

Read the book. See it with your hearts.

This movie might be best appreciated by those who have read the book firsthand and want to see the characters live in the flesh. While this film follows the story very closely, and features good performers (including Bob Fosse and Gene Wilder), it would be difficult for a newcomer to appreciate just how magical this classic fable is if he/she only watches this movie without reading the book. I suppose it would have come out better as an animated feature.

Still, the movie definitely has its merits. The kid playing the Little Prince does very well - why didn't he have a successful career after this? And the music is very beautiful at parts. I don't know why some say it is not up to the standards of Lerner and Leowe. The title theme (such a haunting melody) and "I never met a Rose" - both sung by the Pilot - are beautiful, and the happy song sung by the Little Prince and the Fox as they come close and dance together is charming and jaunty.

7 out of 10.