Till Marriage Do Us Part

This film is a genuinely funny farce of conservative Italian morality. The cycle of absurd events in the film is pretty ingenious and I can see this type of writing as inspirational to writers like Woody Allen and Roberto Begnini. Above all, Luigi Comencici's direction is superb. Even if you don't laugh out loud, you should be able to appreciate his masterful comedic directing style. The lead actress Laura Antonelli is a grade-A fox, so watch it for that at least.

I've seen this movie 4 or 5 times. It is great and very funny! I like all actors very much especially Laura Antonelli and Jean Rochefort. This movie is kind of the parody. Sometimes it reminds me the style of Jane Austen parodies. This is about the "women decorum" or how a woman has to behave with a man in the beginning of XX century.

I have seen that movie more than 10 times and most certainly will see it again. It is funny,witty, and elegant. That movie is about a young Italian woman (the beginning of XX century) who was bred without any knowledge of sex life. She is full of stereotypes about how a lady should behave and she is about to be a wife. Hwever, it is not so simple for her (of course). Speaking about genre, Mio Dio, Come Sono Cadutto in Basso is a parody of saccharine sentimental movies about 'real ladies', who know nothing about men, marriage, sex and so on. The actors are brilliant, especially the heroine. The lines are witty. I do not agree with the word 'mediocre' about it. I assess it as excellent and most definitely recommend that movie as a very good comedy, especially if you like to laugh at stereotypical ladies of the beginning of XX century.

Brilliant cast and unpredictable comedy - Seductive story line - Antonelli is at her best! - Michele Placido steals the show. An amazing story line that tells the secrets of two generations aristocratic and very eccentric family. The comedy is hysterical and very unamerican. Deals with human nature and the various sexual taboos that most american films would never dare touch. A young naive woman who has been raised by nuns in an orphanage realizes, on her wedding night, that she has married her long lost brother. Rather than create a huge scandal and lose the family inheritance they decide to keep the secret to themselves. The way the end being brother and sister is told through a wonderful flashback sequence. They cover up their secret by publicly taking a religious vow of chastity as a married couple. The young wife however although prude and conservative becomes very frustrated. Michele Placido plays the Chauffer that attempts to seduce her. A definite must see.

Luigi Comencini made a couple of mildly entertaining films: La boheme with Barbara Hendricks and L'ingorgo. Mostly the tone is bitter-sweet, the colour scheme soft, somewhat washed out and the dramatic level is low. So it is here, with Laura Antonelli (her body could revive a dead man, I sometimes think) and Alberto Lionello playing this silly charade of brother and sister. Michele Placido has some fun playing the chauffeur--and how long does it take him to get her out of her clothes so they can have sex? The plot twists and turns would take too long to recount, and I don't want to use spoilers anyway. The scenes with Karin Schubert and the ladies who obsess over D'Annunzio are really tiresome and should have been deleted.