The Last Guerrilla

Expected better with a cast including Rod Taylor and Adam West. The film seemed to lack a script or direction. Slow paced. It was watchable, just not very good.

As with the Italians, the Yugoslav film industry made quite a few WWII movies, always detailing the struggles of the "Partisans". Like THE BATTLE OF NERETVA, this tells of a major German offensive to erradicate the enemy and their struggles against the invaders.

It's 1941, and the Partisans are on their own. Marko (Rod Taylor), fresh from an education in America, returns to his homeland and discovers how brutal the Nazis really are. Instead of returning to the States, he stays in Yugoslavia and organizes a resistance movement. On the other side, we have Captain Kohler (Adam West, of all people) who discovers that his childhood sweetheart, Anna (Brioni Farrell aka Xenia Gratsos) is among the Jews he's transporting to the POW camp. Marko's men attack the boat, and Anna helps Kohler escape. She's taken by the partisans, though, and soon finds herself in love with Marko. The rest of the movie involves partisan encounters with Kohler's troops, culminating at a huge river battle a few months later.

This movie boasts a pretty decent international cast. Rod Taylor is pretty good -- but way too old -- as the vengeful Marko. Adam West makes a pretty good adversary, although his German accent fluctuates and is just as bad as Brando's in THE YOUNG LIONS. Peter Carsten (BATTLE OF THE EAGLES) has a large role as a tough, ruthless German Panzer officer. Branko Plesa, also of BATTLE OF THE EAGLES, appears a few times as a German General. Bata Zivojinovic plays Marko's old friend, who leads the partisans but really has little meat to his character. Brioni Farrell is great and beautiful, too.

The combat scenes are all very well done. They involve tanks (more modern, though, but any tank is a good tank), era-accurate fighter planes, extras and a lot of big explosions. The cinematography is wonderful and gives the movie a very bleak look. The musical score often doesn't fit the movie, but I liked it anyway.

Overall, not too high above average, but one of the best Partisan films I've seen so far. Worth renting, even buying, for an entertaining 100 minutes. The video from White Knight looks incredibly good, just as good as any MGM release of an older movie, especially considering that it was released in the early 1980s. 6/10 overall.

This is exactly the sort of war movie most buffs envision when they hear "Yugoslavian War Movie". Sure, for every good bigger-budget war movie like "Neretva" or "Sutjeska" that the Yugoslavs turned out, they made about 10 awful, cheap ones. This goes in the latter category, with poor acting, badly directed action scenes, unrealistic and un-scary villain, and poverty-row equipment and effects.

The first indication is the poor quality opening scene when partisans attack a German riverboat. The confused and bewildered Germans put up little fight and Adam West (totally unbelievable as a German officer) escapes to reap his vengeance. His later idiotic ski-troop attack is one of the worst, most one-sided action scenes in war movie history. I don't think the Germans even attempted to sneak up on the Partisans, much less actually wound or kill any of them.

The final action scene has a lot of the expected sledgehammer Yugo propaganda with a motley crew of barely armed freedom fighters beating back wave after wave of German tanks and soldiers. Sure, they had high morale and eventually won out due to overwhelming numbers (and Soviet intervention) but this movie makes it look like 30 Germans died for every 1 Partisan. Yeah right.

Right down there with "BOMB AT 10:10" and "BATTLE OF THE EAGLES".

A Yugoslav raised in America (Rod Taylor) fights the invading Germans as a leader in the National Liberation Army, aka Yugoslav Partisans. Adam West plays a German captain who's sympathetic toward the Serbians because he's actually Austrian and in love with a Jewess (Brioni Farrell).

"Hell River" (1974), also known as "Guerilla Raid" and "The Partisan" (amongst other titles), is a Serbo-Croatian WW2 film that originally ran 3 hours on Yugoslavian television. This shorter version was released for other markets.

Loosely based on the true events, it comes in the tradition of "The Guns of Navarone" (1961), "The Heroes of Telemark" (1965) and "Hornets' Nest" (1970) and is similar to the future "Force 10 from Navarone" (1978) and "The Eagle Has Landed" (1976). Sure, it's not on the level of the better ones, but it's quite well done and not far off. The longer version is no doubt more compelling.

Interestingly, a few seconds of "Hell River" are featured in Tarantino's "Once Upon a Time in Hollywood" (2019) as the fictional movie "The 14 Fists of McCluskey," an Italian flick Rick Dalton (DiCaprio) starred in because he couldn't get significant roles in America.

The film runs 1 hour, 42 minutes, and was shot in Serbia (Sabac, Lazarevac, Mountain Zlatibor and River Drina by the border of Bosnia).

GRADE: B-/B.

I saw this under one of its many titles, "Hell River", and was pretty unimpressed. It has a few things going for it--for one thing the photography is quite crisp, unlike many 1970s Euro-made WW 2 "epics", which tended to be either washed-out or muddy--and the music is at least appropriate and doesn't drown out or overwhelm what's on screen--but there are a lot more cons than pro's. The performances aren't particularly good, especially Adam West, wildly miscast as a Nazi officer; he is stiff as a board, has no chemistry or connection with anyone in the cast and slips in and out of an embarrassingly bad German accent. Rod Taylor is stalwart as usual, but he's simply too old to play an action hero. Xenia Gratsos, here billed as "Brioni Farrell", matches West's wooden acting and is rather plain-looking to boot. The plethora of action scenes are done in a very by-the-numbers fashion and tend to be unrealistic, i.e., when the partisans attack a German armored column the Germans are mowed down by the dozens but only a very few partisans fall, despite the Germans opening up with everything they had.

All in all it's not as bad as a lot of the cheap WW 2 crapfests the Italians ground out like sausages in the 1960s and 1970a--my God, what a tsunami of stinkers they were--but it's nothing to write home about. Watchable, to a degree, but not memorable.