Space Is the Place

I was credited as 2nd unit director on this film. Ra was a calm, sort of surreal Buddha through the whole thing, even one time when the script called for him to be tied-up in a chair and menaced by gangsters. During the many hours it took to get this scene on film, Ra just quietly sat tied-up in that chair, so quietly that a couple of times I went over to make sure he was still breathing. He said he was fine, just relaxing on "another plain".

Near the end of the shoot, we had a nightclub scene with about 70 extras and a chorus of girls on stage. They were supposed to dance to a tune that Ra insisted on playing live on camera with his band. I had been bugging him unsuccessfully for days as to what he was going to play so that the girls could rehearse.

On the day scheduled to shoot this scene, I nervously reminded Ra again about the music. Ra smiled, casually produced some old vinyl albums done by other bands and a portable record player, and suggested that I play them for the chorus to see what they liked. I did, and they caught fire with one of the tunes. Ra said "Fine. You got any music manuscript paper?" I was ready for him. I did.

And so, during lunch break, Ra listened to the record, transposed the instrumental lead sheets to paper for his band with a few of his own alterations, and we choreographed and shot it after lunch.

For my money, Ra was a fine musician...extremely cool and really "there".

Sun Ra plays a cosmic seer who lands in his spaceship (powered by music) on Earth and makes plans to resettle black people on a new planet from the white power structure. He is like the Moses figure in this sci-fi blaxploitation film which mixes surrealism, avant-garde jazz in a proposal like no other. Danny Ray Thompson. A mainstay in the Sun Ra Arkestra since the late 60s who's undulating baritone sax riff makes up the backbone of the evergreen Space Is The Place. A rare, unmissable trash-culture, sci-fi classic tantalizing glimpse into RA's fantastical world.

One of my favorite musical bios of all time which offers sharp social commentary and a stylish Afrofuturist vision. A truly great biography of melancholic musician, an Afrofuturist long before it was named, devastatingly multi-layered and esoteric. One of the best 'cult films' ever that defies genre categorisation and manages to truly uphold its otherworldly feel while burning itself in your brain. FYI Interestingly the first person of African descent in space was Afro-Cuban Arnaldo Tamayo Méndez, via Soviet Interkosmos program in 1980. Highly recommend for those who love surrealistic films and a fan of Coltrane (John & Alice), Miles Davis, Thelonious Monk, Dizzy Gillespie, Charlie Parker, Charles Mingus, Herbie Hancock, and Cannonball Adderley.

The earth cannot move without music. The earth moves in a certain rhythm, a certain sound, a certain note. When the music stops the earth will stop and everything upon it will die.

Sun Ra, Space is the Place.

...there's likely nothing else to watch. This movie is a singular joyride, an expression of the weirdo mind of Sun Ra, a highly prolific (I'm talking 50+ studio albums) jazz-man with a penchant for Ancient Egyptian turnouts and New Age-y speeches about the mystical power of music. While surveying a foreign planet, Mr. Ra lays out his goal: to evacuate the black people of Earth to come live on a planet of their own, never to be hassled by the Man again. By force, if necessary! Sorry Malcom X and MLK, Sun Ra has had it with the civil rights movement. At least we can say racial segregation has never been groovier.

Backed by visuals that would not be out of place in Kenneth Anger's 'Lucifer Rising', Space is the Place is packed wall-to-wall with hilarious dialogue and absurd details, like my favorite, Ra's Intergalactic Employment Agency. Jazz fan or not, this movie is quite simply a cultural artefact not to be missed.

I can't help but think that Vxf111 is either joking, or (unfortunately) did not know who Sun Ra was before viewing the film. Yes, the film was certainly produced with a low budget, and it might not be of much interest to those who aren't fans of, or at least interested in, Sun Ra.

Sun Ra maintained that he was from Saturn, although historical documents note that he was born Herman Blount (or Poole) in Birmingham, AL. Sun Ra was a first-rate pianist, arranger, and composer, and worked with Fletcher Henderson's orchestra. He formed his own big band, the Arkestra, during the 1950s in Chicago. This ensemble was completely unlike any other big band, as it incorporated elements of Egyptian mythology, science fiction, and other exotica and esoterica (those familiar with Earth, Wind, and Fire and Parliament-Funkadelic should take note). Sun Ra was also an early proponent of electronic instruments in jazz.

The film "Space Is The Place" is part science fiction and part musical documentary. A comparison could also be made to the "blaxploitation" films of the 1970s. The story centers around Sun Ra's return to Earth after an extended absence, and focuses on his concern for the fate of humanity and African-Americans in particular. All of this is infused with his mythological outlook. This certainly makes Sun Ra an "interesting character" but he was very serious about what he did and what he said. If any of this makes you the least bit curious about Sun Ra then I would recommend the film, which is available on videocassette.

This film is very random and disjointed. There is not much structure or consistency so it is hard to follow. The characterisation is a bit abstract and mythological. It will probably be easier to swallow for those who are already familiar with Sun Ra.