Symptoms

An odd woman takes her girlfriend to stay at her place in the country, but a former girlfriend has something to say about that ...

Slow and creepy mystery. The atmosphere is set perfectly by photography and music, but especially through the overgrown lakeside estate from the early '70s, when locations were cheap. I'm not sure this is a horror - it does dabble in the ghostly, but really it's all about psychosis - although the gore is effective: films from this era relished their stabbing scenes, and the crunchy-cabbage sound effects in this one got me every time.

The lead actress is excellent, and the performances all round are good, but the big drawback is in the character of the odd-job man: the performance is a little awkward, and the purpose of the character turns out mundane, missing the opportunity to make this a true horror, where things turn inside out and the past becomes cosmic truth. Ahem. In the end it's just a tale of bloody madness temporarily disturbing the surface of normality.

Music sets the tone. Photography is mostly delicious, and the house and lake take on real character.

Overall: Nicely disturbing, but falls short.

A considerable nonchalance fills the first long stretch of the movie, with nothing more than mere suggestions of anything peculiar dancing around the edges of the picture. At that, the marginal unease is built almost exclusively with out of place sound effects, John Scott's ominous score, or lines of dialogue that do not comport with the beautiful scenery and setting. So it is until just over one-third of the film has passed, as the eeriness begins to coalesce - first with more concrete notions of something amiss in the scenario, and at last with confirmation.

I appreciate the costume design. I think the concept is alright. However, I think the screenplay is regrettably thin, and hollow. Unconcerned pacing and piecemeal, light plot limit our engagement, and dialogue is often ham-handed and unconvincing. These qualities are echoed in the writing and orchestration of scenes, and the characterizations, to which little to no personality is imparted. All this works to restrict the cast, especially stars Angela Pleasence and Lorna Heilbron, from fully realizing the potential of characters. Heilbron is duly pleasant and uncertain as Anne, and Pleasence bears a dark intensity and disquiet as Helen; sadly, that's about all the more there is to be said. Whatever measure of nuance the leads are able to bring to their performances is effectively lost given the indelicate, feeble hand otherwise crafting the feature.

There are strong ideas here, and a strong cast. The end result just doesn't cut it. The atmosphere, thrills, foreboding, and broad entertainment we should get are greatly dampened by what feels like a weak, incomplete writing. I feel as indifferent to the film at its end as I did when I first began watching - save for that I'm also disappointed. There are worse things you could watch, and yet - a horror-thriller should get one's blood pumping to at least some small extent, but as it is, this simply doesn't. I hesitate to say that 'Symptoms' is outright bad, but it's not good, either.

A young woman called Anne (Lorna Heilbron) is invited by her girlfriend named Helen (Angela Pleasence) , who lives in an English country house , to stay there with her. The estate, however, isn't quite what it seems and neither is the friend who issued the invitation, as things go wrong when strange happenings start appearing at the woods and at the weird mansion .

An interesting and terrifying movie with tension, thrills, chills, suspense and an unexpected conclusion. It is an enjoyable film that owes a lot to ¨Polanski's Repulsion¨ and ¨Hitchcock's Psychosis¨by taking parts here and there , although , of course , inferior to these two great terror films that quickly established themselves as classics in its field and whose frames have been very imitated since . This Symptoms (1974) packs a chilling feeling of incipient madness that has seldom been realised with such imagination and skill , containing some hallucinatory and surprising scenes . Larraz's direction is slow but deliberate , never missing a chance of jolting the audience with a sudden shock . This disturbing horror movie was such a critical and public success at the time , but unfortunately after being forgotten , and nowadays recuperated from obscurity and considered to be a cult movie . Terrific acting from main starring Angela Pleasence who shows efficiently all the agony of a tormented mind in her eyes .Also very nice acting from his beloved friend Lorna Heilbron and the suspicious handyman played by veteran Peter Vaughn . Special mention for the thrilling and suspenseful musical score by John Scott.

This much-loved 70s shocker was professional and stylistically directed by Jose Ramon Larraz . Larraz who deceased in 2013 started in cinema world by casual way when he meets the famous director Josef Von Stenberg running a cinematographic course in Brussels . Larraz was a director of horror and erotic films and former comic book illustrator and fashion photographer . Worked in England as Joseph Larraz, and in Spain, using the pseudonym Joseph Braunstein . Larraz subsequently shot horror classics , cult obscurities , euro-trash , and even some sexploitation . As he filmed his first movies in England , plenty of terror , suspense and sex , such as ¨Whirlpool¨ (1970) , ¨Deviation¨(1971) , ¨La Muerte Incierta¨(1972) , ¨Scream or die¨(1973) and ¨Symptoms¨ with Angela Pleasence and Peter Vaughan . He also shot soft-cores and then Jose Ramón returns Spain filming horror and semi-exploitative movies such as ¨Estigma¨ , ¨Ritos Sexuales Del Diablo¨, ¨Al Filo del Hacha¨ and ¨Descanse en Piezas¨ , imitating the American Slashers of the 70s and 80s . His most successful film is this ¨Vampyres¨ about bloodsuckers who get victims to pull over hitchhiking , played by Playboy young models with sexy bodies , blending arty house , horror and erotic situations . Symptoms (1974) rating : Notable terror movie . Most hardcore Euro horror fans will appreciate the kinkiness of this film as that is what gives it its distinctive flavour . A compelling movie that's a must for connoisseurs of the cinema's darker corners.

Called out to an ancestral house, a troubled woman is invited by her friend to spend time together and strengthen their relationship, but the more they spend together the more the house has an effect on her psyche and mental sanity bringing a deadly resolution for all around her.

Overall, this was a decent enough if somewhat troubled psychological genre effort. One of the better features here is the main descent into psychological instability that becomes the focal point of the film. Since the signs of her unhinged state are given to us from the very beginning through the journal writing and just reserved remarks that present themselves whenever she's on-screen, the seeds are sewn so that the unnerving nature of the house, as well as the surrounding woods on it's grounds, offer the kind of appropriate setup for where this one goes. As the reserved and blank expressions, cryptic sayings about nothing in particular, or just plain odd behavior finally come to a head, the atmosphere built up here features quite the fun turn of events at play here which makes for a fun enough time. However, there are some big issues with this one. The main drawback on display here is that for all the good this does in establishing the psychological breakdown of its main character and what's going on with her, nothing else really happens here. This one becomes incredibly repetitious in the use of a formulaic storyline involving her snapping at something her friend does, blaming it on her psychosis but doing nothing to help remedy the situation, and then trying to rebuild their friendship until the next incident. This produces a dull and generally dreary pacing which is hardly all that memorable or exciting in the slightest, and without explaining anything until a brief conversation at the end to reveal what the twist actually meant means this one is based solely on the atmosphere generated.

Rated Unrated/R: Violence and Language.

the plot is paper thin but what it lacks in story it makes up for in good acting, excellent cinema photography like visual poetry, and a creepy moody atmosphere. I watched it in black and white and it looked beautiful.. I may watch again in color just to compare. This is the kind of movie that needs to be remade.. fix some of the clunky dialog and establish a more cohesive story arc.. but then again the feeling of being lost as to what exactly was happening on screen is part of this movie's charm.