Warhead

This is a film about the nearest, knowledgeable nuclear warhead expert (Janssen), on vacation in the Middle East, where such a bomb is accidentally parachuted. It doesn't detonate when it lands in the Syrian desert, slightly north of the border with Israel. Janssen is procured to deactivate it. A radical Arab group interrupts Janssen's mission and claims the weapon as theirs. But a force in pursuit of the Arabs adds further intrigue to the mix. Has Janssen been rescued or simply captured by another faction? Initially he's regarded suspiciously by the Arab-hunters. But, eventually, the contingent's leader - dying from wounds - declares that Janssen shall be his successor. With nothing great - but nothing really bad, either - the vote of 5 seemed appropriate for this.

David Janssen was an excellent actor in "The Fugitive" (TV Series). He also starred in another very good film called "Birds of Prey" (1973). His other films are not that good. This "Warhead" (1977) is one of his worst. Karin Dor was a beautiful and convincing actress. But, she too, is lost in this uninspired production, of unlimited boredom.

After becoming a David Janssen fan through "The Swiss Conspiracy," I bought a DVD that contains two of David's other movies, "Moon of the Wolf" (I also review it and "The Swiss Conspiracy" on this page) and the subject of this review, "Prisoner in the Middle." Also known as "Warhead," "Prisoner in the Middle" was filmed in 1973 but not released until four years later. Apparently it received only minimal theatrical distribution and now is in public domain. The movie appears to be low budget but overcomes that with clever writing, excellent pacing and exciting actions scenes, plus another strong performance by Janssen.

"Prisoner in the Middle" stars Janssen as U.S. Air Force Col. Anthony Stevens, who, while vacationing in Jerusalem, is summoned to deactivate an American nuclear missile that has accidentally been dropped via parachute into the Jordanian desert.

Stevens finds the missile but before de-activating it, he is captured by a militant Arab group that calls itself the Palestinian Liberation Army. At first, the group's leader, Malouf (played by David Semadar), expresses interest in using the missile to destroy Israel. But upon seeing a red light flashing on the missile, he allows Stevens to de-activate it.

But before Stevens finishes, a group of Israeli soldiers arrive at the scene and begin firing at the Arabs, who retreat. Stevens takes cover during the shoot out and is captured by the Israelis, who don't treat him much better than the Arabs and won't let him de-activate the missile. Meanwhile, the Arabs make plans to attempt to re-gain the missile.

The movie doesn't contain a lot of character development but doesn't need to. It's more about a theme than about characters. And the theme is just as relevant now as it was then. And the movie still does a good job at portraying the lives of Israeli soldiers. In one particularly powerful scene, they are shown praying in a synagogue and from there immediately prepare for battle.

And the point of view of the Arabs isn't ignored. When Stevens tries to convince Malouf to let Stevens de-activate the missile, Stevens tells Malouf to think about Malouf's family. Malouf replies that because of the Jews, he doesn't have a family.

But while "Prisoner in the Middle" is exciting and compelling, it becomes progressively more depressing throughout, all the way until the end. And I'm surprised that it got a PG rating, especially at a time that the PG-13 rating didn't exist. To me, the movie is a pretty obvious R for its intense violence and the implied rape of a captured female Israeli soldier.

For those who can endure, "Prisoner in the Middle" is a very entertaining action drama and a must see for Janssen fans. I give the movie 8/10, the same rating as "Moon of the Wolf." Getting the two movies on one DVD for just $1 is an outstanding value!

Though this movie was made nearly 30 years ago, its main theme is still very relevant with the current Arab-Israeli conflict in the Middle East. With the current threat of nuclear warfare in that region, the scenario in this movie could become a reality though we hope that will not happen. What made this movie especially delightful to me was the background music cues. For those of us who are "Rat Patrol" TV series fans, you will quickly recognize that the music used in this movie were taken from the recorded music cues from "The Rat Patrol", music composed by the outstanding TV composer Dominic Frontiere, even though his name is not credited in the end credits. Overall a good movie with plenty of action.

Every one would agree with the idea that this film, good or not, is no more than a modern western scheme, where Arabs are Apaches and Israelis the blue coats. Every part of this feature, if you remove the vehicles and replace it with horses, is a pure western. I found this movie exciting, but that doesn't mean that's a pure masterpiece, and I also understand that many people consider it as a pro Israeli topic. I was not bored and that's the most important to me. Even the climax in the desert fort evokes western more than ever. Good feature.