Palestinian guerrillas, Israeli commandos and an American colonel fight to keep a nuclear warhead mistakenly dropped in the Jordanian desert by a U.S. Air Force nuclear bomber.Palestinian guerrillas, Israeli commandos and an American colonel fight to keep a nuclear warhead mistakenly dropped in the Jordanian desert by a U.S. Air Force nuclear bomber.Palestinian guerrillas, Israeli commandos and an American colonel fight to keep a nuclear warhead mistakenly dropped in the Jordanian desert by a U.S. Air Force nuclear bomber.
- Director
- Writers
- Stars
David Smadar
- Malouf
- (as David Semadar)
Mordecai Arnon
- Pupik
- (as Pupik Arnon)
Ellyn Stern
- Shoshonna
- (as Ellen Stern)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Workhorse David Janssen and talented veteran Karin Dor couldn't save this poorly directed and over-scripted B- movie. This was John O'Connor's first and last directorial effort, and was made after a 24 year hiatus from a largely uncredited acting career in B movies of the '40s and '50s. The film introduces cheese in the very first shot - a long pan across some portion of Jerusalem, with teleprompter type running across the bottom of the screen. The teleprompter tells us that an experimental nuclear missile prototype has been lost somewhere in the Jordanian desert. Next, we learn that a despicable terrorist has the missile and has used it to destroy a school bus full of children accompanied by an Israeli army officer (Dor). Following the destruction of the school bus, there is a lengthy, gratuitous shot of dead kids disbursed around the burning bus, mixed with flashbacks of the kids singing on the bus a few moments ago.
6/24/07: Fell asleep less than ten minutes into the film.
Dor is then attached to a military attempt to ferret out the terrorist and the CIA reaches out to munitions expert Janssen, on vacation in Israel, to locate, disarm the missile, and destroy the detonator. The Dodge Valiant-driving CIA agent who brings Janssen into the story has a monotone delivery straight out of B noir and the dialog between him and Jannsen is totally absurd.
6/25/07: Fell asleep.
There is very little to spoil, but I won't bother with the rest of the plot. Suffice to say that Janssen gets played like a ping-pong-ball bouncing from one Middle Eastern Stereotype to another while he tries to accomplish his mission. I finally got through Warhead by starting a little earlier, and still managed to doze off 2 or 3 times during the gun fights and other action scenes. Incidentally, the sound effects also deserve special mention for their profound mediocrity.
The film does not even succeed as a propaganda piece. All of the characters are stereotypes of one kind or another, and only Dor's character really warrants any sympathy. Janssen, an intense and very sensitive actor, really did not give this his best effort, and the pervasive misdirection offered him little help.
6/26/07: Stayed awake (for the most part), but slept like a baby afterward.
Not recommended.
6/24/07: Fell asleep less than ten minutes into the film.
Dor is then attached to a military attempt to ferret out the terrorist and the CIA reaches out to munitions expert Janssen, on vacation in Israel, to locate, disarm the missile, and destroy the detonator. The Dodge Valiant-driving CIA agent who brings Janssen into the story has a monotone delivery straight out of B noir and the dialog between him and Jannsen is totally absurd.
6/25/07: Fell asleep.
There is very little to spoil, but I won't bother with the rest of the plot. Suffice to say that Janssen gets played like a ping-pong-ball bouncing from one Middle Eastern Stereotype to another while he tries to accomplish his mission. I finally got through Warhead by starting a little earlier, and still managed to doze off 2 or 3 times during the gun fights and other action scenes. Incidentally, the sound effects also deserve special mention for their profound mediocrity.
The film does not even succeed as a propaganda piece. All of the characters are stereotypes of one kind or another, and only Dor's character really warrants any sympathy. Janssen, an intense and very sensitive actor, really did not give this his best effort, and the pervasive misdirection offered him little help.
6/26/07: Stayed awake (for the most part), but slept like a baby afterward.
Not recommended.
Every one would agree with the idea that this film, good or not, is no more than a modern western scheme, where Arabs are Apaches and Israelis the blue coats. Every part of this feature, if you remove the vehicles and replace it with horses, is a pure western. I found this movie exciting, but that doesn't mean that's a pure masterpiece, and I also understand that many people consider it as a pro Israeli topic. I was not bored and that's the most important to me. Even the climax in the desert fort evokes western more than ever. Good feature.
After becoming a David Janssen fan through "The Swiss Conspiracy," I bought a DVD that contains two of David's other movies, "Moon of the Wolf" (I also review it and "The Swiss Conspiracy" on this page) and the subject of this review, "Prisoner in the Middle." Also known as "Warhead," "Prisoner in the Middle" was filmed in 1973 but not released until four years later. Apparently it received only minimal theatrical distribution and now is in public domain. The movie appears to be low budget but overcomes that with clever writing, excellent pacing and exciting actions scenes, plus another strong performance by Janssen.
"Prisoner in the Middle" stars Janssen as U.S. Air Force Col. Anthony Stevens, who, while vacationing in Jerusalem, is summoned to deactivate an American nuclear missile that has accidentally been dropped via parachute into the Jordanian desert.
Stevens finds the missile but before de-activating it, he is captured by a militant Arab group that calls itself the Palestinian Liberation Army. At first, the group's leader, Malouf (played by David Semadar), expresses interest in using the missile to destroy Israel. But upon seeing a red light flashing on the missile, he allows Stevens to de-activate it.
But before Stevens finishes, a group of Israeli soldiers arrive at the scene and begin firing at the Arabs, who retreat. Stevens takes cover during the shoot out and is captured by the Israelis, who don't treat him much better than the Arabs and won't let him de-activate the missile. Meanwhile, the Arabs make plans to attempt to re-gain the missile.
The movie doesn't contain a lot of character development but doesn't need to. It's more about a theme than about characters. And the theme is just as relevant now as it was then. And the movie still does a good job at portraying the lives of Israeli soldiers. In one particularly powerful scene, they are shown praying in a synagogue and from there immediately prepare for battle.
And the point of view of the Arabs isn't ignored. When Stevens tries to convince Malouf to let Stevens de-activate the missile, Stevens tells Malouf to think about Malouf's family. Malouf replies that because of the Jews, he doesn't have a family.
But while "Prisoner in the Middle" is exciting and compelling, it becomes progressively more depressing throughout, all the way until the end. And I'm surprised that it got a PG rating, especially at a time that the PG-13 rating didn't exist. To me, the movie is a pretty obvious R for its intense violence and the implied rape of a captured female Israeli soldier.
For those who can endure, "Prisoner in the Middle" is a very entertaining action drama and a must see for Janssen fans. I give the movie 8/10, the same rating as "Moon of the Wolf." Getting the two movies on one DVD for just $1 is an outstanding value!
"Prisoner in the Middle" stars Janssen as U.S. Air Force Col. Anthony Stevens, who, while vacationing in Jerusalem, is summoned to deactivate an American nuclear missile that has accidentally been dropped via parachute into the Jordanian desert.
Stevens finds the missile but before de-activating it, he is captured by a militant Arab group that calls itself the Palestinian Liberation Army. At first, the group's leader, Malouf (played by David Semadar), expresses interest in using the missile to destroy Israel. But upon seeing a red light flashing on the missile, he allows Stevens to de-activate it.
But before Stevens finishes, a group of Israeli soldiers arrive at the scene and begin firing at the Arabs, who retreat. Stevens takes cover during the shoot out and is captured by the Israelis, who don't treat him much better than the Arabs and won't let him de-activate the missile. Meanwhile, the Arabs make plans to attempt to re-gain the missile.
The movie doesn't contain a lot of character development but doesn't need to. It's more about a theme than about characters. And the theme is just as relevant now as it was then. And the movie still does a good job at portraying the lives of Israeli soldiers. In one particularly powerful scene, they are shown praying in a synagogue and from there immediately prepare for battle.
And the point of view of the Arabs isn't ignored. When Stevens tries to convince Malouf to let Stevens de-activate the missile, Stevens tells Malouf to think about Malouf's family. Malouf replies that because of the Jews, he doesn't have a family.
But while "Prisoner in the Middle" is exciting and compelling, it becomes progressively more depressing throughout, all the way until the end. And I'm surprised that it got a PG rating, especially at a time that the PG-13 rating didn't exist. To me, the movie is a pretty obvious R for its intense violence and the implied rape of a captured female Israeli soldier.
For those who can endure, "Prisoner in the Middle" is a very entertaining action drama and a must see for Janssen fans. I give the movie 8/10, the same rating as "Moon of the Wolf." Getting the two movies on one DVD for just $1 is an outstanding value!
Originally, "Warhead" was a television movie called "Prisoner in the Middle" (1974). It was somehow released in some theaters in 1977 as "Warhead".
When the movie began, I could quickly tell it was a movie made on the cheap. For example, a CIA operative (David Janssen) is about to parachute into the desert...and they cut away and suddenly he's on the ground gathering up his parachute. Moments later, a school bus is attacked in the desert...and they show they about to attack and then it cuts to the bus suddenly lying on its side...having been blasted. But you see no blast....it's as if the warning "Scene missing here" should be emblazoned across the screen!
The plot involves Palestinians, Israeli soldiers and a lone CIA operative (Janssen) all scrambling to retrieve a lost US Air Force nuke accidentally dropped in the Jordanian desert(???). Why the USA would only send one guy is confusing, that's for sure! The nuke ends up changing hands repeatedly.
So is it any good? Not really. The acting is passable but the film itself lacks energy and interesting characters...and a decent budget. Overall, it just really looks cheap...incredibly cheap! And, it is also not especially entertaining...which is odd considering the subject matter.
When the movie began, I could quickly tell it was a movie made on the cheap. For example, a CIA operative (David Janssen) is about to parachute into the desert...and they cut away and suddenly he's on the ground gathering up his parachute. Moments later, a school bus is attacked in the desert...and they show they about to attack and then it cuts to the bus suddenly lying on its side...having been blasted. But you see no blast....it's as if the warning "Scene missing here" should be emblazoned across the screen!
The plot involves Palestinians, Israeli soldiers and a lone CIA operative (Janssen) all scrambling to retrieve a lost US Air Force nuke accidentally dropped in the Jordanian desert(???). Why the USA would only send one guy is confusing, that's for sure! The nuke ends up changing hands repeatedly.
So is it any good? Not really. The acting is passable but the film itself lacks energy and interesting characters...and a decent budget. Overall, it just really looks cheap...incredibly cheap! And, it is also not especially entertaining...which is odd considering the subject matter.
David Janssen was an excellent actor in "The Fugitive" (TV Series). He also starred in another very good film called "Birds of Prey" (1973). His other films are not that good. This "Warhead" (1977) is one of his worst. Karin Dor was a beautiful and convincing actress. But, she too, is lost in this uninspired production, of unlimited boredom.
Did you know
- TriviaFilmed for television in 1974 as "Prisoner In The Middle".
Details
- Release date
- Countries of origin
- Language
- Also known as
- Mission Overkill
- Filming locations
- Israel(location shooting)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,000,000 (estimated)
- Runtime
- 1h 30m(90 min)
- Sound mix
- Aspect ratio
- 1.66 : 1
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