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4.2/10
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A woman gives birth to a baby, but this is no ordinary one. The child is seemingly possessed by the Devil.A woman gives birth to a baby, but this is no ordinary one. The child is seemingly possessed by the Devil.A woman gives birth to a baby, but this is no ordinary one. The child is seemingly possessed by the Devil.
Andy Secombe
- Delivery Boy
- (as Andrew Secombe)
Phyllis MacMahon
- Nun
- (as Phyllis McMahon)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Sex, scandal, strippers and more mix in this unintentionally funny horror flick that's an absolute must for people who treasure bad genre movies.
This one is in the vein of "Rosemary's Baby" and "It's Alive". Joan Collins plays Lucy Carlesi, a woman who comes to fear that her newborn is possessed. And she could be right: almost every person who comes into contact with this infant meets a horrible death.
You have to hand it to British actors: they can sell just about anything, and make this train wreck more entertaining than it has a right to be. Collins does a remarkably sincere job, and is well supported by Ralph Bates, as her husband Gino, Donald Pleasence, as Dr. Finch, Caroline Munro as her sister Mandy, Eileen Atkins, as her sister-in-law Albana, Hilary Mason, as the grumpy Mrs. Hyde, John Steiner, as sleazy Tommy Morris, and George Claydon, as malevolent dwarf Hercules. Although their performances are fine, the "accents" affected by Bates and Atkins - who are playing Italians - are downright hysterical. Just get a load of the way that Atkins says the word "devil".
The best moments in this thing have to be the kill scenes, which should inspire some pretty hearty chuckles. People get shoved into a river, decapitated with a shovel, and hung before this is over. There are some fleeting breast shots for voyeurs and a fairly decent dose of gore. The movie can boast *some* style, particularly in a nightmare sequence. The score by Ron Grainer is most amusing, sounding more like porno music than anything else.
Picked up by A.I.P. for distribution in North America, "I Don't Want to Be Born" is a real hoot and a half. It might not be "good", but it's fun schlock.
Five out of 10.
This one is in the vein of "Rosemary's Baby" and "It's Alive". Joan Collins plays Lucy Carlesi, a woman who comes to fear that her newborn is possessed. And she could be right: almost every person who comes into contact with this infant meets a horrible death.
You have to hand it to British actors: they can sell just about anything, and make this train wreck more entertaining than it has a right to be. Collins does a remarkably sincere job, and is well supported by Ralph Bates, as her husband Gino, Donald Pleasence, as Dr. Finch, Caroline Munro as her sister Mandy, Eileen Atkins, as her sister-in-law Albana, Hilary Mason, as the grumpy Mrs. Hyde, John Steiner, as sleazy Tommy Morris, and George Claydon, as malevolent dwarf Hercules. Although their performances are fine, the "accents" affected by Bates and Atkins - who are playing Italians - are downright hysterical. Just get a load of the way that Atkins says the word "devil".
The best moments in this thing have to be the kill scenes, which should inspire some pretty hearty chuckles. People get shoved into a river, decapitated with a shovel, and hung before this is over. There are some fleeting breast shots for voyeurs and a fairly decent dose of gore. The movie can boast *some* style, particularly in a nightmare sequence. The score by Ron Grainer is most amusing, sounding more like porno music than anything else.
Picked up by A.I.P. for distribution in North America, "I Don't Want to Be Born" is a real hoot and a half. It might not be "good", but it's fun schlock.
Five out of 10.
I DON'T WANT TO BE BORN
(USA: The Devil Within Her)
Aspect ratio: 1.85:1
Sound format: Mono
A nightclub stripper (Joan Collins) is cursed by a dwarf (George Claydon) whose attentions she spurned, and she later gives birth to a murderous baby possessed by a demonic spirit.
Clearly inspired by the contemporary vogue for satanic shockers, this slapdash concoction - memorably dismissed by UK journalist Nigel Burrell as a 'crapulous farrago'! - was thrown together by Hungarian director Peter Sasdy, previously responsible for such superior offerings as "Taste the Blood of Dracula" (1969), "Countess Dracula" (1970) and "Hands of the Ripper" (1971). Here, his contempt for the material is obvious in the weak storyline, feeble horror scenes and lackluster staging, and his concessions to the exploitation marketplace (strippers at work, a gory decapitation, etc.) are shoehorned into proceedings with reckless abandon.
Quite apart from its ridiculous premise (unlike the mutant creature in Larry Cohen's similarly-styled IT'S ALIVE, sweet little babies simply aren't frightening, no matter how much filmmakers try to make them seem otherwise!), the movie is further stymied by indifferent performances and half-baked characterizations: Collins runs the gamut from A to B and back again, Donald Pleasence provides little more than marquee value as Collins' doctor, and Ralph Bates (playing the heroine's husband) is a blank slate throughout. Hilary Mason - the blind lady in DON'T LOOK NOW (1973) - plays the wary housekeeper, and Eileen Atkins is Bates' sister, a nun who performs the commercially-dictated climactic exorcism. Support is offered by Caroline Munro as a fellow stripper (though she looks far too glamorous to be playing such a lowbrow Cockney strumpet!) and Euro-favorite John Steiner as one of Collins' former boyfriends. There's enough campery to entertain die-hard fans, but the sloppy production values and leaden pace will certainly limit the film's appeal to anyone else.
Oh, and watch out for abbreviated prints: If you don't see the head come off in the aforementioned decapitation sequence, you're viewing a censored version...
(USA: The Devil Within Her)
Aspect ratio: 1.85:1
Sound format: Mono
A nightclub stripper (Joan Collins) is cursed by a dwarf (George Claydon) whose attentions she spurned, and she later gives birth to a murderous baby possessed by a demonic spirit.
Clearly inspired by the contemporary vogue for satanic shockers, this slapdash concoction - memorably dismissed by UK journalist Nigel Burrell as a 'crapulous farrago'! - was thrown together by Hungarian director Peter Sasdy, previously responsible for such superior offerings as "Taste the Blood of Dracula" (1969), "Countess Dracula" (1970) and "Hands of the Ripper" (1971). Here, his contempt for the material is obvious in the weak storyline, feeble horror scenes and lackluster staging, and his concessions to the exploitation marketplace (strippers at work, a gory decapitation, etc.) are shoehorned into proceedings with reckless abandon.
Quite apart from its ridiculous premise (unlike the mutant creature in Larry Cohen's similarly-styled IT'S ALIVE, sweet little babies simply aren't frightening, no matter how much filmmakers try to make them seem otherwise!), the movie is further stymied by indifferent performances and half-baked characterizations: Collins runs the gamut from A to B and back again, Donald Pleasence provides little more than marquee value as Collins' doctor, and Ralph Bates (playing the heroine's husband) is a blank slate throughout. Hilary Mason - the blind lady in DON'T LOOK NOW (1973) - plays the wary housekeeper, and Eileen Atkins is Bates' sister, a nun who performs the commercially-dictated climactic exorcism. Support is offered by Caroline Munro as a fellow stripper (though she looks far too glamorous to be playing such a lowbrow Cockney strumpet!) and Euro-favorite John Steiner as one of Collins' former boyfriends. There's enough campery to entertain die-hard fans, but the sloppy production values and leaden pace will certainly limit the film's appeal to anyone else.
Oh, and watch out for abbreviated prints: If you don't see the head come off in the aforementioned decapitation sequence, you're viewing a censored version...
How can you not love Joan Collins as the new mom of a baby boy possessed by the demonic spirit of a dancing dwarf? It's laugh out loud funny! I must add it to my collection of lovable, very bad horror movies. It's like Rosemary's Baby meets The Leprechaun.
Poor old Ralph Bates looks miserable in this movie and it's not hard to see why, it really stinks.
Joan Collins plays a stripper and proves she dances as well as she acts. It's really bizarre, I think it's supposed to be erotic but it looks like she is having some kind of slow-motion embolism. Correctly deciding that she isn't cut out for being a stripper she leaves to marry her Italian lover played with a comedy accent by long-suffering Ralph.
Before she goes though she gets cursed by a dwarf who she spurns. She promptly has a baby that has unusual powers. Oooer, spooky - you'd imagine they might give it demonic powers or something but no, it has sharp nails.
Time and time again we see actors stagger back from its cot screaming "it scratched me, with its sharp nails" - cue closeup to harmless baby without sharp finger nails.
This atrocious plot goes nowhere and throughout it all there's a soundtrack of a baby crying, for goodness sake. What were they thinking of? It's impossible to watch this movie without getting a blinding headache. It's almost worth it to hear Ralph Bates trying to be Italian though, it really is the worst accent I've ever heard in a movie.
Dreadful from start to finish and with a supporting cast that are just ludicrous thrown in for good measure. A final special mention to Caroline Monroe who plays her friend, her acting is so bad that I genuinely thought at first that her wild overacting and astonishingly funny dubbing was part of the plot and that she'd been possessed or something. You can see why they had to rename it about 50 times, I pity the person who was tricked into seeing this film twice.
Joan Collins plays a stripper and proves she dances as well as she acts. It's really bizarre, I think it's supposed to be erotic but it looks like she is having some kind of slow-motion embolism. Correctly deciding that she isn't cut out for being a stripper she leaves to marry her Italian lover played with a comedy accent by long-suffering Ralph.
Before she goes though she gets cursed by a dwarf who she spurns. She promptly has a baby that has unusual powers. Oooer, spooky - you'd imagine they might give it demonic powers or something but no, it has sharp nails.
Time and time again we see actors stagger back from its cot screaming "it scratched me, with its sharp nails" - cue closeup to harmless baby without sharp finger nails.
This atrocious plot goes nowhere and throughout it all there's a soundtrack of a baby crying, for goodness sake. What were they thinking of? It's impossible to watch this movie without getting a blinding headache. It's almost worth it to hear Ralph Bates trying to be Italian though, it really is the worst accent I've ever heard in a movie.
Dreadful from start to finish and with a supporting cast that are just ludicrous thrown in for good measure. A final special mention to Caroline Monroe who plays her friend, her acting is so bad that I genuinely thought at first that her wild overacting and astonishingly funny dubbing was part of the plot and that she'd been possessed or something. You can see why they had to rename it about 50 times, I pity the person who was tricked into seeing this film twice.
This movie is known as 'Sharon's Baby', aka 'The Monster: I Don't Want to Be Born', and aka 'Devil Within Her'. Starring Joan Collins, Ralph Bates, Donald Pleasence and Eileen Atkins. Lucy Carlesi is played by Joan Collins. Lucy's baby is somehow possessed by the dwarf Hercules (George Claydon) that she once worked with. (The lead character is LUCY not Sharon... so why is this film aka 'Sharon's Baby'? Maybe they changed her name from Sharon to Lucy??? At any rate, the film is fairly interesting even though a bit corny.)
I liked this film better than I anticipated - I knew it was going to be a bit on the corny side (and it is) but not so cornball that I couldn't enjoy it. The movie grabbed me from the start - I had to suspend my beliefs in order to watch this movie but that is true with quite a few movies.
This movie is NOT the quality of Rosemary's Baby but it is entertaining.... kept me interested from start to finish. :D 6.5/10
I liked this film better than I anticipated - I knew it was going to be a bit on the corny side (and it is) but not so cornball that I couldn't enjoy it. The movie grabbed me from the start - I had to suspend my beliefs in order to watch this movie but that is true with quite a few movies.
This movie is NOT the quality of Rosemary's Baby but it is entertaining.... kept me interested from start to finish. :D 6.5/10
Did you know
- TriviaCaroline Munro is bizarrely dubbed by Liz Fraser as the character of Mandy.
- GoofsAll entries contain spoilers
- Alternate versionsWhen originally released theatrically in the UK, the BBFC made cuts to secure an 'X' rating. All cuts were waived in 1987 when the film was granted an '18' certificate for home video.
- ConnectionsFeatured in Elvira's Movie Macabre: The Devil Within Her (1982)
Details
- Release date
- Country of origin
- Languages
- Also known as
- The Devil Within Her
- Filming locations
- 32 Wellington Square, Kensington, London, England, UK(Carlesi House- exterior and interiors)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 35m(95 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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