Criminally Insane

CRIMINALLY INSANE is a real treat for cult horror fans. Don't get me wrong, it is no classic and plays like a low rent H.G. Lewis film (yes, you read that right) but there is just something inherently appealing about this film.

The story is incredibly simple (Ethel kills nearly everyone she encounters) with few surprises (the end is a shocker though) but the film is infused with some great moments of black humor. The star of the film is, of course, Priscilla Alden as the criminally insane Ethel. I will stand my ground when I say the film's success rests firmly on her shoulders. Scenes of her repeatedly stabbing her grandmother while yelling, "I want that key! I want that key!" or her taking out a grocery store delivery boy are played perfectly. Despite Millard's claim that the got professional actors from Los Angeles, this is strictly amateur hour (sharp eyed viewers will catch a clean shaved George "Buck" Flower in there though). Strangely, all of this works to the film's benefit, creating some incredibly surreal moments.

The film is filled with plenty of these "what the hell" moments. For instance, Ethel's sister Rosalie and her abusive boyfriend John move in. During a bedroom romp, John explains to Rosalie that he beats her because "baby, sometime you need to be beaten." How does she react to this misogynist viewpoint? Why by embracing him and giving him a kiss! The film is incredibly cheap and Millard makes no bones about it. In fact, he is oddly proud of what appears on screen for his $30,000 ("the biggest budget I have ever had," he claims). Watching this type of "do it yourself" cinema reminds me of the aforementioned H.G. Lewis, the cult films from Something Weird or Frank Henenlotter's debut BASKET CASE. It may not be pretty but it is definitely entertaining.

Fat Ethel Janowski enjoys eating a lot.After staying in an asylum and having electro shocks therapy Ethel is released to live with her grandmother.Ethel wants to eat and her grandma tries to stop Ethel's eating habits.Ethel murders her grandmother with a kitchen knife and she can eat peacefully as much as she wants.In the meantime more murders take place.Technically crude,raw and suitably unsettling cult psycho-slasher about murderous obese woman.The gore effects are lame,the blood looks like a red paint,but the central performance of Priscilla Alden is great.I haven't seen the sequel of "Criminally Insane" or "Death Nurse" movies,but someday I will.8 out of 10.Don't mess with Crazy Fat Ethel.She will butcher you with meat cleaver and eat your tasty flesh.

Made in 1973 but not released until a couple of years later, CRIMINALLY INSANE is probably the most famous movie made and released by IRMI Films of Pacifica, California. The film stars Bay Area actress Priscilla Alden as Ethel Janowski, an immensely obese misanthrope who is prematurely released from a mental institution and sent to live with her grandmother. Ethel's insatiable appetite for food causes problems for her grandmother, who promptly restricts her granddaughter's feeding habits. Big mistake! Ethel does away with granny and any other visitor that enters the house. Unforgettable ending.

This is probably the cheapest film I've ever seen (and believe me, I know cheap): the entire film has a grainy "home movie" quality, the music sounds like two musicians constantly tuning their instruments, negative printing is used for a dream sequence, and the acting is pitiful, except Alden, who gives a wonderfully demented and memorable performance as Ethel. This picture is extremely pathetic and even though I've never had the nerve to tell anyone else that I own the film (much less played it for anyone), I still find it very compelling viewing. There's some "other worldly" quality to it that makes it quite unique (and satisfying, if you've got really low standards like me). Don't say you weren't warned!

The exact same cast and crew returned for CRAZY FAT ETHEL II, and a loosely related film called DEATH NURSE (both released in 1987 and both starring Alden).

CRIMINALLY INSANE (aka: CRAZY FAT ETHEL) stars the inimitable Priscilla Alden as Ethel Janowski, a rather rotund woman who is released from a mental hospital. Ethel is advised to drop a few pounds, which results in her consuming mass quantities of food, like whole packages of bacon and a loaf of bread with her dozen eggs for breakfast.

Ethel's nagging grandmother attempts to get her to "watch her figure". Ethel ponders this, while eating boxes of vanilla wafers. When granny locks up the food, Ethel takes offense, and takes out her frustration on granny with a big knife.

So begins Ethel's spiral into the abyss of hunger-driven, homicidal frenzy. As the bodies pile up, Ethel's madness explodes exponentially, while she eats and eats and eats.

The cheap, non-produced, barely-directed appearance of the film adds to its effectiveness. Ms. Alden plays her role with utter seriousness and conviction, making Ethel seem like more than the stereotypical lunatic. Even when she's polishing off a stack of sweet rolls or devouring an entire gallon of chocolate ice cream!

EXTRA POINTS FOR: The character named John (Robert Copple), one of the most heinous jerks in schlock movie history! Bravo!

P.S.- Watch for George "Buck" Flower as the halfhearted police detective...

Barely an hour long, this has got to be one of the worst horror films of the 70s. Ethel is fat, crazy and hungry for blood in this dreary minimalist gore film. The cast is made up of some of the ugliest people in recent memory, the classical/experimental music score is annoying and of course the acting is atrociously BAD!! Millard's "directing" is completely devoid of style and/or talent, except for an entertaining nightmare sequence where Ethel chops up a bloody mannequin while director Millard indulges in using negative image effects. The blood does flow freely but is way below the standard of your average H.G. Lewis film. If you can make it through this movie try watching the sequel. It's twice as bad as this!!!