Hester Street

I think the best adjective for Hester Street is beautiful. The way immigrant life, with all of its complexities and nuances, is depicted is very poignant. It is not so long ago that many of our ancestors displayed bravery by leaving for a faraway land that they knew little of. Their struggle to escape persecution or poverty and to assimilate into a foreign culture is part of the American experience.

I love the way this film captures the duality of life in the Jewish section of New York. Despite the fact that only Jews live in this area, we see both the Americanized lifestyle and the orthodox lifestyle, existing side by side and evolving daily.

Carol Kane is wonderful in the part of Gitl, the wife who must adapt to a new world and put up with a husband who has abandoned all principles in his adoption of American ways.

Hester Street feels like a "small" film. Much of the action takes place in the cramped apartment of Gitl and her family (and the boarder). This is Gitl's new world, a reality that she might be content with, if her husband were loving. The street scenes remind us that Gitl's apartment is just a small part of a bustling neighborhood situated in a huge city in a corner of the new world.

It's pretty tough to build a realistic set of the Lower East Side, New York City, 1896. The Godfather films did the best they could. When directors shoot the distant past of our great grandfathers, they usually shoot in tempera hue antiquing the scenes, so we feel we are looking through a time machine. In the case of Joan Micklin Silver's, Hester Street, she shoots with black and white stock. All I'm saying, audiences won't believe it is the past without a newsreel or spooky tempera projection.

The documentary feel to Hester Street, the authentic clothing and dialect, the old Russian to English dialect fills the viewer, especially Jewish filmgoers with a weird sense of nostalgia since no one today, in 2006 is alive to tell the immigrant story. The poverty, crowded conditions, popular prejudices, and alienation were a fact of life. It is amusing that these immigrants assimilated, learning English, building jobs, and business within two generations; all hardship forgotten consciously, but I would assert, not unconsciously.

Carol Kane, Gitl, is a wonderful young country wife flabbergasted by the modern, secular ways of America. Her husband, actor, Steven Keats has left the greenhorn, religious Jew nonsense behind as he takes on a new girlfriend, a hottie for her day. His wife arrives with child unexpectedly thwarting his plans. Keats rejects her old world ways. Waiting in the wings is a boarder, a religious man that admires Gitl. A simple plot, no, but satisfying.

If you're a Carol Kane fan, and haven't seen this film, run out and rent it now (if you can find it). But don't expect the usual eccentric comic character Ms. Kane usually plays.

Filmed in black & white, this is a very atmospheric period piece about a traditional Jewish wife in turn-of-the-century America, whose husband is dissatisfied with her and wants a more modern woman. Carol Kane plays a quiet, thoughtful wife who somehow commands the screen just by sitting there and watching the selfish, thoughtless people rant and rave about her. She is a truer definition of a hero than any of the action heroes that have come out of Hollywood in the past 30 years; thoughtful, indefatiguable and irrepressible, despite the fact that she is firmly part of the traditional Jewish community where women subjugate themselves to men.

This is not an action piece; it's a character and period piece about surviving with dignity despite poverty, repression and injustice. This is the best performance by Carol Kane I have seen, not because she can't do better, but because she hasn't been given another role this thoughtful and dynamic. If she is given more roles like this in the future, she will again prove she is one of the best actresses in the country. A great film and a great performance.

Eight out of ten stars.

I saw this movie when it premiered in 1975, and enjoyed it. Thanks to DVDs, we can watch and re-watch movies whenever we want. My wife has also become a fan of this film. The DVD's commentary by director Joan Micklin Silver and her producer husband, Raphael, is fascinating. If you are interested in the process of making movies, these commentaries are always a treasure trove of information and insight into the craft. Silver also directed Crossing Delancy, another classic, especially for anyone of the Jewish-American subculture, or familiar with it, though anyone who likes a love story will enjoy it as well.

To learn that the entire budget of Hester Street was $500,000 is astounding. This is a beautiful little movie that is driven by it's story and characters. Here is an unknown Carol Kane, who got the best actress nomination for this one, surrounded by great performances by veteran actors and first time non-actors alike. Doris Roberts does a fantastic job in a big role as the neighbor.

Telling a tale of culture and love amongst Jewish immigrants in the late 1800's, this picture works perfectly well as what it is meant to be: A nice, little film. The story by Abraham Cahan is cut to the screen in such a way, that can only be described as "pictures of atmosphere". The reality of the story is given some importance in both setting, choice if actors and so on. Background music is almost only used, when storyline is at an halt f.ex. when the characters are to go from one place to another or when the focus are on the setting. The music used is, as well as everything else, highly influenced by popular music of that time in which the story is supposed to take place. and the result of all this is a lovely period piece and therefore I have chosen to give it 10/10, because even though it is not a masterpiece, it is everything it means to be, and should be recognized for this. And if you ask me, they make too few movies like.