The 'Human' Factor

I generally don't care for revenge films but this was a rare exception! I did not see it when it was first released, but a few years later while I was working as an American ex-patriot in Saudi Arabia. My family and children were with me in Saudi, and we lived on the local economy, as George Kennedy did in the movie. This movie really hit home with me and a lot of other ex-pats that were overseas at the time! It showed how vulnerable we really were living in a foreign country where we were quite often resented for even being there!

I've always been a George Kennedy fan, even though he's probably not the greatest actor of all time. He's a very likable and believable actor that consistently does a good job! I give him and this film both of my thumbs up!

I highly recommend this film to anyone that is even thinking about taking a job in a foreign country!

When I first saw this movie, I was only 9 years old. The movies idea, losing one's entire family to terrorists, haunted me for years. George Kennedy's strong portrayl of a father who is obsessed about tracking down the killers of his family, can easily be outdone by newer more daring plots. For it's time though, The Human Factor was 'on the edge of your seat' suspense that left you with a weary, empty feeling when the movie was over. Although dated, I feel it can still create an emotional response for someone who looks for more than special effects in a picture. Too bad it is out of print.

"The Human Factor" was made in 1975, which means it's turning 40 years old this year. And yet, the themes and several aspects that feature here are still painfully relevant nowadays as well. I'm writing this user-comment in January 2015, not even two weeks after the cowardly terrorist attack in Paris, France, and still during the aftermath of numerous terror alerts all across Europe. The film centers on American families being the unwary and innocent targets of ruthless Italian left-wing terrorists. Whether for political or religious reasons, embassies and authorities in various countries are still protecting their compatriots that work abroad out of fear for kidnapping or murder. It's truly sad to see that the world hasn't changed one bit and that humanity is still as selfish and extreme as it ever was. But hey, I'm just supposed to write a review… The final project of director Edward Dmytryk, who was particularly famous in the forties & fifties thanks to movies like "Crossfire" and "The Caine Mutiny", is a tense and engaging action/thriller with a handful of harshly violent sequences and a remarkable lead role for veteran actor George Kennedy. He stars as NATO computer specialist John Kingsdale, working in Naples and playing computer games with his friendly colleague most of the time. But when he returns home to his beloved wife and three children one night, they have been viciously massacred by unknown assailants for an unknown reason. After the funeral the deeply saddened John hesitates one moment to shoot himself through the head, but he shoots the TV-screen instead and vows to personally track down his family's killers. With the help of his colleague and their computer equipment, John discovers that he deals with a group of terrorists that invade the homes of American families through responding to newspaper ads. He prevents another massacre, but meanwhile John himself is also chased by the local authorities. "The Human Factor" is an overall very solid vigilante/revenge thriller. The script is occasionally tedious and confusing due to all the computer slang, especially during the first half of the film, but this is widely compensated during the explosive final act, with a furious battle in a Naples' backstreet alley and a gritty finale inside a crowded supermarket. Several people pointed out that George Kennedy was an odd choice to play the mad avenger, but he's a terrific all-around actor and brings more realism to the part. If, for example, Charles Bronson would have played John Kingsdale, "The Human Factor" would have been more stereotypical and a lot less persuasive. Recommended!

This is the last film made by the famous director Ed Dmytryk before his death. However, he must have been failing more than in health, as his creative juices seem largely to have dried up for this one. I hate to say this, because two of my old pals were involved in the production: George Davis ('in charge of production') and Roy Parkinson, Production Manager. George and Roy liked to work together whenever possible, and I can just imagine that George raised a sizeable portion of the budget for this project. He died just after Christmas in 1999, and most of the films he worked on in his long career are not listed on IMDb. Production accountants often get no screen credits, although they are the custodians of all the producers' darkest secrets, and I learned a few from George! As for Roy, it appears that he is still alive aged 95, and I hope his charming wife Lana is too. George and Roy were two of the most honest and decent men I ever knew, and this seems a fitting occasion to pay tribute to both of them. There was one occasion in particular when I had to consult with them about a most important and difficult decision involving the jobs of many people, and their support helped me to make it and eased me through a crisis of conscience caused by an act of financial corruption by the Boulting Brothers. George Davis and Roy Parkinson came from a generation when loyalty and values still existed and were widely held, though such qualities are today a vanishing commodity in a world ruled by greed. George Kennedy was a curious choice for a lead actor in this action movie, as he was already a bit old and getting overweight. Of course, he is good, but he would have been better 10 years earlier. And this is in any case really a sixties movie made in the seventies. Much of the casting is of well known names from an earlier era who are either given very little to do so that their talents are wasted (such as Rita Tushingham and John Mills) or who look shockingly past their sell-by date, such as Raf Vallone looking like a ghost of himself. The script is weak, and Dmytryk does little to save it. This is one of those films where in the story vengeance is seen to be done, and there's none of that 'they should have a fair trial' stuff, so this is a particularly gritty suspense film. I only wish it had been a better one.

George Kennedy gets to be pretty badass in this routine but entertaining revenge thriller, playing John Kinsdale, an American computer programmer working for NATO in Italy. One night, he comes home from work to find that his whole family has been savagely executed. He's grief-stricken but also determined to mete out bloody vengeance. The people responsible are a left-wing terrorist group whose modus operandi is targeting American families living in Rome.

The final project for the filmmaker Edward Dmytryk, whose classic credits include "The Caine Mutiny" and "Crossfire", "The 'Human' Factor" still is relevant in some ways, especially for any person who has lost loved ones as a result of a terrorist act. Back then, the plot (concocted by Peter Powell and co-star Thomas Hunter) was somewhat unique for heavy reliance on the technology of the day. The script also heavily relies on viewer acceptance of what the computers in this film are able to accomplish. In 1975, computers were still fairly exotic and mysterious things to some people, and screenwriters could have them figure out any number of things. The computer intelligence here even takes the time to determine what Kinsdales' chances of success are in his mission of vengeance.

The Italian setting helps quite a bit in the telling of this competently made, and viscerally effective, picture. Kennedy is a classic type of hero who can shoot scores of bad guys without having to reload his gun, who can run the cops a good chase, and who keeps fighting even after being struck by gunfire himself. This is one of his most amusing roles, to be sure.

Other aspects of value include the Ennio Morricone soundtrack (at times, it bears the faintest resemblance to his "Once Upon a Time in the West" score) and the excellent international cast: Sir John Mills, Raf Vallone, Barry Sullivan, Rita Tushingham, Shane Rimmer, Haydee Politoff, Arthur Franz. Producer Frank Avianca plays the role of the terrorist Kamal; that's a 12 year old Danny Huston (in his film debut) cast as one of Kinsdales' sons.

The silly and not terribly plausible script never does bother to really explain what the villains hope to accomplish with their killings, but Dmytryk keeps the pace fairly consistent and basically made a watchable enough film for people who love a fun revenge yarn.

Seven out of 10.