The Naked Civil Servant

The pejorative insult to someone a bit gay at school in my day was calling them Quentin. I suppose that was a sign that Quentin Crisp had made it big into the national consciousness.

I actually have vague memories of watching some of The Naked Civil Servant when it was first broadcast. I was far too young to understand what it was all about.

There was so much ballyhoo about the show. That my parents must have switched it on to watch and were presumably appalled at what was being broadcast.

Quentin Crisp himself appears in the introduction and the end to this television movie made for ITV. It features a tour de force performance from John Hurt as Quentin Crisp. It is a brave bravura acting performance, totally unflinching. If the film was released for the cinema he would had got an Oscar nomination.

It is the story of Quentin Crisp from his time as an effeminate young man in the 1930s right until he enters middle age after World War 2. A flamboyant gay man who had to frequent the underground gay scene in London. On his tail were queer bashers and the police.

Quentin Crisp was open about the beatings he regularly received and the harassment he got from the police.

There is something Oscar Wilde about Crisp, his open pomp and glitz. The film has despite its serious undercurrents a lot of humour and cheekiness.

Almost life affirming, a man who knows he is different and will not shy away from his real self. Despite the criticisms and the violence he encountered.

Directed by Jack Gold it was moves along at a quick pace with plenty of quirky characters that Crisp encounters in his life. There is an element of fantasy about the production as well as brutal realism. Crisp recalls a happy moment on his life when he meets a group of sailors in Portsmouth. It is done in dazzling manner in a sound stage.

Long before it was fashionable to come out of the closet, Englishman Quentin Crisp did so. He was rather effeminate, also wearing make up which made him stand out even more.

This is his fascinating story, marvelously portrayed by John Hurt.

(P.S. The queenly Quentin plays the kingly Queen Elizabeth I in the movie "Orlando")

I had a copy of this film back in the early 80s, it's long gone, but I'll never forget its power. I'm not a homosexual, nor had I ever heard of Quentin Crisp before, but watching the film, I was very impressed by his determination to stand up for his God-given right to be himself, whatever that "self" might be. I didn't see it so much as a proclamation of his homosexuality, but rather, an individual determined to live life on his own terms, rather than kowtow to the wants of society. To this fact I strongly relate. Crisp was a man who faced the ostracism of society head-on, and soldiered on through in spite of it. And for that I admire him strongly. After watching the film, I quietly said "Thank You" to Crisp for his forthrightness and honesty.

John Hurt's portrayal of Crisp was absolutely magnificent, and I've been a fan of his ever since. He's the most versatile actor of his generation, having played everyone from Jesus Christ in "History of the World part 1" to the guy in "Alien" who has the little monster jump out of his body to the inimitable Quentin Crisp in this film! However, some of his films are hard to find, given that he's not a household word name as an actor. Too Bad, He's among the best!

I had the good fortune to meet the late Quentin Crisp several times. This film is a delightful and moving story of his evolution as a human being.

Like Oscar Wilde, he was the brunt of jokes and nasty stories because he dared to be himself -- and, to use his own word, a very "autre" self indeed. John Hurt does a wonderful job showing us the spirit of a man who didn't grovel to the conventions of society and dared to give the world a free spirit.

The ironic conclusion of the film is an observation by Crisp himself that the "autre" which was once his alone became the commonplace of the late 1960s and early 1970s.

This is an unusual film worth seeing for the performances as well as for its lessons in living. We are who we let ourselves be. We can be who we desire to be, or we can surrender to the drab molds of the society around us.

The Naked Civil Servant is a TV film based on famous gay wit Quentin Crisp's autobiography. John Hurt gives a characteristically committed, outstanding performance. His Crisp is both a bon vivant and a serious, determined man who, underneath his outrageously camp exterior, is anything but frivolous, flamboyantly using his wit and dress like weapons as a defence to the repressive, smug and specious attacks from the mainstream English establishment and society, which regards his sexuality as criminal and deviant.

Hurt's Quentin Crisp is an unlikely crusader, made appealing not only by his inspiring moral force in facing prejudice, abuse and rejection with honesty, courage and an uproarious sense of humour, but by the fact that he never loses his belief in humanity, living his life undaunted and surrounded by friends who he treats with warmth and compassion.

Jack Gold's direction is wonderfully theatrical and so suited to Crisp's eccentric world, and the dialogue is incandescent. Nevertheless, the film's narrative, as it ranges over Crisp's long life, is episodic and at times sketchy. Also unnecessarily, Quentin Crisp himself appears in a sort of preface at the beginning of the film.