Stateline Motel

L' ultima chance is one of those Italian films overdubbed in English in order to appeal to english-speaking audiences. It's about the love of a woman for a criminal who stays at the motel she owns. Well, it's a little more complicated than that, but it's an interesting plot. The movie, however,is poorly made, complete with lousy acting (Andress being an exception). Suspense is maintained throughout the movie, which is certainly a plus.

5

Ursula's performance is definitely brilliant in this movie. She proves not only is she beautiful, but given the right role she can act the hell out of it.

Fabio Testi looks good, but isn't the greatest actor, though he does try to hold his own.

An interesting plot that keeps you interested to the end.

There's a reason why "Stateline Motel", despite the presence of four impressive and well-known cult names, is so obscure and never shows up in lists of unjustly forgotten exploitation movie gems that you must see. It is simply not a gem. It all starts fantastic and promisingly, with the hunky Fabio Testi who, upon his release from a Canadian prison, immediately drives to a jewellery store and commits a violent robbery! What an example of a criminal who has learned lessons from his prison sentence. His partner, the mighty Eli Wallach, shoots an innocent witness and they get involved in an exciting chase with the police. All this happens in the first 10 minutes, so at that moment you think that "Stateline Motel" is going to be a top movie.

From the moment the two break up and agree to meet again on the other side of the border, things go wrong... with Wallach's plan, but also with the film itself. Fabio's character Floyd is stupid enough to deliberately swerve his car on a snowy road and drives into the verge. He ends up in a motel near the border and falls head over heels for the lady of the house. Of course, you can't blame him for that, because she's Ursula Andress and she looks unhappy. Meanwhile, everyone in the motel suspects that Floyd is one of the wanted jewel thieves and wants to get hold of them. And of course, partner Wallach isn't happy with Floyd not sticking to their agreement.

Even after the genius first ten minutes, "Stateline Motel" is still worth watching, but everything is so slow and predictable. There are no surprises in the script (except for one implausible one, at the very end) and there is overall too few action and excitement. Eli Wallach and the beautiful Barbara Bach (as the daughter of the motel owner) are underused, while the script builds too much mystery around the character of Ursula Andress. Does she genuinely love Floyd, or do you just want the jewels? There is also a long lovemaking scene, but you can hardly see anything in the dark motel room. If you want to see Ursula undress and admire the splendor of her naked body, you better watch "Colpo in Canna" or "Perfect Friday".

For reasons wholly obscure, and not just a trifle baffling, most appraisals of, Maurizio Lucidi's profoundly entertaining Poliziottesco, 'Motel of Fear' (aka) 'L'ultima Chance' (1973) are somewhat lukewarm affairs, this is a dismissive reading I happily don't share, since, Lucidi's lively, jewel-heisting, dangerously double dealing actioner remains a prime example of punchy Italian exploitation, with solid performances from two legitimate icons, the eternally sleek and moistly fabulous, Fabio Testi, and indelible cult hero, Eli Wallach playing a querulous pair of hard-boiled jewel thieves on the lam who discover to their considerable cost that hot rocks and a hotter blonde are too much for them to handle!

Tougher than a butcher's stropping belt, 'L'ultima Chance' is all about the devious machinations of hard-nosed wise guy, Joe (Eli Wallach), and slickly scheming, funky-looking baller, Floyd, played with a singular machismo by the tremendously testicular tearaway, Testi! The hopped up hoods fretful flight to the Stateline Motel is propelled by robust filmmaking, and a booty-boppin' deluge of righteously funky 'action-riffs' from the funk-master general of B-Movie cool, Luis Bacalov! While much of the amusingly pulpy narrative feels overly familiar, its reliance on all the bellicose, bullet-blasted poliziotteschi clichés works to its advantage.'Stateline Motel' is well worth a visit, the decor's a bit dingy, but who cares about the skeevey upholstery when you can eyeball dazzling screen sirens, Barbara Bach & Ursula Andress?

So who's got the stolen jewels and what's with the motel owner's glum-looking wife. She may be sexy but she's a little weird. Seems someone at the motel has stolen the jewels from Floyd who's stolen them from a jewelry store. So Floyd better figure it all out or his crime partner Joe will figure a double-cross and use that pistol he's always caressing. If this sounds a little difficult, so's the screenplay. Reviewer sol-kay does a good job pointing out holes in the narrative, which undercut logic.

In terms of the cast-- well-known actor Eli Wallach may be headlined, probably for marquee purposes, but he really only turns up in the last third, bringing some much needed energy. Instead, bland Italian actor Testi gets the most screentime among the male performers. And of course there's Andress who gets to show her sexy body (as expected), plus a shot at being more than just that. Then there's cutie Barbara Bach who could have stolen the movie with a little more screen time.

For all the plot holes, the mystery surrounding the jewels manages to hold interest. Also, Michelle's dark psychology forms something of the movie's subtext. Unfortunately, Andress is not quite up to conveying this in effective form. Too bad, because a more nuanced turn could really set the movie apart from just a standard guessing game. To me, the movie squanders what's really promising material, namely, a study in Michelle's perverse psychology. Meanwhile, I'll be getting snow tires next time I travel north.