IMDb RATING
5.7/10
1.6K
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After selling his cattle in town, ranch owner Morgan unexpectedly dies, and his foreman Pike has to deliver the payroll to Sonora, despite the perilous journey during which he's followed by ... Read allAfter selling his cattle in town, ranch owner Morgan unexpectedly dies, and his foreman Pike has to deliver the payroll to Sonora, despite the perilous journey during which he's followed by many shady characters who want the money.After selling his cattle in town, ranch owner Morgan unexpectedly dies, and his foreman Pike has to deliver the payroll to Sonora, despite the perilous journey during which he's followed by many shady characters who want the money.
- Director
- Writers
- Stars
Paul Costello
- Card Player
- (uncredited)
Hal Needham
- Garmes
- (uncredited)
Jorge Rigaud
- Horse Dealer
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A western, shot in Spain, with a twist: Jim Brown and Fred Williamson, folks not normally associated with Euro-made westerns, take it upon themselves to deliver a large payroll to a ranch in Sonora, Mexico, after the ranch owner (Dana Andrews) dies while on the road. Everybody who hears of this -- and I mean everybody -- goes after them. This includes the local sheriff (Barry Sullivan), an army of drifters and gunhands, and bounty hunter Lee Van Cleef, who recognizes Brown as a wanted man from years before. Brown is given minimal dialog, which is a good thing as he is not exactly an actor. Williamson fares better as a breezy card sharp in fancy duds, who carries most of the dialog for the two of them. Not bad. The music, clearly derived from THE MAGNIFICENT SEVEN, is better than the movie.
4fs3
Coming near the end of the spaghetti western cycle, this one should have worked out better. While some of the action scenes are good, others fail with a thud, and none of the solid stars are given any material to distinguish themselves.
Overall, Jim Brown fared a bit better in westerns than Williamson, who made a few more; this was Kelly's sole venture into the genre. And with Van Cleef around, one wishes that one of the better directors (Leone, Sollima) who guided his top efforts was on hand to spark this one. A disappointment; couldn't be a total loss with that cast, but they deserve better.
Overall, Jim Brown fared a bit better in westerns than Williamson, who made a few more; this was Kelly's sole venture into the genre. And with Van Cleef around, one wishes that one of the better directors (Leone, Sollima) who guided his top efforts was on hand to spark this one. A disappointment; couldn't be a total loss with that cast, but they deserve better.
This predictable and formulaic Western will not blow you away with its brilliance, but it IS fun, carried along almost entirely by the strong presences of its top stars. Only Jim Kelly and his karate moves feel out of place. And it also must be mentioned that the big moment that you all (?) have been waiting for, a fight between Jim Brown and Fred Williamson, does arrive in this film....but the scene is terribly unrealistic-looking. (**1/2)
One of the last spaghetti westerns (though really, there was a good amount of American talent in front of and behind the camera), it does definitely have some novelty value - the cast, some good Canary Island scenery, a quick pace, and some good action sequences (best being the gunfight in the canyon). Still, there was clearly a bunch of potential wasted.
Brown is good, Williamson does okay, but the rest of the cast isn't actually given that much to do. Kelly's character could easily be written out, and Van Cleef's bad guy character isn't fully developed (for one thing, the movie doesn't seem to know what to do with him at the end.) And the script really isn't that much - it more or less consists of either the protagonists riding through the desert, or engaged in action.
Die-hard western fans (especially those who like spaghetti westerns) will probably find enough to enjoy about it, but this certainly won't convert anyone who normally avoids this genre.
Brown is good, Williamson does okay, but the rest of the cast isn't actually given that much to do. Kelly's character could easily be written out, and Van Cleef's bad guy character isn't fully developed (for one thing, the movie doesn't seem to know what to do with him at the end.) And the script really isn't that much - it more or less consists of either the protagonists riding through the desert, or engaged in action.
Die-hard western fans (especially those who like spaghetti westerns) will probably find enough to enjoy about it, but this certainly won't convert anyone who normally avoids this genre.
Take A Hard Ride is both a spaghetti western and a black exploitation film. In this film Jim Brown takes a really large sum to Sonora in Mexico where his dying employer Dana Andrews has started what sounds like a Utopian like settlement. Brown takes on the mission because as a former slave Andrews treated him like a human being. He's feeling a strong obligation there.
But when you're carrying $86,000.00 and that's in 19th century dollars it's not something you keep a secret. Brown has all kinds of people after the money up to and including bounty hunter Lee Van Cleef and even the law itself in the person of Barry Sullivan.
His allies are an uneasy group. Gambler Fred Williamson who is a fast gun and has a way with snakes goes along with Brown with Brown knowing full well Williamson could turn on him. They also pick up a mute Indian played by Jim Kelly who's learned a lot of good karate moves with his tribe.
Take A Hard Ride is a pretty good western for a spaghetti western. I'm not a real big fan of the genre thinking that westerns are to be made in the USA as its our art form. Still with all the Americans in the cast, none of that ridiculous dubbing is here. Brown and Williamson have a good chemistry in their scenes.
Should please devoted western fans.
But when you're carrying $86,000.00 and that's in 19th century dollars it's not something you keep a secret. Brown has all kinds of people after the money up to and including bounty hunter Lee Van Cleef and even the law itself in the person of Barry Sullivan.
His allies are an uneasy group. Gambler Fred Williamson who is a fast gun and has a way with snakes goes along with Brown with Brown knowing full well Williamson could turn on him. They also pick up a mute Indian played by Jim Kelly who's learned a lot of good karate moves with his tribe.
Take A Hard Ride is a pretty good western for a spaghetti western. I'm not a real big fan of the genre thinking that westerns are to be made in the USA as its our art form. Still with all the Americans in the cast, none of that ridiculous dubbing is here. Brown and Williamson have a good chemistry in their scenes.
Should please devoted western fans.
Did you know
- TriviaHal Needham was brought in to coordinate stunts. He planned to make the wagon fly across the canyon by attaching rockets to the bottom. When Jim Brown and Fred Williamson found out, they had Needham fired from the production. But not before finishing his short acting role in the film, losing the beginning duel against Lee Van Cleef.
- GoofsWhen Pike and Tyree pull their guns on each other at the start of their fight, they're no bullets in Pike's gun.
- Crazy creditsAlthough the film was shot in 1.85:1, the zero in the 20th Century-Fox logo has the tilt that was used for CinemaScope pictures.
- ConnectionsFeatured in 42nd Street Forever, Volume 2: The Deuce (2006)
- How long is Take a Hard Ride?Powered by Alexa
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- Also known as
- Peklenski pregon
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- See more company credits at IMDbPro
Box office
- Budget
- $2,300,000 (estimated)
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