The Return of the Exorcist

"I hate you" screams possessed teenager Peter at the beginning of Naked Exorcism. It's a particularly ineffectual insult, hardly the most profane language to come from one affected by a malevolent demonic force, but then this Italian The Exorcist rip-off is weak in so many ways.

Director Angelo Pannacciò goes through the possession movie motions, as Peter finds a Satanic amulet and wears it as a lucky charm, only to fall under the power of an evil spirit as a result. The lad develops a mild case of potty mouth, fires a champagne cork at his girlfriend Sherry (a dick move, but not exactly the work of the devil), and appears to his mother and sister as the maniacal woman whose spirit now possesses his body. This is interspersed by footage of a Satanic ritual, those in attendance writhing on the floor in orgiastic bliss.

The woman who possesses Peter also causes the death of Sherry, and pushes his mother down the stairs, driving his sister Elena (Patrizia Gori), a nun, to arrange for an exorcist (Richard Conte) to pay a visit. The final twenty minutes consists of the usual flying ornaments, rotating furniture, vomit spewing, and more vile taunts, including such 'offensive' remarks as "Go away!", "I spit on you and all your mumbo jumbo", and "Go lick your master's feet".

Eventually, the evil spirit is driven out of Peter, only to enter the body of Elena, who does a 'Karras' and throws herself off a precipice.

2.5/10, rounded up to 3 for IMDb. Not scary, occasionally unintentionally funny, with lots of nudity but absolutely no originality.

HBL (and their Pepto Bismol pink logo, which reminded me of 555) released this under the title, The Exorcist III Cries and Shadows, despite the fact that when this film came out in 1975, there had not yet even been an Exorcist II, and with The Exorcist displayed in one font, the Roman numeral III in a different font, and Cries and Shadows in yet another font, with Directed by Elo Pannaccio' directly underneath the title, followed by the cast, "Screenplay by Aldo Crudo, Franco Brocani, Elo Pannaccio' Story by Guido Albonico" - it really took four people to write this Exorcist clone? "First ass~ director: Demetrio Soare" (I presume they meant *assistant*) The final item listed in the opening credits was Elo Pannaccio' s director credit, a second time.

Once the bewildering credits over rain-soaked Rome end, and the incredibly lengthy altar sacrifice/ orgy scene finally end - eight long minutes into the film - the plot is nearly a carbon copy of Wm. Peter Blatty's Exorcist, but with a male lead, as Davy Jones lookalike is possessed by a demon in the form of an attractive nude girl, glimpsed briefly and photographed near a waterfall. When the photos are developed, the girl is not at all visible in them, but Davy Jones begins all the usual behavioral problems Linda Blair did, and after a very long and slowly paced hour, an exorcist, in the form of Richard Conte, turns up to attempt to drive the demon away. Blah, blah blah, blah blah.

This occasionally has the mood and atmospherics of some of Jean Rollin's work, with its intentionally slow pacing, lush colours, abundant female nudity, and surrealist images, but it doesn't help that we are watching a near scene-for- scene ripoff, with nearly X-rated sex and nudity added to an otherwise PG-rated horror, which was released in Greece as Exorkistis No. 2 (Exorcist II) , in the UK, Japan, and Finland as The Exorcist III.

The only credit shown at the end is Directed by Elo Pannaccio', for the third time. He was so proud of this thing that he wanted his director credit listed three times?

Cries and Shadows, or Exorcist III as it was released in some places (got to love those international copyright laws), is one of the sleaziest Exorcist ripoffs that I have encountered. That is neither an endorsement nor a warning, just a statement.

The plot has a young man finding a strange medallion while on vacation with friends. Because of this medallion, the teen becomes possessed by a succubus (Mimma Biscardi, here often nude). The possessed's acting out is of a sexual nature. The teen as the succubus (whom, strangely, the victims can see) first tries to rape his mother and then his sister, who is a nun. At about the hour mark, Richard Conte shows up as the priest who will carry out the exorcism. And, that is about all there is to the film.

The film's one asset (aside from Mimma Biscardi's bare skin) is the setting. The film takes place in a village built on a hillside. The bourgeoisie family's villa is at the very top. It is a striking location and used well by the filmmakers. The rest of the film is mostly forgettable. I had seen this film once before and had remembered almost nothing except for the setting. As these type of films go, I prefer The Night Child (aka The Cursed Medallion) and The Antichrist (aka The Tempter). Nonetheless, Cries and Shadows does revel unapologetically in its bad taste. Fans of Exorcist ripoffs might be amused.

A young man Paul sees a naked woman close to the waterfall while on a visit to the country and becomes possessed by her evil spirit.His sister Elena tries to exorcise the Devil from his body."The Return of the Exorcist" aka "Exorcist III:Cries and Shadows" is an quintessential Eurotrash.The location sets which include an Italian town in the mountains or creepy looking church are very atmospheric and there is enough sleaze and full-frontal nudity to keep the viewer entertained.The devilish woman driving the action is often seen as the naked attacker with incredibly hot body.Richard Conte plays the exorcist in his final role.The scares are mostly effective,but there are also some insanely cheesy moments.7 out of 10.

Elo Pannacciò's "Un Urlo nelle tenebre" aka "Cries & Shadows" (1975) is another Exorcist rip-off from the Italian continent, by a director who was totally unknown to me before (and is likely to remain so, too!). There are bad bad films and good bad films, and I'm glad to say this makes it more to the latter part, due to its incredible badliness that makes some of the stupidest efforts of Italian / European exploitation cinema look very convincing. I mean mostly the acting of the possessed protagonist teen; rarely have I seen anyone expressing his emotions of "fear", "hatred", "blasphemy" and so on more unconvincingly and amusingly! Just look at his eyes and how much he tries in every scene! The film runs 82 minutes in PAL version (from Luminous, if anyone knows about possible cuts, please contact!) which is not bad for a film like this and I managed to sit through it very well. The Devil worshipping scene at the beginning of the film is rather funny, with huge, inverted and red pentagram on the wall and bunch of people around the "sacrifice." There's some of the usual nunsploitation/exploitation elements on display, like the group sex orgy and some gore, but compared to some other films of the time and genre, this is surprisingly tame and goreless. I hugely recommend Renato Polselli's "The Reincarnation of Isabel" which is among the sleaziest demonic b-films of the seventies.

There is one thing I find especially amusing in "Cries and Shadows". When the Devil inside the character starts to speak to the exorcist and another people around him, he screams "I live by your lies!!" and the like which makes me wonder how can he be in physical existence in the first place, if the writer suggests the religion He originates from is only lies? Maybe I really shouldn't think about it any more, but it managed to make me smile for the rest of the film! I recommend not to waste too much time or money to track this rather rare and unknown title down, but if you do, some juicy laughs are guaranteed to follow. I promise!