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Alice or The Last Escapade

Original title: Alice ou la dernière fugue
  • 1977
  • 1h 33m
IMDb RATING
6.6/10
1.4K
YOUR RATING
Sylvia Kristel in Alice or The Last Escapade (1977)
Dark FantasyDramaFantasyMysteryThriller

Alice leaves husband, car breaks down, spends night at manor. Next day car fixed but owners missing, she's trapped in walled estate, increasingly worried by strange discoveries.Alice leaves husband, car breaks down, spends night at manor. Next day car fixed but owners missing, she's trapped in walled estate, increasingly worried by strange discoveries.Alice leaves husband, car breaks down, spends night at manor. Next day car fixed but owners missing, she's trapped in walled estate, increasingly worried by strange discoveries.

  • Director
    • Claude Chabrol
  • Writers
    • Claude Chabrol
    • Lewis Carroll
  • Stars
    • Sylvia Kristel
    • Charles Vanel
    • Fernand Ledoux
  • See production info at IMDbPro
  • IMDb RATING
    6.6/10
    1.4K
    YOUR RATING
    • Director
      • Claude Chabrol
    • Writers
      • Claude Chabrol
      • Lewis Carroll
    • Stars
      • Sylvia Kristel
      • Charles Vanel
      • Fernand Ledoux
    • 15User reviews
    • 12Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 nomination total

    Photos70

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    Top cast15

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    Sylvia Kristel
    Sylvia Kristel
    • Alice Caroll
    Charles Vanel
    Charles Vanel
    • Henri Vergennes
    Fernand Ledoux
    Fernand Ledoux
    • Le Vieil Homme et le Docteur
    François Perrot
    François Perrot
    • L'Homme de 40 Ans
    Bernard Rousselet
    • Le Mari d'Alice
    Thomas Chabrol
    Thomas Chabrol
    • L'Enfant de 13 Ans
    Jean Cherlian
    • Emile
    Catherine Drusy
    • La Belle Serveuse et l'Infirmière
    Jean Le Boulbar
    • Le Premier Homme
    • (as Jean le Boulbar)
    Cécile Maistre
    • La Petite Fille
    Louise Rioton
    • La Femme qui Chante
    Katia Romanoff
    • La Serveuse
    Noël Simsolo
    Noël Simsolo
    • Jeune Homme au Banquet
    André Dussollier
    André Dussollier
    • Le Jeune Homme et le Pompiste
    Jean Carmet
    Jean Carmet
    • Colas
    • Director
      • Claude Chabrol
    • Writers
      • Claude Chabrol
      • Lewis Carroll
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews15

    6.61.4K
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    Featured reviews

    8maverick-29364

    Has nothing to do with the Lewis Carrol story, but good enough.

    The Disney cartoon is one of my favorite movies and while looking into other adaptations of the story I stumbled across this.

    The beginning of the movie feels cliche and it drags a little. When she gets to Wonder/Horrorland the movie began to pull me in. The eerie infinite looping Mansion, with freaky characters and bizarre happenstances work well to build an unpredictable world that you alongside Alice get stuck in. Towards the end of the movie, keeping it spoiler free, Alice made a decision that I really don't understand. And the conclusion is something I had seen before in a Twilight Zone episode.

    As an adaptation of Alice In Wonderland/Looking-Glass it's a flop. There is no Wonderland. None of the characters are there. The story is original. It's not complete non-sense. It's adult oriented. And aside from a couple of vague novel references it has nothing to do with Carrol's Story.

    As a stand alone I think it's a hidden gem. With dozens of movie renditions, Alice doesn't always need to be true to the book. This movie has a great atmosphere, and in its own right a good sense of world building. Sure it's flawed and is clearly put together with time constraints and a low budget. But I do think it's worth checking out, and it's among the better horror movies that I have seen.
    10bogdank

    Brilliant

    A brilliant movie. I liked it because all the time everything seemed so possible, but strange until the very end where you're shocked finding out what was really going on. It gets you to think about so many things related to life, dreams, and death.

    In my view this is one of the best Chabrol's movies. Unfortunately, it did not get as much attention as the others.

    Sylvia Kristel was good in her role. She has actually shown she could act.
    9MovieHungry

    A psychologically disturbing film which compels us to think about life after death...

    Surprising movie! A twist in the end! I like such movies, when the viewer is fooled ...when what we thought we understood is overturned! Reminds me of something from 'The Sixth Sense'. Do you agree? I didn't like the the acting of Silvia Kristel in a few sequences, as she seemed to be making some effort to speak. In the first shots with her husband, she acted strangely as she didn't seem distressed at all when announcing the latter that she would leave him. There was no visible stress on her face and she appeared relaxed when communicating her departure. The husband also acted strangely when he told her to stay one more night and to leave tomorrow morning! No one would have realistically said that! didn't like a few shots as well...For instance, some night shots in the beginning were not properly lit. But, it remains a movie with a great script, with minimal dialog, with each shot compelling us to ask...'what will happen next?'. The characters were all weird - and later we can deduce why...
    3plex

    Huh?

    I'm not sure I have watched the same movies as the others, who give this film glowing reviews, pretty much across the board.

    Most of us are aware of Sylvia Kristel's work: she's one of the few Euro-actors who have found relative success in the Hollywood mainstream. But to be fair, most of he notoriety and success comes from the soft-core Emmanuelle franchise which are staged in various parts of the world. Kristel is easy-on-the-eyes for most, looks fine in full frontal nudity, which to be honest, (and with no negating criticism) is largely what she is known for. And on that same level of honesty is a better actress than most who come from other countries ( in this case, the Netherlands) aside from England.

    To say this film plods along at a snail's pace is an insult to snails. This isn't Kubrick/Kurosawa-esque deliberate slow-pacing, its simply SLOOOWW. There's vey little dialogue, especially from our lead protagonists, and on that note, there's very little story-line or plot.

    Kristel does a lot walking around in the "spooky manor" she finds herself "pseudo" imprisoned, sometime it allows her to venture outside where she does some more walking around, and after about an hour into the film she somehow escapes the manor to drive around for a while. There's a lot of dramatic musical underscoring to make-up for a lack of basic drama in the film. Of course, Sylvia does appear full frontal one time in the film, with style hair and make-up. The rest of the time she magically has all of these nice stylish outfits to wear, but I'm still not clear to why she was wearing them and for whom. I still have not figured out the point of this sleepy film that nearly put me in a coma.....
    9mbrooks-2

    An almost real "cauchemare"

    I saw this movie on TV when I was 11 years old and it had a deep impression on me. Watching it again, I can identify many elements which are (and already were in the 1976) very conventional, or even outdated: the existentialist/ nouveau roman-plot, the Margritte-aesthetics, the "Psycho"-allusions...

    The portrait of Alice (Kristel, sensuous as ever) and of her fate is sometimes of a certain merciless quality (misogynous tendencies?), but this movie is emulating the scenario of a real "cauchemare" far better than any other "Splatter" or "Horror"-Movie.

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    Related interests

    Doug Jones and Ivana Baquero in Pan's Labyrinth (2006)
    Dark Fantasy
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
    Elijah Wood in The Lord of the Rings: The Fellowship of the Ring (2001)
    Fantasy
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystery
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Storyline

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    Did you know

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    • Trivia
      Sylvia Kristel said in a 1981 interview that she feels this movie bombed because she only had one nude scene. She said "For some reason the roles in which I keep my clothes on never become successful movies."
    • Connections
      Features Des chiffres et des lettres (1972)
    • Soundtracks
      Le 24ème concerto en ut mineur
      by Wolfgang Amadeus Mozart (as Mozart)

      Performed on piano by Paul Von Schilhawski

      Conducted by Rudolf Albert

      Disque MUSIDISC.

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    FAQ13

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    Details

    Edit
    • Release date
      • January 19, 1977 (France)
    • Country of origin
      • France
    • Language
      • French
    • Also known as
      • Аліса, або остання втеча
    • Filming locations
      • Chateau des Migneaux, Villennes sur Seine, France(Mansion of Henri Vergennes)
    • Production companies
      • Filmel
      • P.H.P.G.
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 33m(93 min)
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.66 : 1

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