An inspector infiltrates an S&M club that is connected to a series of killings distinguished by the murderer leaving a page from a German children's book at the scene of each crime.An inspector infiltrates an S&M club that is connected to a series of killings distinguished by the murderer leaving a page from a German children's book at the scene of each crime.An inspector infiltrates an S&M club that is connected to a series of killings distinguished by the murderer leaving a page from a German children's book at the scene of each crime.
- Director
- Writers
- Stars
Edoardo Faieta
- Fulvio Colaianni
- (as Eddy Fay)
Greta Vayan
- Laura Falconieri
- (as Greta Vajant)
Sarah Crespi
- Rosa Catena
- (as Sarah Ceccarini)
Eleonora Vivaldi
- Elvira Meniconi
- (as Eleonora Vivaldi)
Susanna Radaelli
- Lover of Jeanne
- (as Susy Radaelli)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Interesting giallo/mystery/cop thriller
this is not a typical giallo as it mixes elements of Agatha Christie type of who- done-it (Sherlock Holmes is referenced by a character), and cop thrillers with the regular giallo ingredients. the plot becomes a tad too convoluted by the end, and the final revelation is somewhat lacking in impact, but otherwise this is a fine little thriller that might even prompt multiple viewings. then there's that cast: Corrine Clery, beautiful as ever (especially sans clothes, though her jeans are eye-catching), and Eli Wallach in a pivotal role that he delves into admirably. the big question is, what the hell was Tom Skerritt doing in there? his part is negligible at best. Fans of animation should check out the brief clips of a pornographic, bondage-themed cartoon shown at a party. speaking of which, does anyone know the title of that cartoon film?
Unusually Masculine Giallo
While the usual fashion models are present all of the main characters are men, which is unusual for giallos despite their somewhat misguided stereotype of misogyny. E tanta paura has a creative and twisty plot but it never quite pulled me in or dazzled me. It's a decent little Italian 70s mystery, but not one I'd go out of my way to watch again.
The brightest spot for me was Eli Wallach who just a year later played a similarly cynical "bad cop" in American cult horror The Sentinel. I absolutely had to watch this film in Italian because the English dubbed version is too obviously NOT Wallach's long familiar voice.
The brightest spot for me was Eli Wallach who just a year later played a similarly cynical "bad cop" in American cult horror The Sentinel. I absolutely had to watch this film in Italian because the English dubbed version is too obviously NOT Wallach's long familiar voice.
a slice of sleaze included
'E Tanta Paura' provides a fairly good Italian crime plot, located in the mid-19-Seventies. Carrying all characteristics of its era, a slice of sleaze included.
Nevertheless, to boost up sales, the cover of my DVD adds that Corinne Clery features in this film. And yes, here we have a name that those around at the time may remember: the naked female lead from 'Histoire d'O' (= French for 'the story of O'). It must be said that Clery contributes well to 'E Tanta Paura'; clothed (90%) as well as naked (10%).
'E Tanta Paura' still reasonably entertains without being great. And shows a little dented by the passage of time.
Nevertheless, to boost up sales, the cover of my DVD adds that Corinne Clery features in this film. And yes, here we have a name that those around at the time may remember: the naked female lead from 'Histoire d'O' (= French for 'the story of O'). It must be said that Clery contributes well to 'E Tanta Paura'; clothed (90%) as well as naked (10%).
'E Tanta Paura' still reasonably entertains without being great. And shows a little dented by the passage of time.
Under the Dining Room Table
Finally, a so-called "giallo" that's working vs. the formula. Corinne Cléry makes it quite clear when the Commissario (Michele Placido) asks her for a dance: "Recite an Apollinaire poem for me." De facto, the shadow of the famous French proto-surrealist is lurking everywhere in Paolo Cavara's tongue-in-cheek, poptastic homage to Heinrich Hoffmann's gruesome cautionary tales, published as "Struwwelpeter" in 1845. At first sight the usual psycho killer rubbish, E Tanta Paura is brimming with bizarre surprises, as in the orgy flashback sequence in the Fauna Lovers Group Sex Club (including a porn cartoon by Italian animatore Gibba) or the acidly humorous slaughterhouse scene, and you won't get much better dialogue for your money ("She cheated on me with a white guy." "But you're white as well." "I'm Neapolitan, that's different"). The denouement might be a bit underwhelming, but Cavara's elegant direction, Franco di Giacomo's skillful cinematography, Daniele Patucchi's versatile soundtrack and the splendid cast – special jury prize for the sardonic John Steiner – add up to an intertextual fun(house) ride breaking it down light-handedly that "giallo" can be a whole lot more than those bland Argento bummers: in this case, a vitriolic grotesque bowing its serpent's head in reverence to the origins of the Grand Guignol.
A subtle mix of giallo and depressing crime cinema.
A series of brutal and savage murders baffles police.Egocentric inspector Gaspare Lomenzo(Michele Placido)wants to catch elusive killer.The victims were the members of a bizarre sex club called The Fauna Lovers.The club is led by eccentric and filthy rich author Hoffman.The accidental death of a hooker Rosa may help to solve this tough criminal case...After making brilliant giallo "Black Belly of the Tarantula" Paolo Cavara made "Plot of Fear".The film is well-acted and very suspenseful with several surprising plot twists.The set designs are garish,the ladies are beautiful and there is a bit of sleaze.The murders are stylish and unrelenting for example one female victim is burned alive.The portrayal of wealthy decadence in "Plot of Fear" comes across as depressing and unforgiving.8 giallos out of 10.
Did you know
- TriviaStruwell offers Gaspare a contraband Rothmans cigarette.
- GoofsWith all the firepower trained on the commisario, he should have looked like bloody swiss cheese, rather than the 1/2 dozen hits shown on his body, and nothing to the head.
- Quotes
Angelo Scanavini: Asshole!
- Crazy creditsEnding credits give Studio Gibba as Animazioni. Indeed after half an hour a Francesco Maurizio Guido's weird sadistic cartoon (called "Bloody Peanuts" like the Swedish title) is screened during the orgy at Villa Hoffmann. Even if Guido said that "this story of passing for a pornographer did not suit me well", Cavara replied "I knew that you would do a beautiful work!" (Guido's interview by Renato Venturelli for Film Doc in March 2014).
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