Fighting Mad

A man returns from the big city to his traditional family ranch in northwest Arkansas (Peter Fonda), only to discover that a determined land developer (Philip Carey) is buying up land nearby for strip mining and, of course, wants his dad's ranch. When beloved citizens turn-up dead, the kid gloves are off.

"Fighting Mad" (1976) comes in the tradition of "Walking Tall" and would influence "First Blood" six years later. Car crash movies from the 70s are also comparable, like Fonda's own "Dirty Mary Crazy Larry." This is the least of 'em, however, because the dramatics are curiously boring and needed a rewrite to flush out the potential, but it's still worth catching if you like Peter and these types of flicks. The best parts are the vehicular mayhem and the closing confrontation at the castle-like manor of the tycoon.

It runs 1 hour, 30 minutes, and was shot in Washington County, Arkansas, and the corresponding town of Springdale, which are in the northwest corner of the state. The jail scenes were shot in the studio in Los Angeles.

GRADE: B-

Ah, my favorite type of 70s exploitation... Poor, hard-working farmer families in the deep South are driven to desperation and pushed to violence by ruthless jerks in yellow hardhats and the greedy corporate tycoons they work for. The brave locals barely withstand the destructions of their properties and sabotages of their crops, but when innocent relatives start to get eliminated, they fight back with a vengeance! The Hunter family, from Arkansas, and their neighbors are aggressively chased off their land by the obnoxious Mr. Crabtree's mining corporation, but then the eldest son Tom return home from the big city after a failed marriage. Tom has a stubborn personality, a constant bad temper, AND a bow and arrows!

This is, simply put, masterful exploitation from the House of Corman. Written and directed by one his most gifted acolytes (Jonathan Demme), and with an excellent cast (led by the almighty Peter Fonda), "Fighting Mad" features grim but realistic violence and more than a handful of genuinely powerful drama moments. The casting of Peter Fonda and Scott Glen as brothers is genius (though, sadly, Glen's role is small) and the beautiful Lynn Lowry is splendid as the girl unable to calm down her furious love-interest. Excellent music, great use of locations, and a lot of loathsome henchmen to make the enjoyment complete. One of the best of its kind and era, together with "The Farmer", "White Line Fever", and "Mr. Majestyk"!

This standard but reasonably diverting revenge/action drama is an early effort from writer/director Jonathan Demme, who would go on to Oscar greatness years later with "Silence Of The Lambs." The movie delivers all the ingredients one would expect from B-Movie producer Roger Corman PLUS a quietly effective performance from Peter Fonda as a family man who is pushed to the limits when a strip-mining tycoon tries to bully his way into taking over Fonda's father's stretch of farm land. It's nothing you probably haven't seen before, but it's solidly done and Fonda makes for a great low-key hero worth rooting for. *** stars

I knew about FIGHTING MAD only because it's one of Scott Glenn's movies I hadn't seen until last Autumn and because it's one of Jonathan Demme's first movies (and coincidentally Demme would direct Glenn again in his masterpiece THE SILENCE OF THE LAMBS). Last October I finally saw it and I liked it more than what I expected since the low score and mostly mediocre reviews.

Tom Hunter (Peter Fonda) is a farmer that just returned home with his son for paying a visit to his dad Jeff; Pierce Crabtree (Philip Carey, a familiar face of the 1950s) is a land developer that wants to handle with his greedy hands some properties including Hunter's lands. Pierce soon employs various thugs for making people sell their lands for having coal, and among the first victims is Tom's brother Charlie (Scott Glenn) and his girlfriend while they're having a good time at home. After some other casualties Tom snaps and stars a private war against Crabtree and his henchmen using only his bow and arrow... I won't spoil how, but he'll win.

While it looks like one of those many drive-in movies from the 1970s (when videocassettes weren't even made) it's still good. Mostly because of the acting by all (Fonda, Glenn, Carey, John Doucette and a pre-WALKER TEXAS RANGER Noble Willingham) and also because of the idea. While it has already been used in other movies (and in a matter of years the RAMBO movies were made) here in a different contest it's still exciting.

Overall, not a must-see but still highly recommended if you are curious to see where some directors started or if you love the theme of a one-man fighting against an army.

Peter Fonda and his son (Gino Franco) return to his dad's (John Doucette) horse ranch in rural Texas after a divorce. He finds that a mining company owned by Philip Carey have been buying up all the land and are harassing all the holdouts, including Doucette and Fonda's brother Scott Glenn. The campaign of terror escalates with beatings, Glenn's murder and finally Doucette's death in an intentionally set fire. Since local sheriff Henry Northrup has proved useless, Fonda takes matters into his own hands.

Demme's third and final film for Roger Corman really shines. It's another formula picture, but this time it transcends the formulaic elements and comes close to feeling like a personal expression. It's got some serious flaws, including a really long, dead section leading up to the final climax, but you can see why Demme moved on after this one and started making films on his own.

Lynn Lowry has a significant role as Fonda's new girlfriend and fellow director George Armitage pops up as Man Playing Tennis.