James Dean

Written from the perspective of Dean's long term friend Bast (well portrayed by Robert Brandon), this film as some good quirks and sub- texts to it.

Actor Stephen McHattie does have the affect and appearance of Dean in some instances, he portrays the early start of James Dean as a somewhat transient and alienated life. Living in NYC and finally getting accepted to the prestigious Actors Studio, but living with a big name actor, who is just someone he owes a debt to, and to "pay the piper" as he tells his friend.

The section regarding Dean's earlier family life could have been better explicated, but the audience does see his Hollywood relationships, including some decent cameos by Brooke Adams and Meg Foster (as Liz "Dizzy" Sheridan, who appeared in "Rebel Without a Cause"), and now plays Seinfeld's mother (credited as Liz Sheridan).

Overall worth seeing , but better to rent a DVD or purchase it, for the true researcher into Dean's checkered history. This film shown on MAVTV channel in US is terribly edited, and MAVTV is not a good viewing experience, at all. 8/10.

for an early TV movie, this one was ahead of its time...it featured James telling his friend to be more sexually adventurous, leading him to go cruising in a gay bar...

I got it at the dollar store , so my print was typically muddy, being that the flick fell into the public domain and all...still if you like JD you will get a kick out of this flick...well then there now!!!!

It also shows Katherine Helmond. Amy Irving and a beautiful Brooke Adams...I liked it enough to recommend it if you buy it cheap like I did!!!

If you want a really good JD movie, try Robert Altman's documentary it is archaic but fascinating!!!

There is a segment in this obscure made for TV bio-pic that ascends to another plane of artistry, and provides a spellbinding glimpse into what made this legendary actor so extraordinary. Dean, played by the gifted Stephen McHattie, has returned home to find his sensitive roommate sulking in the dark over the sudden realization that the mercurial Dean is broadening his horizons and slipping away from him. By no means unmoved, Dean's response is to read aloud a particularly meaningful passage from his favorite book "The Little Prince". And as he reads consolingly, dramatically; you can see the joy he takes in forming the words, the pleasure he derives from sharing them with an audience, the immense respect he has for the piece itself. The scene plays out as a sort of communion, with Dean seeming to re-absorb the passage as a way of purifying himself. His roommate is mesmerized at this level of devotion to craft and only then begins to appreciate what his friend is becoming, has become.

Told from the refreshingly limited viewpoint of his off and on roommate William Bast (who went on to be a reasonably successful TV and Film writer) the movie touches on the pivotal events of Dean's life and career like a stone skipping across water. The focus is very much on Bast's up close witnessing of Dean's improbable, mind-blowing emergence from awkward hayseed wanna-be into the most emblematic actor of his generation.

Considering that he doesn't look incredibly like Dean (McHattie's face is flinty and pentagonal whereas Dean's was chiseled and rectangular) McHattie does a remarkable job duplicating the body language and facial expressions - the slouched shoulders, sudden movements, furtive looks and exaggerated boyishness. The director frames and lights him in clever ways and there are times when, spookily, you really do feel like you're looking in on Dean's life. McHattie also captures that alien, kaleidoscopic, wildly unpredictable quality - no easy task. He gives you a sense of the development of the persona, the fine-tuning of the image he was trying to project to the world. His Dean almost seems like a mad scientist working on his most diabolical Frankenstein creation - himself.

Makes a nice companion to "9/30/55", another poignant meditation on the actor.

This made-for-TV movie tells the life of James Dean as seen through the eyes of his friend and roommate, William Bast. It was very interesting too watch because not only was it the life story of Jimmy, but in a way it was also about William. You have to admire him for being so open about his private life. The film is also notable for hinting at Jimmy's flirting with bisexuality. It's a unique look at James Dean, and Stephen McHattie, though he looks nothing like Jimmy, has his mannerisms down perfectly. "James Dean" (1976) is a very poignant film, especially worth it for a dramatic and touching reading of The Little Prince. I would have given it a higher grade but I was too distracted by all the anachronisms. ('70s hair and clothes in the '50s). But the actors were great, so otherwise it's a good film.

Seriously sensitive TV-movie starring Stephen McHattie as actor James Dean and Michael Brandon as William Bast, a fellow student at UCLA and Dean's pre-stardom roommate. The film chronicles Dean's inauspicious work as a drama student--doing shaky Shakespeare on stage--and the years following once Dean relocated to New York City and was accepted into the exclusive Actor's Studio, which lead him to Broadway and then back to Hollywood. Bast himself wrote the teleplay, and he's very careful to show the many complex sides of Dean--the prankster, the romantic, the artist committed to his craft, the jerk--as well as the "Star Is Born"-like friendship which developed between the two men. Bast, a failed actor who took on writing jobs, grew to respect and love his friend, however, without any apparent envy or jealousy (although he's often shown playing the third wheel). Brandon has a tough job acting as the author's surrogate, but he does so without self-pity; his acceptance of his friend as America's newest star is casual and natural, with no melodrama. The film begins with a symbolic dream (never a good idea) and features sketchy episodes with a handful of the women in Dean's life, but the main focus is on the relationship between Dean and Bast, and in those sequences the movie shines. McHattie, whose thin smile curls up at the corners like the Joker, bears a passing resemblance to Dean when seen from a distance, but up close he has to overcome features which are too pronounced; it's not an impersonation, and yet the performance we do get slowly grows on you. "James Dean" is an unusually literate and thoughtful drama, with an excellent supporting cast including Dane Clark, Meg Foster, Brooke Adams, Amy Irving, Katherine Helmond, Candy Clark and Leland Palmer.