Joshua

We've seen the vengeance-chase thing, the silent hero thing so many times and, with "Joshua" it's a case of here we go again, this time with lesser results.

Fred Williamson acquited himself well, but the rest of the cast could have used some bad guy acting lessons.

The music could have used less excess. At one point it sounded like somebody was just learning to play "Chopsticks."

Also unnecessary was the 'bosom' scene. We all knew she had one. Jeez! I must say they were more 'bazoom' than your everyday bosom.

The fight scene was quite something with sound effects unlike any ever heard before. It was weird. When they bonked each other it sounded like a symphony ocrchestra bass drum. By the way, every now and then it looked like they came close to connecting.

The scenery was excellent, the horses were pretty. "Joshua" did well when he fought the battle of Jericho. This Joshua had more of a struggle, minus God in his corner.

This really isn't as bad as the other review makes it sound. It does have a simple plot, and actually moves along fairly quick. Not much time is spend on any sort of character development, but we've all seen these types of characters in every other western anyhow. It's true that there is not a lot of dialog from Fred Williamson, but his character (Joshua) is a lone cowboy sneaking along quietly through the desert. What would he say? And to who? The film has a real nice gritty Italian look to it and its starkness works fairly well with the story. It's not going to be the greatest movie you've ever seen but it's interesting enough to watch once. I saw this on DVD which was made for a letter boxed version. They didn't shrink the image or pan and scan etc. So sometimes the picture is cut off a little. It was slightly annoying to watch.

This film I consider a very good example of how a film may elicit a variety of responses. I have learned not to take too seriously the comments by others or I may miss a real gem. Not that I would put this film in the gem category but definitely the good side of in-between. I am amazed to read how some abhorred the music. I recall how the music in Keoma drove some people crazy while others (like me) liked it. In Joshua the music fit the film perfectly, especially the low growl when the camera turned to the black rider. So (as we well understand) people's tastes vary. I went for the acting in this one also. I even liked the bad teeth on those ugly bad guys. Though I prefer an unpredictable story line, this film can be good when one prefers sometime something simple. Credibility got stretched for my taste but the music saved it for me. Not bad. I won't forget this one.

Someone, even if the star of the film Williamson himself, should have never allowed this film to reach the public with the simplistic kindergarten theme song played in the opening credits as well as various times through the film. No one would be expecting the music editor to make a monumental catchy theme along the lines of the Bonanza theme or Issac Hayes' Shaft. With such a humble production, the task of the music department would be to merely stay out of the way and not detract from the overall end product. Unfortunately, the music in this film fails miserably and detracts from any momentum that the average acting gains. Williams is pretty good in the lead role and his stoic approach is in tune with the Western gunslinger theme. A prologue showing Abraham Lincoln's picture is mumbled and difficult to hear so seeing as it doesn't add to the film it should have been left out all together. Williamson appears to struggle at times on the horse, having to kick it too many times then winding up with his hat falling around his neck and sending him bobbing too harshly. The real sin here remains the theme song. With three seconds of effort my "Anty Up, Black horse, black hat, black rider...cowboy...Whew Whew" "Move along Black hat, black horse, black rider, go go " would be annoying, but less so than the instrumental that was settled for. Also it is not as if 1975 did not have a dearth of talent to make a worthy theme at a low budget price. While Quincy Jones and Stevie Wonder would be unaffordable, an even exchange of exposure for talent could have been worked out with someone like Billy Preston, Bob Grusin or Randy Crawford churning out a passable theme track.

I remember seeing this movie years ago, and my memories of it were that it was a pretty decent western. So when I got the chance to see it again I took the opportunity. Sadly, time had faded the negative things about this movie.

To be sure, there are a few positive things I can say. Williamson is an imposing figure, dressed in black. The scenery, often covered in packs of snow, is impressive. Combining the scenery with the musical score makes for some haunting sequences.

But most of the movie doesn't work. To begin with, the characters. Williamson's character isn't well developed; he doesn't have that many chances to speak, or have an opportunity to make a character. The bad guys are even thinner characters, all of them seemingly alike.

There is also a lot of poor direction. Take the scene with the rattlesnake, for instance. There should be some tension and suspense with such a deadly animal, but there is NO feeling at all! It's presented in the dullest way possible, a feeling that keeps coming up in the rest of the movie.

Although some of the music is haunting, the low budget of the movie means that the same bars of music are played over and over, which becomes annoying. But a bigger problem (and the main problem I had with the movie) is that this movie is VERY slow and padded. Although it runs only about 82 minutes, a good chunk of this could easily been taken out with a snappier pace and some wise editing. Though this would probably resulted in a running time not qualifying for a feature-length movie.

One last thing I would like to bring up: The pan-and-scanning of this widescreen movie is TERRIBLE. You can't properly read the opening and closing credits, and when there is more than one character on screen, one of them is often cut off (sometimes ALL of the characters are chopped offscreen!) This movie needs to be seen in its full widescreen glory, but since the movie is now in the public domain, it seems very unlikely anyone would spend the expense to release this movie on DVD restored.