Mustang Country

I did not know that this movie existed until happening upon it on AMC. It was very pleasant to see Joel McCrea back in action. His performance is enough to recommend this film. The scenery, mostly filmed in Banff National Park from what I can gather, is an equally pleasing costar to McCrea. There is much filler footage of animals doing animal actor tricks which is silly and distracting. At these points the movie feels like a sub-par Disney nature film, but the main story line of McCrea's aging rancher out to capture a wild mustang and bonding with a young American Indian orphan in the process is a nice story that rises above the lame moments.

If you like Joel McCrea, spectacular Rocky Mountain scenery, or are in the mood for a straightforward family Western this film may be of interest to you.

My daughter loves horses and is 6 years old. She and I watched this movie and were delighted the entire time. This is one of the very few G rated movies that is actually made in such a way that no parts were too intense for a young child. The scenery was lovely. The nature scenes were wonderful. The dialogue was simple, but very real, and laced with kindness that is rare these days. I loved the subtle wisdom of Dan, and the way the boy was refreshed by his influence. An overall winner in my book. One funny detail was that a pure-bred rottweiler dog was in the film, and when the owner was asked what kind of dog it was, he replied, "You name it, he's got it!"

In 1976 this unexpected movie was as much a surprise as a refreshing relief from the grim gangster pics that had taken hold on the industry of the day. A well and truly retired Joel McCrea must have liked the script from writer/producer/director John Champion to allow himself to be lured back into the game he said he was through with - and at 69 he proved a formidable character to tackle such an active role. Being a professional horseman he makes moving at speed look as easy as an evening stroll! It seems the film was made to commemorate some Centenary celebration and was released in two versions - the best was released into cinemas as a support, at approx 80mins - while an extended version screened on TV, padded out with footage lifted from earlier McCrea westerns.

It's as pleasing to the eye as it is unusual for its day and while slight in its overall story, is set in some of the most ruggedly beautiful country in Alberta and well photographed by J. Barry Herron (Orca '77). Within the opening, there is an appearance of two guest stars, Patrick Wayne and Robert Fuller - who don't return for the duration but are used quite well. A one and only screen performance by a young native Indian lad, Nika Mina completes the rest of the cast as they search the hills for a precious wild Mustang. Random shots of animals existing in the wild are accompanied by a fine music score from gifted composer/arranger Lee Holdridge. There's a good song included by Denny Brooks ("Follow Your Restless Dreams") that's nicely featured in one section and closes the film. On the journey, a massive rogue Black Bear adds deadly excitement invading a barn the two central travellers take refuge in.

McCrea followers will be pleased to see this sterling veteran performer in his final role. In 1976, this little film won a Western Heritage Trustees Award for outstanding family entertainment in a western motion picture (though I agree with other reviewers that this film, set in 1925, is more a 'Wilderness' movie than a Western) Some DVD copies available are poor but It seems Universal have recently given this worthy picture a new DVD release - while I have not seen the quality, if taken from the original 35mm negative this should look visually perfect.

This has been described as a Western but I tend to disagree feeling it has more of an affinity with the "wilderness"movies and TV series that were being made around the same time ,such as Adventures of the Wilderness Family and Grizzly Adams.It is a simple tale of an ex-rodeo star turned rancher (Joel McCrea)who ,joined by a young native American boy (Nika Mina)sets out to capture the last wild mustang in Montana ,during the 1920's .There are only two other roles -a brief one scene appearance from Robert Fuller (ex of the Laramie TV show)and Patrick Wayne.

The movie is pleasant but inconsequential offering little drama or character interaction but beguiling the eye with some attractive scenery and I suspect its main appeal will be to those seeking undisturbing family entertainment . It was to be Joel McCrea's last movie and he brought to it his usual rock solid professionalism The movie uses clips from earlier McCrea movies to illustrate the psst life of his character in this movie ..It would have been more fitting if he had ended his career with what turned out to be his penultimate movie Ride the High Country -that wonderfully elegy and tribute to a passing breed of men .As it was he left with this movie -pleasant ,untroubling but a bit too soft focused to be really aimed at adults

Its nice and its amiable -nothing more.

Joel McCrea came out of retirement to do this, and one can only wonder why. It seems likely it was either the chance to spend a lot of time on horseback in astonishing mountain countryside (which one would imagine he'd done plenty of times before this), or he was too nice to turn down a friend. The story is basic and unadorned by nuance or insight. Old cowboy wants wild mustang. Orphaned kid with spunk helps him. Adventures follow. There's no conflict in the story beyond whether the pair will capture the horse. The only two other actors in the movie are nice guys who disappear after one scene. And of the two main actors, Joel McCrea is the only one who can act. (He's not given anything remotely complex to act, though.) The kid is out-acted by McCrea's dog. In fact, the kid is out-acted by McCrea's hat. But it's wonderful to see McCrea in his twilight years, still a consummate pro, still a splendid rider, still a movie star. And the scenery is worth four of the five points I voted the movie.