The Westernized grandson of a shaman returns to the wilderness to learn more about his Native American heritage. When he encounters powerful evil spirits, he enlists the aid of his lover and... Read allThe Westernized grandson of a shaman returns to the wilderness to learn more about his Native American heritage. When he encounters powerful evil spirits, he enlists the aid of his lover and a local chief to stop the spirits.The Westernized grandson of a shaman returns to the wilderness to learn more about his Native American heritage. When he encounters powerful evil spirits, he enlists the aid of his lover and a local chief to stop the spirits.
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Shadow of the Hawk is a film that can be viewed on many levels. It is at once a parable about the use of power and a young man's conflicted response to his vocation. I am speaking of power as it is defined in various North American Indian traditions. Power in such traditions is neither good nor evil in itself. It is the person using it who is good or evil and uses it to those ends. It is in the portrayal of black vs. white magic that the film has serious flaws, introducing non-Native American elements for dramatic effect. Nevertheless, the essential understanding that power has the potential for personal enlightenment or self-destruction manages to come through. There is also the drama of the vision quest operating here. The vision quest, found in the traditions of many North American Indian tribes, is a experience through which one conquers one's fears in a journey which culminates in a crucial aspect of self-knowledge. All of these elements, aided by the entrancing scenery throughout, combine to make this film well worthwhile viewing.
Jan Michael Vincent is very good in this role as "Hawk", the grandson of a Native American medicine man, played by the venerable Chief Dan George. The plot? He must return to his tribe to safeguard them from an evil spirit. Along the journey through absolutely beautiful Northwest woods, Hawk, his grandfather and girlfriend must face attacks from both spirit and flesh and blood foes. An exciting and sometimes rather spooky road-trip. I give it ***1/2 out of *****.
A likable enough film that didn't really grab a hold of me. Chief Dan George, previously seen in Little Big Man, made earlier and Outlaw Josey Wales, made the same year was born in 1899 on a Canadian Indian reservation and here plays an old medicine man seeking to pass on his powers (and responsibilities) to his grandson as he makes his way back to his village for the last time. There are some amazing sequences, notably a hand to hand fight with a black bear and others involving a strange car and a rope and slat bridge high above the rapids. Indeed the Canadian location shooting is ever impressive and if the tale starts to drift towards the end there is enough here to engage those looking for something a little different.
This movie like a lot of them made in the 70's contains an interesting plot and some substance. It gives a subtle touch of spirituality and some thrilling scenes of action and even creepiness. The characters seem convincing in their roles and the old man ( played by Chief Dan George) has a lot of personality in which he speaks very little being a very wise powerful medicine man. The other characters seem to pull of f their roles as well with the acting being realistic and not forced or awkward. I found the suspense in this movie to be "real" without all the special effects thrown in to make it look over the top and ridiculous like a lot of action flicks out there today. I guess you can think of this movie as one that leaves you with a good feeling at the end. The score of nine may seem a little high but I feel it really deserves it , due to it's subtle way of telling the story and leaving it up to the person watching the film to exercise their imagination. Also I think being someone who saw this film when it originally was released it brings back some memories and didn't disappoint years later when I watched it again for maybe the third or fourth time. A lot of movies that you had watched growing up appear a little different as you remember them but this one is in good standing. I also think that this movie is my favourite among the Native North American themes.
I saw this for the first time recently. Got pulled into seeing this after reading lots of glowing reviews on imdb.
I didn't enjoy this film as ther is nothing eerie, spooky or horror bah it.
Generous with a 4 cos the film has some good locations n most of it is shot in broad daylight. It has a creepy snake, a creepy ghost (Jennifer from Masters of Horror lookalike).
The bridge scene cud have been tension filled but they filled it up with shaky cam.
The bear scene is badly done n the bear looked fake as if some human made to act in bear costume.
Generous with a 4 cos the film has some good locations n most of it is shot in broad daylight. It has a creepy snake, a creepy ghost (Jennifer from Masters of Horror lookalike).
The bridge scene cud have been tension filled but they filled it up with shaky cam.
The bear scene is badly done n the bear looked fake as if some human made to act in bear costume.
Did you know
- TriviaGeorge McCowan replaced Daryl Duke as director during production.
- GoofsWhen Mike telephones Faye from the phone booth outside the restaurant, he dials six numbers, not seven as are telephone numbers at the time.
- ConnectionsFeatured in 42nd Street Forever, Volume 4: Cooled by Refrigeration (2009)
Details
- Release date
- Country of origin
- Language
- Also known as
- I hökens skugga
- Filming locations
- West Vancouver, British Columbia, Canada(hilltop views of city)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- CA$1,800,000 (estimated)
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