Empire of the Ants

Like one reviewer says, (and I paraphrase) this is an Arkoff/Nicholson/ Bert I Gordon film, people - lighten up! Did you seriously expect Academy material (not that that means anything) out of a film called "Empire of The Ants?" Yes, the effects are laughable, yes the acting, and especially the reactions to the ants, are hilarious. It's all in good fun. I just love that grainy 70's print and the actors forging ahead despite the ridiculousness of it all. I personally think that credible acting in a film like this is a whole lot harder than a typical 'dramatic' production. I mean, how much harder would it be to get into the 'zone' and understand your motivations with something this silly? An absolute must watch for fans of bad movies. Especially if 70's bad movies really get ya. Similar titles: Squirm, Frogs, Tentacles. Anybody know any more good obscure 70's eco-horror? Please email me.

I absolutely love this movie and would highly recommend if you're looking for something fun to watch! There are only two or three clips of ants that are consistently overlaid and recycled and it just gets funnier every time. Not sure if this is quite what H. G. Wells saw in his mind, but so happy it exsists!

I guess I'm the only one who noticed the potential "love story" here. Don't believe me? From the beginning it seems very clear that Robert Lansing's Dan Stokely has a thing for the bitchy Marilyn Fryser (played by everyone's favorite bitch, Joan Collins). Check out that elongated "stare" they share on the boat. Then there's Jacqueline Scott's droopy, whiny, bitter, button-obsessed Margaret Ellis. She has a thing for Dan, but Dan tries to brush her off by saying he doesn't need any buttons. The clincher, however, is when Marilyn decides to go it alone through the forest, but is immediately confronted by those annoying picnic pests. Take note how she runs back right into Dan's waiting arms. Note also how he eagerly holds her tight and caresses her. And make one final note at Margaret Ellis's reaction -- you think she was bitter before?

That one scene provides more drama and suspense than anything else in the film! For example: Does Margaret really love Dan? Does Dan really love Marilyn? Does Marilyn really want to give up her life as an independent and successful woman for the macho Dan? Will Margaret kill Marilyn so she can sew buttons for Dan? Will Marilyn kill Margaret and steal her buttons so SHE can sew them for Dan? Will Dan say "to hell with the buttons," rip off his shirt and have his way with both women? Or will Dan say "to hell" with both women and offer them up as sacrifices to the ants?

Alas, the movie never answers these questions. But wouldn't it be cool if it had?

Based very loosely on the short story "Empire of the Ants" by H. G. Wells, the film involves a group of prospective land buyers led by a land developer, pitted against giant, mutated ants.

This was one of Bert Gordon's final films, and from a technical standpoint it is among his best. The production value looks much higher than his earlier work, and the star power of the cast is evident. The ants, while still relying on a few cheap effects, are overall pretty effective -- though why must they be screeching the entire time? But really, what makes this only a "good" film rather than a "really good" film is the length. This is clearly a 60 or 70-minute film stretched out to 90 minutes, and that allows for the ultimate sin to creep in: boredom.

Mr. BIG(Bert I. Gordon) does it again! He creates a truly bad science fiction film with amazingly poor special effects and some of the schlockiest character acting performances and dialogue around. Supposedly based on a story by H. G. Well's, The Empire of the Ants is about how a group of people go to one of those shin-digs put on by real estate folks hoping you will buy some of their resort property after drinking some of their third-rate drinks and eating some of their crummy snacks. Joan Collins is running the show, hoping to sell all the people who came by boat to her real estate project a lot. Seems she is not a wholly reputable businesswoman, yet she has no knowledge of the fact that giant ants that grew from a leaking can of nuclear waste have taken over the resort and begin feeding on her guests, first in pairs. In one of the more ridiculous scenes in the film, giant ants run on the dock, jump on the boat, attack one of the crew, and then cause the skipper, hardily played by Robert Lansing, to set fire to the ship and leave the survivors no recourse but to trek back by foot. The journey back causes lots of death and destruction. The most ridiculous scene in the film has an aged couple hiding in a cabin and then coming out to see these giant ants all over the hut and on the ground standing. I almost fell over laughing at the awful special effects! Finally, the remaining few reach a town that secretly has been taken over by giant ants that spray a mist over people and make them do their bidding. The second half of the film breaks any possibility that you take the film seriously. The first half, although filled with many a ridiculous moment, at least has some suspense and gives the actors a little screen time to show that some of them actually know how to act. The second half is a hodge podge of poor script-writing, bad character acting, and some more real cheesy special effects. The film is another testament to Mr. BIG's ability to create some of the campiest, bad sci-fi around. Despite all this negativity, the film is a load of unintended laughs!