Golgo 13: Assignment Kowloon

Ever watch a movie that wasn't in your native tongue to start but has been so badly dubbed you can't tell if the movie bites or the dubbing? This is one of those movies. Sure I've seen plenty of bad sword and sandal films and martial arts flicks but this films dubbing so so hideous that I'm wondering what planet the dubbing director was on. Its all the bad 70's dub voices but in this film they are put to particularly bad use...

The horror, the horror...

I honestly can't rate the film because the dub is so bad its not fair to even try....

If you look into Golgo 13 film adaptions, you're more likely to encounter the anime 'The Professional: Golgo 13' produced in the 80's. But little would you know that there were unfamiliar live action films beforehand. This film is what I'd call 'the familiar of the unfamiliar'.

This film came part of 'Sonny Chiba Collection Vol. 2'; a three-disc boxset consisting of Chiba's roles outside the popular Street Fighter films (not to be confused with the videogames) which I found one day (probably better than the three films on Vol. 1). What caught my attention was finding him portray Golgo 13. Having read an English translated first volume manga compiled with two stories of Golgo 13 beforehand, I was interested to watch.

If I could compare this film to the structure of the manga, I'd say it's done a good job. You don't see the title-role most of the time until he attempts an objective at the right time just like the manga. It probably makes sense for who he is; he's an assassin with an unknown past, unknown origin, etc. He's a master at sniping, he won't shake hands, and he only meets contact with the hirer once, unless something goes wrong with the objective.

Sonny Chiba, if I had to match the image of the role he plays, was probably the perfect role for Golgo 13. He has the strong eyebrows, the charisma, and the attitude like the character.

The story's great as well. Rather than follow the same familiar structure of 'waiting for the villain to get assassinated' from the manga, the film takes a bit of a different approach. That, I won't spoil for anyone.

The only downer I'd probably give, is the Japanese dubbing on gaijin (foreigners). It's fine with the Chinese actors, but with the Americans, it looks cheesy and unrealistic in a way. Sure, a foreigner could pick up the language with the accent too, but there's probably a hard chance on the rest to handle that reliably. But despite that, it shouldn't be such a big deal to be taken on.

Overall, in my opinion, you'll probably like this film if you've read the manga at least once. I dunno if those unfamiliar with the series will be glued to their seats for the entire picture, but I think the ol' Chiba action in parts would keep them entertained. Well, maybe. Give it a try at least. It's a stylish 70's flick from Japan to enjoy.

I recently watched Golgo 13: Assignment Kowloon (1977) on Tubi. The storyline follows an assassin hired by drug cartels, while a determined detective tries to track him down as the bodies begin to pile up. But catching this assassin won't be easy.

The film is directed by Yukio Noda (Gangster Cop) and stars Sonny Chiba (The Street Fighter), Chia Lun (Killer Rose), Shihomi Etsuko (Sister Street Fighter), and Yao Lin Chen (The Man with the Golden Gun).

This is a fun espionage-style action film that reflects the flair and energy of its era. The attire, décor, and overall atmosphere are spot-on, giving it a vintage spy-thriller feel. There are some stylish assassination scenes that keep things engaging, along with decent choreography and a few fun Chiba fight moments-even if they fall short of his Street Fighter peak. Still, the action is well-paced, and the kills help drive momentum all the way through to the climactic finale.

In conclusion, Golgo 13: Assignment Kowloon is a solid entry in the action genre and a worthy watch for fans of Sonny Chiba, though it's not top-tier. I'd give it a solid 6-6.5/10.

Pretty typical Japan crime film of the middle 1970s - fast, cynical, unbelievable, flashy, empty. There are a couple of twists that raise it above the level of mere curiosity. first, Chiba's performance is fine. Second, the film is Japanese, but filmed in Hong Kong, on of the first efforts to cross the great divide between China and Japan that had been rendered and filled with blood during WWII. Interestingly, unlike similar Chinese efforts - e.g., A Man Called Tiger, The Angry Guest/Kung Fu Killers - there's no effort to explore differences between the two cultures: Hong Kong is just another thriving Asian metropolis, much like Tokyo. Perhaps this lack of notice of any difference is the crucial difference - come to think of it, Japanese action films of the 1970s don't have much to say about China in general, or Hong Kong - except to hint that the crime rate is unacceptably high there - which seems a bit churlish since all the professional killers in these films are Japanese. Oh, well.

One last historical note - this film clearly had as much impact on John Woo's "The Killer" as Melville's "Le Samourai" - more, I think, since the cop/killer relationship, given crude but important presentation here, is closer to the center of the Woo film than the implicit romance borrowed from the Melville film.

Nothing special, but worth a look.

Also known as Golgo 13: Operation Kowloon,(US title) this is a perfect example of a grindhouse cinema Yakuza movie. Before John Woo there were these Yakuza movies. Films that merge the fetish of a slasher film with sex, guns and ammo. Gritty noir that has all of detective work of Chinatown with none of the charm or depth. This is not necessarily a bad thing, it just means that it's a different more lowbrow but equally watchable form of entertainment. Another American example would be Charles Bronson's "The Mechanic" from 1972.

As the relentless killer Golgo 13, a hitman that NEVER leaves a job unfinished, Sonny Chiba delivers what I would dare say the most hardboiled of it's time hitman movie. Devoid of mercy and full of bullet holes this movie takes out all of it's aggression on it's viewer with a rapid fire delivery of the plot and action sequences that flow together as if it's own style of dialog.

A perfect starter film for anyone interested in grindhouse and kung-fu style movies. Movies like Leon, Kill Bill, Ichi The Killer and later John Woo's The Killer all tip a hat to Chiba's work in this film.